CWJ for EP tuts

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 You might remember that I have been mentioning a resource document (EP Tutorials) from the perspective of Endrucks' original patterns and derivatives. Ninetta and I decided to restrict the technique tutorial links to our respective blogs, and the Endrucks 1920 Project, without any outside source. To that end we even created some new pictorials and/or videos - some of which are still underway. 

The Catherine wheel join (CWJ), however, is something both of us had in our folders for the last several years but hadn't shared it online. My pictorial is from 2020 which I did for my Lock Join Plus series aka Reposition Methods, while Ninetta's diagrams were also drawn many years back. Bringing the two together, we present this PDF. https://drive.google.com/file/d/1UmmjBqNwwQYIb9Ms9_-T5K6dPnZENCwl/view

A few selected pics from the pictorial -

In the same 2020 folder I have the pics for working the CWJ backside, but have not presented them here. Perhaps at a future date I will work on that presentation and include it.

And Ninetta Caruso's diagram page - 

        Download the PDFs :

Catherine Wheel Join (CWJ) -  https://drive.google.com/file/d/1UmmjBqNwwQYIb9Ms9_-T5K6dPnZENCwl/view

Lock Join Plus aka Reposition Options series - https://drive.google.com/file/d/17zsM3JaLO7r0ajg8VOnv5IcJ-kLNqEiU/view

And in case you want a practice pattern, here's a quick one - E28 Heart by Muskaan - https://drive.google.com/file/d/1-rWqmDAd51VwxOqtt9spD-FIX5zYDAUE/view

There are already plenty of tutorials, including video demonstrations on this join, links to which you can find by clicking on the Tatting Resources tab above. I am of the opinion that there is no such thing as too many resources. Each of us learns in their own way and one never knows which tutorial will click for an individual. So, hope some of you find this helpful.

Happy tatting!

Deaconess Butterfly 1916

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Back in 2019, I had tremendous fun tatting the Deaconess Butterfly (from 1916) using beads to pretty it up. Recently Cross-eyed Tatter left a comment asking for help. (https://tipsaroundthehome.blogspot.com/2019/10/beady-eyed.html). 

After reading up my notes as well as the rewritten pattern by Carolyn Groves (in 2002) to refresh my memory, and being in a diagramming mode, I decided it would be better to share a diagram than simply notate the model. So here it is ---

And here is the pdf link (click to download) - https://drive.google.com/file/d/1gDRWAwqyN7f6kdsu9yybtQj9-l_QpsFn/view

For the above beaded version refer to my detailed notes here - https://tipsaroundthehome.blogspot.com/2019/10/beady-eyed.html

It took me a while to do the diagram to my satisfaction since parts of the pattern can be a bit confusing especially if one is a visual tatter. 

Pay close attention to the sequence. 

TIP: There are multiple joins between the head and body, and body and tail. Hence make sure the picot is sufficiently accommodative. 

Cross-eyed Tatter already figured it out and was tatting it based on her last comment. For what it's worth, I hope this diagram helps tatters in future. I will also send it to The Online Tatting Class, since that's where I first tatted it as homework. 

UPDATE: Thanks to some good sleuthing by Gloria Nelson and Wally Sosa, the original source of the pattern is as follows: 'Butterfly Motif' by The Deaconess in 'Practical Tatting Book No.1', 1916. (Reprinted in the book, 'Tatting- A Potpourri of Patterns' by Handy Hands). The pdf and image above have been updated with this info.

That's it for now. Butterflies never go out of season! So, let's enjoy 🦋🦋🦋

And if you find a mistake, please holler!

the foster child

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Reworked patterns from Frau Eleonore Endrucks-Leichtenstern’s ‘Die Schiffchen-Spitzen’, 1920, for Endrucks 1920 Project.

Don’t these look like folk dancers with frilly skirts and knocking elbows! Now add a head to each to complete the ladies…. A single motif, with a bit of addition, could become an angel or Crinoline lady.

Endrucks' pattern #7 pdf (click to download): https://drive.google.com/file/d/1UDNg-1W6LJ3pyrn_Umz5f33BF01_92-E/view

This little pattern has interested many tatters and each ‘foster family’ loved and groomed it to their best ability. But each home wanted something even better for the foster child that they could not provide, hence the child travelled, leaving behind a virtual trail of trials and learning, until the final adoption.

adopting, not foisting, the foster child...

House #1 (Ayşe Özgür): An enthusiastic & immediate start but life halted for 10-11 months.
        Starts with chain and work moves form right to left. Good use of 3 colours.
House #2 (Douglas Hill): Enthusiastic choice in the 2nd volunteer list, and mutual collaboration, # 2 conceded that #3 (adaptation & tatting) was better.
        Starts with chain, with inward picots for bilateral symmetry, and work moves from right to left.
House #3 (Julie Santos Villegas): An immediate & willing response but later needed help which #4 provided, but health forced another shift.
        Starts with a ring and work moves from left to right..
House #4 (muskaan): Formally adopted and continued to maturity.
        Starts with a ring and work moves from left to right. With options shared.


TWoT (This Way or Tat?) and Diagram Notes :

original model

Considering Frau Endrucks did not like decorative picots, all her edgings have a line of free picots along the top side (as seen in her tatted model pics) ostensibly to sew down the lace along that side while the other dangled.

original diagram

However her diagrams are ‘upside-down’ and this line of picots lies along the bottom.

But there is a 3rd aspect. Her diagrams are read from left to right. Most of the patterns start with a chain, and when we actually tat a chain normally (not direct tatting) and continue, the working progresses from right to left (as in Houses 1 & 2).
I find myself doing mental & physical callisthenics in order to sync her diagram with the work in my hand. I like to know where/how my very first element faces, and where the threads emerge to continue – this orients me correctly till the very end. This is especially true for her patterns which involve frequent changes in direction.

Hence there are 2 solutions I have employed –

original diagram flipped

1. Try to start the pattern with a ring. It has obvious advantages, including CTM and hiding tails. It is how I presented this pattern, shifting the start from a chain to a side ring. (Julie had first started her adaptation sampler with the central ring and diagrammed it accordingly, moving from right to left). Now the work progresses from left to right as in the diagram. 

2. Draw a working diagram where we follow the pattern exactly as Endrucks has written starting with a chain, but the diagram shows this first element on the right instead of left. And the diagram then moves leftward (as in the flipped diagram above). No need for any brain callisthenics – simply lay the work against the diagram and you are facing the ‘right’ way.

One more common feature of several patterns is that the central ring at the base (from which chains radiate) is tatted at the end of the motif. The only reason I can think of is to make it easy for a designer to estimate how large the ring should be and avoid multiple prototypes. Anyways, several of our pdfs show this ring as per the original. I have always shifted it towards the start of the motif joining chains to it, rather than joining the ring to chains.

TIP:  Potential Pitfall : Joining to the wrong picot!

 

This is one area where I frequently made a mistake and had to retrace my steps! This final one I noticed too late but fixed it by carefully snipping the joined picot (and glued the cut ends), and sewed the correct picot in place. 

This is the 1st motif I tatted in early October to understand and explain the pattern to House#3. By November, I had to tat one more (no pic) to refresh my short memory and then went on to the sampler below ...

Each motif, especially with decorative picots, has the shape of a petal. 

Gather up a row of motifs to create a 3D flower! Alter the length and width 

and you get more layers and visual variety!

Of the 4 motifs in the sampler, the first 2 follow the pattern, each colour giving a clear idea of which shuttle forms the core thread, in other words, which shuttle is in the hand.

In the 3rd & 4th motifs, I added decorative picots along the top edge of the rings, and Catherine Wheel Joins in some chains for a smoother look. Remember to count the CWJ as 1 stitch (as in 4th); notice how smooth and symmetrical the inner negative space is? I also played with colour placement, using Reverse Join, Twist Work, etc. (see Lock Join Plus for more options).

This is one more idea I had – tat the entire motif with bilateral symmetry. The best part? No need for paper clips and inward picots - no BBT (block below tatting)! Notice the central ring is worked as a split ring and the innermost left chain is tatted first. 

But some tweaking is required especially on the right side ... when I get my bearings back ;-P

Before signing out, let me quote my partner Ninetta -

“I would say one more time that this project taught us a lot also in terms of collaboration. The n.7 changed family but each time "we" added a new piece in the puzzle, that is always an improvement, for both understanding the pattern and learning how to present the modernized version.”

Remember, you can find all of Endrucks' patterns (& derivations) in English here - 

https://docs.google.com/document/d/17LEVftXweztBIOWh4sL4BB7bX65ssoOsOn4oXIgCepY/view

that one magic node

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Inkscape hack #3

Be it any medium, I am a freehand, freestyle person. 100% accuracy and precision takes a huge toll out of me. Freehand makes me joyous, even if minor flaws creep in. Trading practicality and hedonism for perfection - my mantra or excuse?! ;-P

I had been pleasantly engaged in drawing a seemingly complex tatting diagram for my mate. It consists of many parts that are not all symmetrical. The many sized rings and chains not only face in different directions but some elements have lots of picots.

For picots, I find it easier to draw small straight lines individually with the Bezier (or pencil) tool – trying to orient as I draw. This gives me a quick first draft. Then I group them together and change their value, colour, etc.

Length and orientation may still need tweaking when the whole element/portion is done. Earlier, I would select each picot and use the arrows to do it. Not always convenient since the lines are relatively small and the arrows come in the way (how much can one zoom for each picot – my old compy can’t handle it ;-D)! Further, unless the Control key is held down, the thickness/value of the line changes. This meant an additional step to bring back the required value.

This time I discovered a very easy and sure-fix method that has multiple advantages. All we need is Just One Node! Quite magical, I’d say :-)

We can use a single end node to increase/decrease length and tweak direction. We can also shift the start/end nodes for proper alignment with other elements.

The greatest advantage, besides ease and speed, is that the thickness of the line does not change at all! And it is great when drawing asymmetrical diagrams! 

Robin’s tutorials cover symmetrically placed elements, and she uses the pencil tool to draw picots

I. Straight Line (Picot) : 

Choose just one ‘end’ node to change length or direction ! 

(see diagrams below)

Fig1 shows the first draft lines for picots. 

After selecting the picot to be tweaked, I choose Node tool. 

One can choose either of the 2 end nodes. The chosen one will become red coloured to show it is active. 

Then drag 'outwards' (in relation to the line/picot) to increase length (fig3) ; 

drag 'inwards' to decrease length (fig4) ; 

or drag sideways to right or left to change direction (fig5).

II. Curved Line/Arches (Chains) :

Choose just one node to shift arches - length or position ! 

(see diagrams below)

You might remember my quick and easy way to draw a continuous line of chains and create arches between two nodes. Sometimes, after changing the value or on close inspection I find that the points are not aligned correctly - 

one point may either not touch the ring (fig3); 

or may have invaded inside the ring (fig4); 

or may be misaligned (fig5).

All we need to do is select that point, convert to Node and move it in desired direction !

I'm sure this hack is nothing new. But for me it was an exciting self-discovery !!!

Related Posts :

Inkscape Hack #1 - drawing continuous chains

Inkscape Hack #2 - designing from pre-existing template 

hope this shortcut is helpful too...

floating with tatting

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updated Jan 24, 2018 with schematic for earring

Pozdrawiam ciepło (I greet warmly).

This month’s task for “I Love Tatting” is titled “Goose Circle” – isn’t that cute! Justyna listed some tutorials and examples of bead(s) within rings and also alternate forms of beading. I’ve already used the bead in SR and in SCMR in a few of my own patterns & other projects. Since “floating beads” was also a listed option, I chose to float along :-).  

Peacock earrings and Charmed Cross pendant

I used the floating bead (FB) method to add both teardrops in the Charmed Cross pendant – yes, this is the final version. I’ve added more crystal beads and the horizontal arms don’t look like stumps any more. But more on that when I share the pattern.

There are 2 versions of the Peacock earrings. 

These are derived from this dancing peacock medallion.

Worked with 2 shuttles, 2 colours.

Anchor embroidery threads are used : 3 strands of each colour woven with 1 strand of silver.

The bead in the center and the teardrops were added when required, using floating beads method. Seed beads are pre-strung for the overlying string.

For outermost round, one can use seed beads instead of picots, but I didn’t have any in suitable size/colour.

In version 2, I tried a little heart shape in the green, and a slightly tipped point in the blue. 

For outermost round, one can use seed beads instead of picots, 

but I didn’t have any in suitable size/colour.

After working the outermost blue chain to required length, 

I used a shoelace trick (SLT) to lock it in place. This also created the sharper tip.

These earrings are free-style and I didn’t follow any strict stitch count. But I will share the sequence :

1. Start with topmost ring, attaching the findings.
2. Add large bead (red crystal or gold) using floating beads method (or pre-strung).
3. Work innermost ring in blue around the bead, with picot small midways.
4. Bring forth the seed beads and create a layer around blue ring. Lock join to base of ring.
5. Switch shuttles and work green chain. Join to blue ring. In version 1, add a small picot for linking next round; in version 2, make chain longer and lock join to blue ring.
6. Over and under or Alligator join across base of rings, switch shuttles, and work the outermost round in blue with decorative picots. In version 1, join to green ring then add FB teardrop midways. In version 2, make chain longer, SLT, add FB teardrop, continue around.
7. Tie and cut; hide ends.

UPDATE : Diagram included in the Dancing Peacocks pdf. Click to download

Beads give us the opportunity to add more colours without having to use extra shuttles!

One can pre-string the teardrop (or sew it on later) instead of floating bead method. But I like how the FB makes the bead dangle a little further from the stitches. Also, since I use Pony shuttles that are too small to load large beads, this is a convenient alternate.

I hope you take the time to check out what the other talented participants have created. 

to the love of tatting, with beads

hacking out instant designs !

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This ‘hack’ hit me earlier in the month, while diagramming some vintage edgings. I was thrilled & eager to share, TILL I began writing this post & went over to Robin’s blog for her tutorial link. She’s already covered it meticulously in her last 2 tutorials – I’d totally forgotten (yeah yeah my encroaching greyness …quit teasing me already!)

But I’m still so excited about this shortcut because it led to instant designing – literally within minutes! Relatively simple and skeletal designs thus far, but such fun playing around ! Want to see how? Read on …

How can any of my Inkscape post Not have a reference to Robin?! She has shared free diagramming templates to get us started. Earlier, I would pick a specific ring or ring combo and arrange as required by flipping, rotating, resizing, etc. For clovers in a snowflake, I’d choose the 3 rings and adjust. This not only required additional steps, but some possible heartburn when they decided to change shape on rotation ;-/ 

(Of course, post-event I know that her Drawing ‘Automatic’ Pattern Repeats tuts eliminate all that heartburn & I’ll be internalizing it for future).

So, anyway, with just a few hotkeys and her Rosette template (6 outward facing rings), I created Instant Trefoil & Quatrefoil Patterns ! And went about tatting the latter, too.

This is just the tip of the creative berg - choose and move around templates & motifs !

click on images to enlarge

 

See how easy it is to ungroup and rearrange individual motifs. One does not need an advanced knowledge of diagramming or Inkscape here.

Although clicking on images will enlarge them, here it is in pdf for easy reading and reference.

 

The top left on p3 is a hexagon from trefoils. 

This skeleton is converted into a working tatting pattern diagram - a simple 2-round snowflake - with the inclusion of chains and picots. 

In the alternate method shown below with quatrefoils, more steps have been eliminated by working with a set of 3 motifs & flipping it!

I draw my own guide lines using the grid and a bezier. Actually this was to be the 2nd hack I intended to share, because many of us still find using the guide lines and snap commands confusing. But for those who can, use the actual guide lines.

Errr, tatting wasn’t as instant as designing – the first ‘hexagon’ turned into a square (the one with tails)! Just a slight stichcount tweak, and I got a square, pentagon And hexagon all from One skeleton diagram (on the left) !!! The picots & joins were shifted in the pentagon & hexagon on the right. It creates a visibly different look, but the hexagon refuses to lay flat.

Incidentally, all rings throughout have 24ds.

  

And there's another possible pattern on p4 with quatrefoils and thrown rings, but the quatrefoils are 'inverted' ! I think it can be accomplished in one pass using SCMR with thrown inner rings and split rings along the outer circle.

Instant Designs from a pre-existing Template pdf download

Now the Quatrefoil Square & Hexagon seem to be pretty basic, although my searches did not throw up such a medallion. And even the stitchcount – I came up by myself.

If you have come across an exact replica, please do tell.

I will share this pattern & it's myriad design possibilities next time. These different shapes seem to have a nice fit to create a larger fabric. Hmmm, a magic square, too, perhaps :-D No harm aspiring, is there - & I might just have got the sequence! 

But first I need to design a triangle to fit within. All help is welcome :-) 

In the meantime I'm halfway through a bookmark & next a coaster tatting it in one pass.

Related Posts

Inkscape Hack #1

Free Tatting Templates

tatting or drawing – the name of the game is fun !

enjoy :-)

were they hieroglyphs ?

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free vintage edging pattern in modern notation  
this post is in a lighter vein, though it involved serious work

 Hieroglyphic, err, Arsenic and Old Lace

 dedicated to the wonderful Online Tatting Class

                                            A mummy wrapped in old lace,

                                            I sought to make new and replace

                                            with minimal invasion –

                                            a diagram and notation.

                                            There arose a cry in class

                                            ‘how to tat this is one pass?’

                                            To a new diagram it led,

                                            but wasn’t clearly read.

                                            The new sequence highlighted,

                                            Why was not it sighted ?

                                            Was there a real glitch

                                            or words were like hieroglyphs ?

                                            Such tricks plays our brain

                                            This is arsenic, pain not again !

                                            The new mummy they turned over

                                            To decipher the top as the lower !

                                                                           -- muskaan, May 31, 2017

I promise, je promets, lo prometto – the last and final revision of this edging. And I do apologise for putting my dear readers through this yet again - March, April, and now May, oops - the mummy rises again !

This is an image from the original Georgia sent me, for working out the sequence and diagramming. Here all 5 rows were tatted separately, with tie and cut after each. 

During my first revisit of the tatted edging from Coats and Clark (Book 121, Pattern 295), without specific guidelines, I didn’t want to change anything, except climbing out of rows for a continuous tat. Hence rows I to IV were tatted as one continuous unit. Then tie and cut. And row V was worked separately.

Some tatters wondered how to make all 5 rows in one go. Hence I included this in a revised diagram (below), to be read in conjunction with the original modern notation, and all links and information were provided in that single page (shown encircled)

Yet confusion persisted. Eyes went straight for the diagram, skipping the written matter which was highlighted through colour coding, or within boxes and the tatting sequence was the first thing on the page ! They were Not hieroglyphs, were they ?! 

I recently finished reading The Brain by David Eagleman and it is an 'eye'-opener to see how our brain takes over all our perceptions, sensations, knowledge, learning, comprehension, actions and reactions.

Anyway, they solved it by turning the page upside down ;-D (Ingenious lot here, though momentarily blinded by the diagram perhaps, ;-P !)

Why ? Because then Row I became oriented correctly – the way we would tat it. Another TWoT lesson for diagrammers.

All this could’ve have easily avoided if I hadn’t tried to avoid some extra work (yeah, yeah, a stitch in time …. and all that jazz ;-P) I should’ve re-oriented the pattern (in pic below) for the revised diagram, but thought it’d be too much work. It is easy enough to flip a diagram in Inkscape; turns out it is just as easy to flip the numbers – individually or as a group !!! I did have to reposition, but it was all fairly quick work. Another happy lesson learned too late :-)

So I give you yet again, the re-revised reoriented and this time stand-alone pattern for the edging. download reoriented diagram-only pdf here. 

Since I was going through it all again, and I didn't want to show you the same old pic, I tatted another sampler, this time in black size 50. 

And I also made another pdf this time with the pattern in written notation too. 
download Complete reoriented pattern pdf with diagram and text here

I know you must be bored, but hey, “I’m picky” ;-P And hopefully no hieroglyphic this time!
I will be striking out all previous pdfs to avoid confusion in future.

Thank you Georgia and the Online Tatting Class

for new perspectives, 
and for making me work harder to improve J

keep tatting till posterity J

quest for a tail

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tatting diagrams for 3 braids

3 Split Ring braids / tails 

derived from and for Jon Yusoff’s

Chinese Coin Bookmark 

I shared the completed body in my earlier post. Jon’s original bookmark ends in a long tassel which looks beautiful. Instead, I decided to make a tail, with a possible short tassel or charm at the tip. 

I made a couple of rough sketches, which are now converted into the following diagrams: 

These were my initial thoughts –

Split ring braid #1 rejected right off.
Couldn't decide between #2 & #3 (although I preferred the latter), neither whether I wanted a tassel or a charm.
Nothing to it but to start tatting one side ...

... and the shuttles decided to go with a single coin motif as charm :-)

The stitchcount for the entire tail is same as for the original bookmark.

After completing the charm, I tried to see how split ring braid #2 would look - after all it would be a miniature coin...

Nope, didn’t like it – seemed too angular.
Un-tatted and went with #3 and am very happy with the phase shift in chains !

As with a few other patterns, it was easier and quicker to switch shuttles and tat the chains with reverse stitch (unflipped) – no need to unwind & rewind main shuttle !

With direct chains, all tatting is from the front side, hence no reverse work, which adds to the confusion in such serpentine or magic square-type patterns.

TIP : I also discovered an easier way to join these RS chains with a down join. A down join, followed by the unflipped 1st half-stitch, creates the visibly complete stitch.
Pull loop of SH2 down through picot, pass SH1 through loop and snug. Make sure thread slides freely. 

These tails (and the bookmark itself) can be used as edgings and insertions or beaded jewelry.

Following the Chinese theme, I picked out a few related books ...

Peony was my first Pearl Buck book, and also my first literary window into Chinese culture. It was one of a few books that my friend gifted when she left for the US. While not in good state, I treasure it very much because she spent a lot of thought into which books to be given to which friend.

One thing I always remember from Peony - they wake a sleeping individual with soft music or songs, giving the 'wandering soul' time to return to the body.

Ten Thousand Miles Without a Cloud  This book I read a few years back and it was real eye-opener. Retracing Xuanzang's journey along the silk route in search of Buddhism in the 8th century, Sun Shuyung has woven a beautiful picture of the past and present. We studied a bit about the monk (our history books called him Huen Tsang), but to actually be brought to life in that era was a whole new experience. And to think all this was lost till an interested British archaeologist Alexander Cunningham rediscovered Buddhism in India !

The only thing I missed in this book were photographs. A few more photos would have done wonders, especially when the author was visiting and talking about real monuments, etc.

happy tatting and happy reading always :-)