Dedicating my 1000th

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For this 1000th post I kept musing on the choice of subject. And I finally decided to dedicate it to some of my favourite people who have shaped and inspired my tatting journey. This is a symbolic gesture to ALL the tatting teachers, designers, innovators, experimenters, explorers who have shared their own learnings and experiences. 

Three Geniuses and a brand new stitch in tatting!

Two years back I stumbled upon two drawings that gave Ninetta Caurso's treble tatting stitch a basis in tatting history! 

A drawing on page 31 in Anne Dyer's 1994 book, To Boldly Go Where No Shuttle Has Gone Before, showing the decorative chain picots. 

A drawing on page 85 in Rhoda Auld's 1974 book, Tatting: the contemporary art of knotting with a shuttle showing her twisting the thread (this twisted picot is something I had pointed out in my pictorial) and passing the shuttle through it. Her tatted model is what we now call the vapour stitch.

Well, our very talented Ninetta engineered the two movements to create her treble tatting stitch (tds) all on her own! At the time she did not posses either of the books and till I pointed it out to her, she had not noticed! Basically, the chain picot became the 1st half of the tds while the vapour stitch became the 2nd half of the tds! 

💧One of the reasons for the delay in posting this was ambiguity about whether I could share the diagram pic from the book with due credit. Anita suggested I ask Tamie Montgomery, who now runs The Online Tatting Class and is very mindful of such issues. She was very receptive and we discussed it. Although she said it was okay to use the accredited pics (like Georgia had done) since it was a 'technique', I still wasn't comfortable, till I hit upon the idea of showing it in thread as above. 

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Auld is gold bead effects!

Last year I found some new beading effects by Rhoda Auld in the same book and took the liberty to give them each a name based on words used by her.

Framed Bead - The diagram on page 107 has been in circulation through Georgia Seitz's classes for several years now. Georgia pitched it as a way to add a bead in the center of a ring and I used it in this butterfly. 

However, Rhoda showed it as a way to add a free bead on a long picot with bare thread framing the bead on both sides when slack is removed. Makes for some good possibilities.

Piggyback Beads - Now this was fun to discover! On pages 99-100 Rhoda shows how to place two free beads one over the other using simple movements. I tweaked it a bit to make it easier to tat.

Instead of loading the bead on the core thread where she has to move the chain stitches, I loaded it on the knotting thread (teal in above sample) and the rest of the process remains the same. On an earlier page, Rhoda makes the teal picot longer and ties up both picots till required for joining. Hence there are many options depending on the pattern.

My sample is a bit wonky, but you get the picture, right?

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Generosity knows no bounds!

💧I can't thank Anita Barry enough for gifting me so many vital books on my list. Without these I wouldn't have been able to review and edit Net Best's, Six T's of Shuttle Tatting, not with any satisfaction or confidence. These have helped me to confirm, correct, or refine terms for her glossary, and even understand and discover so many gems, some of which I took the liberty of adding to the glossary.

💧Judith Connors has been taking an active interest in the glossary, too, either as an answer to my question, as a reaction to my blog post, or reaching out on her own privately. You can imagine what a treasure trove of knowledge she is and how lucky we are to benefit from her skills. 

Judith sent me a copy of her 2000 book, Creative Tatting with beads, shuttle, and needle. It has some of my all-time favourite patterns besides numerous interesting effects and applications. While I read the book, tatting models will be later in the year. 

💧Late last year I received a wonderful digital book by Carin Jansen, Riego ReTatted (2023).  She needed some advice on selling the book through the USA, not being sure of its reception. With permission, I sought Anita's advice and we both gave our respective take urging Carin to put it on the market. Eventually she decided against it for personal reasons, though she has shared her Dutch version within her group. It is such a labour of love and we hope she will change her mind in future. Carin has chosen patterns from each of Mlle Eleonore Riego's books (1850-1886) and shared detailed steps and modernised versions/tips in a pleasant format alongside diagrams and written patterns. 

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I'd like to think that my blog has stayed true to its name to the extent that almost 95% of my posts have a tip of some kind. Unfortunately I couldn't stay true to the url since this blog soon turned into a tatting blog ... not that I'm complaining, LOL. 

Hope you continue to follow my blog and read my posts. 💞

You will find tutorial links to terms in this post here - https://tipsaroundthehome.blogspot.com/p/tatting-resources.html and you can use the search box on the right panel to look for past posts on the tags used here and much more.

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Many many thanks to all the wonderful tatters mentioned here and also to those not mentioned who have influenced, inspired, and improved my tatting journey and maintained my eagerness to blog.

spring magic

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 It certainly feels like it! A mere week before there were no buds, no blooms. The potted plants were just about awakening from the cold winter months. And then here we are with such beautiful vibrant flowers! Spring magic or magic springs? Let's not forget the mighty role of the sun, though!

I haven't curated my pics .... sharing all I took, though a few were not rotated back to how I had taken them. Also these are only some of the plants in my hubby's balcony garden.

Petunias -

Love the vibrant shade! It is a darker magenta/purple than what I see here, though.

Dormant throughout winter. And now it can't seem to stop growing ;-D

 

A single plant. The very first flower dropped today after five days of giving pleasure. The buds just keep emerging and opening up. I'm glad they stay a while. 

Madhukamini or Orange Jasmine - 

These are not as fragrant as the mogra, and are also quite small. It is fun to look for them among the foliage each morning!

 

There are quite a few buds springing out almost daily and it has red berry-like fruit. Cute aromatic flowers. Expecting the plant to show many more flowers as the temperature and sunlight increases.

Ajwain or Oregano -

We have two plants and both have been fairly prolific even during winter. 

 

Last week I pruned and snipped off a Lot of the leaves and they are drying out in the fridge. Within a few days the branches and leaves are growing! 
Very happy and satisfied with their growth.

Money Plant -

It was difficult to take a good pic of the entire climber. The above pic shows only the leaves at the base.

We had to let go some of the plants sadly. Cycle of life. But the remaining potted plants continue to provide pleasure and hope. The moment the French doors are opened in the morning, we are greeted with enticing fragrance from the blooms and aromatic leaves/herbs. All this is my hubby's handiwork (including the title of this post!). This time my only contribution was to spot the first buds and/or leaves every morning and give him the good news! :-D

CWJ for EP tuts

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 You might remember that I have been mentioning a resource document (EP Tutorials) from the perspective of Endrucks' original patterns and derivatives. Ninetta and I decided to restrict the technique tutorial links to our respective blogs, and the Endrucks 1920 Project, without any outside source. To that end we even created some new pictorials and/or videos - some of which are still underway. 

The Catherine wheel join (CWJ), however, is something both of us had in our folders for the last several years but hadn't shared it online. My pictorial is from 2020 which I did for my Lock Join Plus series aka Reposition Methods, while Ninetta's diagrams were also drawn many years back. Bringing the two together, we present this PDF. https://drive.google.com/file/d/1UmmjBqNwwQYIb9Ms9_-T5K6dPnZENCwl/view

A few selected pics from the pictorial -

In the same 2020 folder I have the pics for working the CWJ backside, but have not presented them here. Perhaps at a future date I will work on that presentation and include it.

And Ninetta Caruso's diagram page - 

        Download the PDFs :

Catherine Wheel Join (CWJ) -  https://drive.google.com/file/d/1UmmjBqNwwQYIb9Ms9_-T5K6dPnZENCwl/view

Lock Join Plus aka Reposition Options series - https://drive.google.com/file/d/17zsM3JaLO7r0ajg8VOnv5IcJ-kLNqEiU/view

And in case you want a practice pattern, here's a quick one - E28 Heart by Muskaan - https://drive.google.com/file/d/1-rWqmDAd51VwxOqtt9spD-FIX5zYDAUE/view

There are already plenty of tutorials, including video demonstrations on this join, links to which you can find by clicking on the Tatting Resources tab above. I am of the opinion that there is no such thing as too many resources. Each of us learns in their own way and one never knows which tutorial will click for an individual. So, hope some of you find this helpful.

Happy tatting!