Sunday, 26 March 2017

a Sunday tatting puzzle

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How to notate ?

I’d like a bit of help, please.
I checked and rechecked, counted and recounted, compared with original tatted model, … and was very confident that what I wrote and tatted was correct.
Then I Googled and found many tatters have made and blogged about the same project over the years, but there was no mention of anything amiss.
Now my confidence is undermined and I need you to take a few seconds and choose the correct one, before I make a complete fool of myself ;-P 


One ring and chain are diagrammed above, along with stitchcount.

When there are many picots separated by the same number of stitches, we like to shorten the notation by putting a single repeat within brackets followed by the number of times the bracketed segment needs to be repeated. 

Going by this ‘shorthand’ method, which of the following notations is correct for each element - A or B ; C or D ?  (refer to diagram)

RING 
  A]   R:  3 (– 3) x6, 7 – 7  RW
  B]   R: (3 –) x6, 7 – 7  RW

CHAIN
  C]  CH: 7 (– 3) x5, 7
  D]  CH: 7 (– 3) x4, – 7

With experienced tatters, our brains autocorrect ; but for new/beginners incorrect notations can cause unnecessary frustration. It is this latter scenario that makes me more vigilant now.

Waiting for your response, tatters J
A or B  for ring ? and 
C or D for chain ?


×+×+×+×+×+×+×+×+×

Just to complete and justify the title, here are a few other ways we come across for the diagram above.

Without any brackets ...
     R: 3 – 3 – 3 – 3 – 3 – 3 – 7 – 7 . RW
  CH: 7 – 3 – 3 – 3 – 3 – 7

Some include the total number of picots in that element as end of line …
     R: 3 – 3 – 3 – 3 – 3 – 3 – 7 – 7 . RW (7p total)
  CH: 7 – 3 – 3 – 3 – 3 – 7.   (5p in all)

“sep” or “sep by” is shortened from “separated by”. It gives us only the number of stitches between the end picots in that segment  ….
     R: 3ds, 6p sep 3ds, 7ds, p, 7ds. RW
  CH: 7ds, 5p sep 3ds, 7ds

These are a few that are most often used when converting descriptive antique patterns to shorter modern format.





Friday, 24 March 2017

tribute

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tribute to a tatter and ode to tatting

A tatting tribute to Irene who passed away recently ...

Heart of the Butterfly 
Irene Woo


In keeping with the season,  I chose spring colours. Tatted with 3 strands of embroidery thread/floss.
It is such a pretty pattern ! Now that I Googled it, I find that it is also called 'Butterfly Heart'.


I will share my own notes and the revised pattern in a future post.
That butterfly has one wing smaller. Instead of retro-tatting, I made a Josephine ring head and wrapped the tail thread around to simulate a body.
ßTßùßõß{ß


And check out this poem Georgia shared on BellaOnline

Why I Tat? 
by 
Sariah Joy 

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I have often wondered why I tat - why does it consume me and fascinate me ? Most articles made are for beauty & decoration, not functional or wearable, and get stashed on completion. It is time-consuming unlike crochet or knitting and so much more difficult to unravel after a mistake. Yet, give me a shuttle any day!
Perhaps it is that lace, besides being pretty, is small enough to experiment with and stash away too. That small piece is complete in itself, yet does not take up space. The tools & materials are minimal, too, hence easily portable when traveling.
It does keep my hands 'productively' occupied, my brain challenged, and my curiosity sparked.
Or may be some brains are just wired to tat - our default is tatting, even if we enjoy other crafts ?!

Why do you tat ?!

ßTßùßõß{ß

keep tatting happily always 


Saturday, 18 March 2017

Spring celebration

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Star Dahlia by Anna Barzyk
and
Clover by Mariya Darydova

Hexagons always appeal to me - be it in any art or craft form. Tatted snowflakes are aplenty, but the focus is on tips/points with 'invisible' or inferred sides. 
Addionally, I love when chains are used to outline previous elements, highlighting aspects with width.
No wonder this pattern was such a pleasure to tat - a clear-sided, textured, yet elegant pattern.
I follow Anna's blog and love her beautiful tatting and other projects. She shared this pattern here recently. I chose a lighter outline to represent the flower in nature.

Clover is a cleverly designed pattern. Joining to the vsp at beginning of chain in each leaflet creates a charming center which is evident in the left leaf and much more in Marya's model.
The left leaf follows her pattern verbatim, split chain and all.
The right one, tatted first, is a bit of a lazy tatting attempt. Here, I worked all 4 leaflets completely, instead of a split chain,  and then tatted the chain stem. 
I'll be back with something more on clovers soon....

Many thanks to Anna and Mariya
 for sharing their pretty patterns.

I hope you, too, enjoy tatting these as much as I did