Happy Tatting

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A very happy International  Tatting Day to all tatters! 

While I will be tatting and also gobble up some chocolate today, what I am sharing here is a coaster or mat I worked on recently. It is a tessellation pattern by Karen Bovard from her 2013 book, 'MORE Fun With Split Ring Tatting'. 

It is made by joining individual houndstooth motifs on the go and there are slight differences in the motif depending on where it is positioned - whether in the main body or on a side, etc. The tails in the above piece are hidden but not trimmed. These acted as markers for my own comfort.

While the tatting itself is easy if you are comfortable with split rings, the arrangement of where each motif is attached needs careful attention. At least I needed that and had to cut off or retro-tat a few times.

The diagram was for a rectangle but I cut it short to a square. Which meant eliminating a row in the main body. To mark my place I marked the finished motifs in the diagram.

While I like the shape as is, it is not practical to use with all the arms sticking out. Hence I will be filling in the gaps, following Karen's pattern, but also outline it. Trouble is I can't decide the colour! Hubby suggested black or brown (the dark shade here is purple, not black) but I haven't made up my mind. Do you have any suggestions?
 

I had bought this book almost a decade back and so glad to have finally tatted something from it. The instructions at the beginning are very clear and detailed and make it easy to read the diagram-only patterns. There are myriad possible arrangements using some basic motifs as blocks or tiles and their niched arrangement in several patterns reminds one of MC Escher's tessellations. Of course, Karen has a lot of other designs, too as evident in the book covers. There are several I would love to try.

Karen even has a tip about making the split rings more circular. Huh, it just confirms why my own ring was circular too! (https://tipsaroundthehome.blogspot.com/2026/02/who-knew.html)

However, the spine of the book did not allow the book to remain open at the desired page. Hence I scanned and printed out the necessary pages and consulted them. 

UPDATE: (April 2, 2026) Karen has a new site which unfortunately does not show up in my feed. All the material from her old blog are also included in this new site. And she has some great tatting memes going ... looking forward to more. Here's the link - http://www.theshuttlesmith.com/

And I submit this as the 3rd piece for Natalie Rogers' PICOT Bingo 2026 Level 2 (https://www.patreon.com/posts/happy-new-year-147124370). Only one box to cross this time, though this too is a rings-only pattern, viz.,

• Tat from a diagram

Dedicating my 1000th

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For this 1000th post I kept musing on the choice of subject. And I finally decided to dedicate it to some of my favourite people who have shaped and inspired my tatting journey. This is a symbolic gesture to ALL the tatting teachers, designers, innovators, experimenters, explorers who have shared their own learnings and experiences. 

Three Geniuses and a brand new stitch in tatting!

Two years back I stumbled upon two drawings that gave Ninetta Caurso's treble tatting stitch a basis in tatting history! 

A drawing on page 31 in Anne Dyer's 1994 book, To Boldly Go Where No Shuttle Has Gone Before, showing the decorative chain picots. 

A drawing on page 85 in Rhoda Auld's 1974 book, Tatting: the contemporary art of knotting with a shuttle showing her twisting the thread (this twisted picot is something I had pointed out in my pictorial) and passing the shuttle through it. Her tatted model is what we now call the vapour stitch.

Well, our very talented Ninetta engineered the two movements to create her treble tatting stitch (tds) all on her own! At the time she did not posses either of the books and till I pointed it out to her, she had not noticed! Basically, the chain picot became the 1st half of the tds while the vapour stitch became the 2nd half of the tds! 

💧One of the reasons for the delay in posting this was ambiguity about whether I could share the diagram pic from the book with due credit. Anita suggested I ask Tamie Montgomery, who now runs The Online Tatting Class and is very mindful of such issues. She was very receptive and we discussed it. Although she said it was okay to use the accredited pics (like Georgia had done) since it was a 'technique', I still wasn't comfortable, till I hit upon the idea of showing it in thread as above. 

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Auld is gold bead effects!

Last year I found some new beading effects by Rhoda Auld in the same book and took the liberty to give them each a name based on words used by her.

Framed Bead - The diagram on page 107 has been in circulation through Georgia Seitz's classes for several years now. Georgia pitched it as a way to add a bead in the center of a ring and I used it in this butterfly. 

However, Rhoda showed it as a way to add a free bead on a long picot with bare thread framing the bead on both sides when slack is removed. Makes for some good possibilities.

Piggyback Beads - Now this was fun to discover! On pages 99-100 Rhoda shows how to place two free beads one over the other using simple movements. I tweaked it a bit to make it easier to tat.

Instead of loading the bead on the core thread where she has to move the chain stitches, I loaded it on the knotting thread (teal in above sample) and the rest of the process remains the same. On an earlier page, Rhoda makes the teal picot longer and ties up both picots till required for joining. Hence there are many options depending on the pattern.

My sample is a bit wonky, but you get the picture, right?

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Generosity knows no bounds!

💧I can't thank Anita Barry enough for gifting me so many vital books on my list. Without these I wouldn't have been able to review and edit Net Best's, Six T's of Shuttle Tatting, not with any satisfaction or confidence. These have helped me to confirm, correct, or refine terms for her glossary, and even understand and discover so many gems, some of which I took the liberty of adding to the glossary.

💧Judith Connors has been taking an active interest in the glossary, too, either as an answer to my question, as a reaction to my blog post, or reaching out on her own privately. You can imagine what a treasure trove of knowledge she is and how lucky we are to benefit from her skills. 

Judith sent me a copy of her 2000 book, Creative Tatting with beads, shuttle, and needle. It has some of my all-time favourite patterns besides numerous interesting effects and applications. While I read the book, tatting models will be later in the year. 

💧Late last year I received a wonderful digital book by Carin Jansen, Riego ReTatted (2023).  She needed some advice on selling the book through the USA, not being sure of its reception. With permission, I sought Anita's advice and we both gave our respective take urging Carin to put it on the market. Eventually she decided against it for personal reasons, though she has shared her Dutch version within her group. It is such a labour of love and we hope she will change her mind in future. Carin has chosen patterns from each of Mlle Eleonore Riego's books (1850-1886) and shared detailed steps and modernised versions/tips in a pleasant format alongside diagrams and written patterns. 

💧💧💧

I'd like to think that my blog has stayed true to its name to the extent that almost 95% of my posts have a tip of some kind. Unfortunately I couldn't stay true to the url since this blog soon turned into a tatting blog ... not that I'm complaining, LOL. 

Hope you continue to follow my blog and read my posts. 💞

You will find tutorial links to terms in this post here - https://tipsaroundthehome.blogspot.com/p/tatting-resources.html and you can use the search box on the right panel to look for past posts on the tags used here and much more.

💧💧💧

Many many thanks to all the wonderful tatters mentioned here and also to those not mentioned who have influenced, inspired, and improved my tatting journey and maintained my eagerness to blog.

viral spread

Pin It now! This would've been the first time an entire month would've been devoid of a single blog post here in my 12/13 years of blogging! Couldn't let that happen, now.

 

The reason for this silence and absence has been my own viral flu which came on a bit severely this time. Since we started taking the flu vaccine annually, we only get some very mild symptoms, easily covered with some paracetamol tablets. Despite the antibiotic course, it left me totally devoid of energy - both mental and physical. I am still taking extra measures to overcome the inflammation and this leaves me very little time to do much.  And while I have been visiting blogs to see new posts, I haven't been in a very chatty mood nor mode, hence no comments ... hope to make up for it soon. As it is, the new line of treatment I started some months back hasn't worked, at least clinically, leaving me more exhausted than previously. The book editing has been shelved for probably two months now and I might not be able to get back to it till late September when I see my pulmonologist with blood tests, etc. :-(

All I can manage are kind of mindless activities which is why the  other virus (below) has been detected at an opportune time ...

💦💦💦💦💦

Interestingly, another virus was detected – a simple ‘s’ that spoiled the party! Spellings are so important especially when citing or crediting. 

‘Die Schiffchen-Spitzen’, 1920, by Eleonore Endrucks
NOT  

‘Die Schiffchen-Spitszen’

 

I profusely apologise for inadvertently introducing an ‘s’ into the book title when we started the Endrucks 1920 Project. Initially my spelling was correct, but when I typed it in my fall-back word doc, the 's' creeped in and I continued to copy and paste this in my blog, PDFs, and articles. :-( 

Except for a miniscule number, this has also been copy-pasted by almost everybody through the years till Manju Talekar’s sharp eyes spotted the error and pointed it out some weeks back. 

Since then, my extremely supportive PIC Ninetta Caruso and I have been on a mission to update all Google docs, blog posts, and pattern PDFs with the correct spelling.

We also created a checklist of other updates we had been mulling over since this has been an evolving and an unbelievably expanding Project. I am taking this opportunity to simultaneously incorporate as many of these updates as possible and Ninetta will be doing the same eventually (she has already completed the spelling-change in her PDFs!). This often requires some reformatting and could easily take up to an hour or more for each PDF. Unfortunately, we cannot do anything about articles written for publications but we can be extra vigilant in future.

PLEASE NOTE that while the original reworked pattern PDFs have her full name, Eleonore Endrucks-Leichtenstern, we have removed her maiden surname in the derivative patterns and now use only Eleonore Endrucks. And all her 44 patterns are listed as E1, E12, etc., where E stands for Endrucks.

We are also adding the links which did not exist before, viz., the EP LINKS and the Directory links.

My sincere apologies once again and please do not hesitate to inform us of ANY discrepancy or problem you might encounter in any of the documents. We wish to remain as error-free as possible.

And many many thanks to Manju and Ninetta!

complimentary

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 Two complimentary copies arrived a few days apart!

The IOLI Bulletin Summer 2024 - Volume 44 Number 4. It has a spectacular display of vintage laces from various museums and places! I just sat ogling at their intricate beauty. 

And tatted lace was represented by a sole article - SOUPing the Cards by yours truly.

Long time readers of my blog might remember that I often sew or use tatted motifs in different ways. Once such is on greeting cards which I shared in the article along with a few tips and notes. 

https://tipsaroundthehome.blogspot.com/search/label/tatting%20SOUP

  

And then this arrived!!! Lilas Joublet's, who we fondly know as Lilas Lace, new book 'Cluny Tatting Experiences'. In mid-August she contacted me for my address which came as a complete surprise. It seems she had referred to my Cluny tatting tutorials/pictorials and wished to send me a copy as  acknowledgement! She also included a lovely handwritten message with her name 💗

I love the layout of her bi-lingual book. I have already watched a few of her videos (through QR codes) and am eager to try out a few of her lovely patterns. She has written the book as a kind of log or diary of her experiences with her entire Cluny tatting journey. 

https://lilas-lace.fr/

Many many thanks to Liz and Lilas - these complimentary copies brighten up my tatting corner and my tatting-filled heart!

UPDATE: Please be careful while buying a book! Read why here - https://lilas-lace.fr/blog/2024/10/12/dont-buy-just-any-tatting-book/

reading is cool

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We're facing a heat wave for the last several days with no respite in sight; temperatures soaring to 44-45C. But these great reading materials have a cooling effect when I encounter so much inspiration, beauty, and possibilities! And not least that I had a bit of contribution to make as well.

Chronologically .....

Ninetta had already sent me her very first book in Italian along with exquisite gifts and this time I received her English edition of 'Tatting is a Serious Matter' again with fabulous gifts! The package arrived in mid-December but I only now got around to taking pics. Her book is such a treasure, a pleasure and a great addition to any tatting library. Read about it here - https://ninettacaruso.blogspot.com/2023/11/tatting-is-serious-matter.html

• At the top is a painting on real papyrus! The Syracuse papyrus produced by Flavia Massara from the Galleria Bellomo..
• The exquisite bobbin lace bookmark was specially made by Luigia Tosin. Many thanks, Luigia.
• The butterfly is one of two designed by Ninetta for the Progetto Farfalla MG - a fundraising enterprise for children's care. Anybody can send in a lace butterfly to the overall specifications. I had intended to design one in tatting, too, but sadly didn't get around to it.

Ninetta's tatted pieces always put me to shame. So fine, so dainty, so tiny!

She remembered that I hate to tat bare thread patterns and sent me the classic wheel.

A very special surprise was the ENDRUCKS' banner she tatted for me. We partners in crime both have one now!

Wandering Wheels (2011) by Karey Solomon is a booklet with lots of block tatting/coils, also gifted by Nin. It was such fun reading it and the way Karey has applied the technique to cute patterns. Turns out she had also done what we now call BBT - a block that is tatted in reverse direction, ie, from top row to bottom row. She used it for the tatted spiral/coil (calling it the tatted wheel), working it from the out in.

Can't thank Ninetta enough for her friendship, partnership, mutual respect, and support! Not to mention these delights in the mail. 

'Designing with Friends' is the article I submitted and was published in the IOLI Bulletin Spring 2024 issue. It is about the DAL Celtic Snowflake 'challenge' and includes the complete pattern for my version and pics of all the versions sent in by the lovely participants. I must thank Liz Redford and her team for a beautiful layout and their diligence. 

In fact, an octogenarian had tatted Five versions when the game was first posted a year back, but didn't know where to send it. On reading this article she saw Anita's name and contacted her and now I have all 5 of her models in the collection, along with her patterns.

This is the design-along (DAL) first two motifs and participants had to design the 3rd round.

https://tipsaroundthehome.blogspot.com/2023/05/lets-design-round-3.html

And its first anniversary motivated a new participant to tat an ice drop version.

All participants have graciously shared their respective patterns in their own individualistic style. I had intended to draw diagrams for the ones missing them, but simply cannot find the time (nor the weather!) to do it quickly. Hence I might make the doc public and continue with the diagrams at my own pace.

Brenda Rewhorn, the Chairperson and current editor of the Ring of Tatters newsletter had requested me to write about the Endrucks 1920 Project. She said a shortened version of the one published in IOLI bulletin (Summer 2022) would suffice. However, so much has happened since then.... the Project has evolved and is continuing to grow and diversify. Hence I wrote a brand new article titled 'Endrucks 1920 Project - Evolution and Revolution' and it was published in their Spring 2024 (#88) issue. 

Couple of days back I received a complimentary copy of their newsletter and the content is absolutely great! So many lovely tatting patterns, and other articles, competition, etc., all dedicated solely to tatted lace. Love the newsletter (it's almost a magazine!). I still have quite a few pages to read and am hoping to tat as many of the patterns as possible.

Brenda was in Delhi earlier this year but we couldn't meet up, though we corresponded. She is a wonderfully friendly person and hopefully we will have a second chance to meet up in person.

 

So that's it for this post. Time to curl up with one of these books again and cool off with inspiring beauty and ideas. 

over the moon

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 Two recent incidents, and I had no role to play in either.

A few days back I received the Summer 2023 issue of IOLI Bulletin! Although I had submitted an article it hadn't been published in this issue. Yet Liz, the editor, mailed me a complimentary copy! And I received it within 5-6 weeks. Ecstatic. 

Earlier I had received the Spring 2023 issue that carried my article. There was a lot of tatting-related articles and stuff in that issue, including Mike Lyons' article on Inkscape in designing. And because of this latest gift, I was able to read Part 2 of his article! Learned a few terms and a couple of shortcuts. Hope to apply them to my diagrams going forward.

But the more momentous and totally On and over the moon event is of course the soft landing of Chandrayaan 3 yesterday! Oh what joy, what pride! It is just something else, something special, something indescribable. 

Watch the live streaming (the Fine Braking starts at 39.00) here - https://www.youtube.com/watch?v=DLA_64yz8Ss

A shorter video posted on FB - https://fb.watch/mCGhOZC_WC/

To me there are parallels with my tatting journey. Just a few overlapping thoughts -

• Use whatever materials and skills are available; don't wait for that perfect or expensive or imported thread or shuttle or that perfect stitch.
• Learn from your mistakes and never repeat them.
• Be Indian, contribute to your country's growth and improvement. 
• Strive to improve your environment rather than whining or waiting for the government or others to change it for you. Create/Become the opportunity.
• ISRO scientists are not necessarily from the elite educational institutes; in fact most are from government schools. They did not leave the country to serve another for personal gains and name despite opportunities and allurements.
• Try to go where others haven't. Accomplish new things rather than simply following or copying.
• Help others, spread and share your knowledge and skills.

I can't thank my scientists and engineers enough, and for the decisive and visionary leadership of some of our politicians! 

Happy dancing over the moon!

gifts galore 2

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 Besides all the thoughtful and practical gifts Anita Barry sent me, she also sent several excellent books. My tatting book collection just grew a whole lot! I invite you join in my pleasure .... (listed in no particular order)

Taboo Tatting - Anita Barry. 

This little booklet is a perfect example of the creative fun Anita manages to inject into all her projects. It is one A4 size page folded into four 'pages' (printed front and back) and tied with a ribbon. She had shared it with me years back and I had printed it out. But receiving it from her is special. It has tips, tricks, challenges, little projects, ....

Tatting Times - Karey Solomon. 

I'd only heard of Karey Solomon's quarterly subscription-based mini booklets/newsletters and now I hold one in my hands! She had been sending these out for 30 long years till 2022. This post is worth reading - Launching Tatting Times Online

Tea is for Tatting - Martha Ess.

Another treasure! Martha Ess holds a special place in my heart for several reasons, not least for uploading Endrucks' 1920 book, ;-D. Martha's books are eye-openers in themselves, taking a technique or theme and running with it, popularising several techniques/effects through fun patterns. And she has a new book in the offing! 

Tatting - Rhoda Auld.

A must-have in any tatting library! I have already read several pages, but haven't played with shuttle in hand yet.

Tatting Techniques - Elgiva Nicholls.

One of my all-time favourites is Nicholls' 1962 Dover publication Tatting Techniques and History, but this was also highly recommended and desired. I'll be spending many happy hours/days reading and imbibing.

Coffee Classics - compiled by Anita Barry.

Anita had told me that she was compiling her favourite coffee recipes to hand down to her loved ones. She made at least four and these are all hand-written and sprinkled with sketches. I had no idea one of the recipients would be me!

A Collection of Tatted Bracelets - Victoria Clarke.

Blogging and the online world has introduced me to so many wonderful and talented artisans. One such is Vicki who often shares her somewhat quirky but always clever designs. And holds short tat-alongs two or three times a year. This is the time for her next two back-to-back TALs - https://victats.blogspot.com/2023/06/coming-soon-very-canadian-tat-long-2023.html 

The IOLI Bulletin Fall 2022.

It often happens that my complimentary copy of the bulletin (when my article is published) does not reach me. Anita sent me her copy and she had been thrilled to see the back cover.....

...these are a few images from my 2nd of 3 articles on Endrucks and the Project!

The Complete Book of Tatting - Rebecca Jones.

Would you believe Anita sent this separately because she forgot to include it in the earlier shipment. So, her bundle of gifts actually reached me in three shipments! Another treasure in my library!

This is something she had received at one of the Palmetto Tat Days. These were all done by Phyllis Schmidt! I believe she does some sort of giveaway every year. https://phyls-handwork.blogspot.com/ 

I placed this last as the perfect way to say Thank You to Anita for all her gifts  especially the books, and not least for her solid friendship through the years!

I have made it a point to periodically read from all the books and make good use of the knowledge and perspective. Even cleared out an entire shelf from the wall cabinet in my bedroom to display all my tatting books in one place and keep them within quick reach! And each one has a lace (mostly tatted lace) bookmark.

There might not be enough time to try out stuff from the books at present, but the literature is equally interesting. And there is that beckoning light to try out patterns and experiments and ideas as time progresses!!!

bigger flower

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 Over the years it has often happened that in response to a technique question or a blog post generous tatters have sent me scans of relevant portions of tatting books. While I saved them, I don't always remember who shared them. One such is the following - 

This is the Big Flower pattern from Anne Dyer's 'To Boldly Go Where No Shuttle Has Gone Before', 1995. I have scans of some of the technique pages from a while back and stumbled across them recently while organizing my digital storage.

I invited Anita Barry to work through the pages. This was back in April when I wasn't feeling too well. She agreed immediately - she owns a copy of the book! We started with page 13 - Lines for Chains or Rings and had a lot of fun with the chains, effects, and tossing ideas. I'll share those some other time. Already the book was worth it's name! 

Above is my first attempt at the Big Flower pattern using Anchor size 40. But I was dissatisfied with those unseemly 'thorny' points and discarded it.

Started afresh with Anchor Pearl cotton size 8, using one shuttle and ball - after all it is a chains-only pattern. Much better and smoother, right?!

I had to write the pattern to suit my preference - the short notation format. The frequent turns due to inward/downward picots was quite confusing to keep track of.

Later, Anita found an alternate way to write the pattern!

We also noticed several omissions in the original which were included in our notes. 

Anne's diagram (only half drawn) would have 9 or 10 repeats. At 7 repeats mine seems only halfway there. The reason is the shorter picots I used.

This is a very springy/elastic piece, reminiscent of a 'samvadini' or hand harmonium being played. 

This reminded me of a collar I had once crocheted using a single strand of white silk thread on a printed silk top/blouse. It was a chains-only scalloped rounds and was large enough to cover my shoulders, yet so delicate and lacy.

Of course, the crochet collar was worked in a circle, rojnd after round. 

This tatted motif is cleverly worked outward-inward for the desired width, ending in a broad circle. A clever construction where the width can be increased easily.

Like I said it is such an elastic pattern that I finished off at the 12th repeat and it still lays flat! I have been waiting to fill in the center before posting, but didn't get around to it.

Those are mogras (Arabian Jasmines) from my potted plant. It has given us so many fragrant flowers these past several months! 

Anita completed her flower, too, and also tatted a center. I'll share her pics after seeking permission.

I continued with page 14. While many of the effects are already known to us by one name or the other, there is one stitch that was absolutely new to me and I loved how it came out! Hopefully I'll remember to use it in future.

With other projects jostling for attention, we haven't continued further. But it was a good decision to work together with exchange of ideas, tips, trials, and the fun element obviously! Working together also ensured we read the instructions correctly with inherent motivation.

So I did manage 4 posts in as many days! And there's still so much to share. 

Many thanks to my unnamed benefactor for sharing the scans!

Evviva! and Ouch

Pin It now! I've been on cloud 9 for close to a fortnight now! And I still haven't caught my breath. Ninetta Caruso, my partner in crime, sent me the world!

And read on to see what my hubby had to say and why the 'ouch' with the 'evviva' ....

This is her first published book in Italian. Ninetta Caruso is now a published author in tatting and I have my own complimentary and autographed copy to gawk at!!! It covers the history of tatting from an Italian viewpoint; treble tatting (finally the Inventor gives it to us in a book form); and the Swirling Butterflies doily pattern.

Many thanks to Alessandra Caputo for the critical role she played towards the publication.  

As a surprise, I had worked the outer round of her beautifully designed doily as per pattern this time, and haven't yet told or shown her ;-D  More about that below.

And look at all the other stuff that accompanied the book! ALL made by her! But this is such a jumble and each piece needs to be admired individually. 

Most of items shared here are already is Ninetta's blog with lots of details. Scroll down to the end of the page and look under respecitve Labels https://ninettacaruso.blogspot.com/ 

Hubby still cannot get over the fact that this is indeed tatting! He absolutely loved this pair of earrings. Notice how tiny they are compared to my thumbnail.

Each pair is so dainty and small, so elegant.

I need a magnifier (or a microscope, seriously!) to see and understand what she's done here. 

Her own hand-painted bookmark with a tatting insert.

Her Bosa's filet lace bookmark above and a tatted motif below.

Such a cute sampler of her Bosa filet lace, and so tiny, so fine. The net is first knotted by hand, then embroidered over.   

These beautiful feather-light tatted beads on my palm are barely 1.5cms!!!! Wonder if I've ever seen such tiny seed beads either. How did she string them?! I fumble with much larger seed beads.

Another gorgeous motif in pleasant colourway with a doodad in the center.

More tatted motifs, the beads, and the Bosa's filet work. And she flawlessly fit in 4 Heart Squares in the same space as my single one! I don'e whether its the threads or her tension, but her motifs are all fairly stiff.

Comparing Ninetta's and my tatting, now hubby says her work is like a 5-star gourmet meal to my dhaba (roadside food) style fare; like Rolex to HMT (Indians upto my generation might remember those bulky wrist watches). This is where the "ouch" of my post title comes in, LOL. Suddenly my fawned-upon lacework is reduced to ashes ;-D Oh yes, my confidence has certainly taken a beating!

She bought me a 1920 vintage bobbin lace frame, too! It is perfect size to sew on a cushion cover, but after consulting with Nin, it might not stand the strain and wash. I'll have to think of some other way to display it - it cannot just be stashed away.

Hand-painted shuttle by Nin ...

.... and the other side of the same shuttle.

And her 2nd hand-painted shuttle with her favourite butterfly.

A 3rd hooked bobbin shuttle is decorated by Dali L'artista (or Lina) and I can't wait to use these shuttles for size 80 threads. 

The 2 pouches above and the needle case are all sewn by Nin, too! Perfection again. Such a multi-talented lady with perfect stitches and strokes in each craft.

A nice pop-up card with her warm message. She chose it because the flowers seem to be placed on a tatted doily.

And metallic threads galore!

I had asked for only a sampler of Sanbest which is so popular and works wonderfully for tatted jewellery, and she sent me all these!

A couple from Edda Guastella, etc., too.

I really have no excuse now to not tat jewellery, right?

The moment Nin told me that the book will definitely be published, I snipped off the leaf motifs joining the flowers, and set about tatting the outer round as per her pattern. You might remember my dilemma with what colour to use which is why I veered from track. This time I simply picked up the cream and went to work. 

Ninetta honoured me by asking me to write a Foreword for her book. We hope the book wil be published in English as well, though several non-Italian tatters have already bought either the physical or digital copy and are translating it.

I left the 7 extra butterflies, though. Perhaps 7 more wouldn't look  bad either? 

https://tipsaroundthehome.blogspot.com/search/label/swirling%20butterflies

In Anchor size 40, the diameter is about 40cms.

The colours are more vibrant in real, but this will have to do for now.

Oh, and I'd had the immense pleasure of suggesting a name for the doily which Ninetta accepted! 

I placed Ninetta's size 80 motif over my size 40 one for a comparison. 

When I'd sent Nin some of my tatted lace, I told her it would be gigantic and bulky beside her own work since she prefers finer threads and doll-house sized lace! Yet I NEVER thought I'd be transported to Lilliput. My photos don't give much of an idea of how tiny her pieces are and how well-made. I actually need magnifiers to really see some of her stitches. 

It has been my good fortune to be around when treble tatting was invented in 2018 and to see it evolve. Ninetta changed the entire tatting scene by giving us a 3rd stitch. 

Never ever say that tatting is a dying art with  such a revolutionary invention.

Never every say that tatting is made only of 2 stitches...proudly boast about the tds. 

I am still too overwhelmed with this bonanza and with the sweetness with which my friend and partner  has gifted it all. I seriously believe I need at least one more lifetime only to try, learn, tat, and experiment with all that she has shared in Less than 10 years!

grazie mille mio cara amica

🦋💝🦋