Evviva! and Ouch

Pin It now! I've been on cloud 9 for close to a fortnight now! And I still haven't caught my breath. Ninetta Caruso, my partner in crime, sent me the world!

And read on to see what my hubby had to say and why the 'ouch' with the 'evviva' ....

This is her first published book in Italian. Ninetta Caruso is now a published author in tatting and I have my own complimentary and autographed copy to gawk at!!! It covers the history of tatting from an Italian viewpoint; treble tatting (finally the Inventor gives it to us in a book form); and the Swirling Butterflies doily pattern.

Many thanks to Alessandra Caputo for the critical role she played towards the publication.  

As a surprise, I had worked the outer round of her beautifully designed doily as per pattern this time, and haven't yet told or shown her ;-D  More about that below.

And look at all the other stuff that accompanied the book! ALL made by her! But this is such a jumble and each piece needs to be admired individually. 

Most of items shared here are already is Ninetta's blog with lots of details. Scroll down to the end of the page and look under respecitve Labels https://ninettacaruso.blogspot.com/ 

Hubby still cannot get over the fact that this is indeed tatting! He absolutely loved this pair of earrings. Notice how tiny they are compared to my thumbnail.

Each pair is so dainty and small, so elegant.

I need a magnifier (or a microscope, seriously!) to see and understand what she's done here. 

Her own hand-painted bookmark with a tatting insert.

Her Bosa's filet lace bookmark above and a tatted motif below.

Such a cute sampler of her Bosa filet lace, and so tiny, so fine. The net is first knotted by hand, then embroidered over.   

These beautiful feather-light tatted beads on my palm are barely 1.5cms!!!! Wonder if I've ever seen such tiny seed beads either. How did she string them?! I fumble with much larger seed beads.

Another gorgeous motif in pleasant colourway with a doodad in the center.

More tatted motifs, the beads, and the Bosa's filet work. And she flawlessly fit in 4 Heart Squares in the same space as my single one! I don'e whether its the threads or her tension, but her motifs are all fairly stiff.

Comparing Ninetta's and my tatting, now hubby says her work is like a 5-star gourmet meal to my dhaba (roadside food) style fare; like Rolex to HMT (Indians upto my generation might remember those bulky wrist watches). This is where the "ouch" of my post title comes in, LOL. Suddenly my fawned-upon lacework is reduced to ashes ;-D Oh yes, my confidence has certainly taken a beating!

She bought me a 1920 vintage bobbin lace frame, too! It is perfect size to sew on a cushion cover, but after consulting with Nin, it might not stand the strain and wash. I'll have to think of some other way to display it - it cannot just be stashed away.

Hand-painted shuttle by Nin ...

.... and the other side of the same shuttle.

And her 2nd hand-painted shuttle with her favourite butterfly.

A 3rd hooked bobbin shuttle is decorated by Dali L'artista (or Lina) and I can't wait to use these shuttles for size 80 threads. 

The 2 pouches above and the needle case are all sewn by Nin, too! Perfection again. Such a multi-talented lady with perfect stitches and strokes in each craft.

A nice pop-up card with her warm message. She chose it because the flowers seem to be placed on a tatted doily.

And metallic threads galore!

I had asked for only a sampler of Sanbest which is so popular and works wonderfully for tatted jewellery, and she sent me all these!

A couple from Edda Guastella, etc., too.

I really have no excuse now to not tat jewellery, right?

The moment Nin told me that the book will definitely be published, I snipped off the leaf motifs joining the flowers, and set about tatting the outer round as per her pattern. You might remember my dilemma with what colour to use which is why I veered from track. This time I simply picked up the cream and went to work. 

Ninetta honoured me by asking me to write a Foreword for her book. We hope the book wil be published in English as well, though several non-Italian tatters have already bought either the physical or digital copy and are translating it.

I left the 7 extra butterflies, though. Perhaps 7 more wouldn't look  bad either? 

https://tipsaroundthehome.blogspot.com/search/label/swirling%20butterflies

In Anchor size 40, the diameter is about 40cms.

The colours are more vibrant in real, but this will have to do for now.

Oh, and I'd had the immense pleasure of suggesting a name for the doily which Ninetta accepted! 

I placed Ninetta's size 80 motif over my size 40 one for a comparison. 

When I'd sent Nin some of my tatted lace, I told her it would be gigantic and bulky beside her own work since she prefers finer threads and doll-house sized lace! Yet I NEVER thought I'd be transported to Lilliput. My photos don't give much of an idea of how tiny her pieces are and how well-made. I actually need magnifiers to really see some of her stitches. 

It has been my good fortune to be around when treble tatting was invented in 2018 and to see it evolve. Ninetta changed the entire tatting scene by giving us a 3rd stitch. 

Never ever say that tatting is a dying art with  such a revolutionary invention.

Never every say that tatting is made only of 2 stitches...proudly boast about the tds. 

I am still too overwhelmed with this bonanza and with the sweetness with which my friend and partner  has gifted it all. I seriously believe I need at least one more lifetime only to try, learn, tat, and experiment with all that she has shared in Less than 10 years!

grazie mille mio cara amica

🦋💝🦋

multiples of 7

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 and a voracious scissor!

My journey leading to this destination - https://tipsaroundthehome.blogspot.com/search?q=swirling+butterflies  

Ta-daa! My variation of Ninetta Caruso's beautiful and multi-technique Swirling Butterflies doily, with due apologies. But let's continue from the last post where I had worked split round 10 to make all motifs similar, preferring to work the butterflies separately.

I've used numerous little tricks to keep my working smooth but those are mostly personal preferences, not compulsory.

ROUND 10 (part 2) - Cedronella, and 'Hugging' Butterflies variation.

Each of these 3 butterfly motifs has no tails to hide, since threads end at the head and tails are snipped into antennae. In each case, a short length was left at the start to finger-tat the final few stitches in the split ring head.

The profile butterflies are identical mirror images, one worked frontside, the other backside (optional).

To attach the side butterflies to green chains, I used the luggage tag loop at start and Dora Young Join, thus showing a complete stitch at both ends of the body.

TIP : For maximum overlap of wings, keep the joining picot in previous ring as small as possible.

Remember the lasagna I showed last time? Well, what does this look like, with the motifs turned under? I couldn't resist the sensation of autumnal forest floor.

ROUND 11 (a variation) with butterfly (Cedronella) and leaflet motifs

 See original final round here. 

Oh, the heartache of having used that dark green! None of the lighter colours worked for the final round. Following are the 3 trials I did ....

Hubby gave me a lecture that the final round should be a dark shade, DUH (the all yellow was his choice)! But in 20/20 (or was 2020 at work?) hindsight, the flower motifs should have included cream, leaving me with the dark green or brown for round 11.

I was so disgusted by the end of this that, with the gracious permission from Ninetta, I worked on a different final round which was required in order to link the adjacent flowers. I visualized inserting cream leaf and flower motifs (from the earlier cream rounds) on the outer margins. 

But when Ninetta sent me her idea of placing the florets on the inner side, I loved it. And the free butterfly I had fit perfectly! So I made 7 of these between the 14 large flowers. I attached the wings directly to the green chains in a bid to decrease the darkness.

And then inspiration struck. What if I make an EPJ (Grace Tan's encapsulated picot join here). Even though there is no layering. The one on right neat, but the one on left shows the picot - my insertion was incorrect, but I didn't re-do.

Always options!

On the outside, I went with my original idea of leaflets linking adjacent flowers. This is similar to the ones on round 4, with an extrapair of rings. One shuttle. Attach thread with a luggage tag loop, tatting over tail. The 1st ring is joined to the next green chain. On the way back from the tip, 5th and 7th rings are joined to adjacent motif. I deliberately layered it slightly to hide some green.

Again 7 such motifs. And love the gentle swirl they create.

Going for minimal instead of inserting 14 motifs inside and outside.

UPDATE : For a continuous swirl, the leaflet motif can be worked between all 14 motifs.

But if one works 7 motifs in the opposite direction, they can appear like a laurel wreath over Motif A (the ones without butterflies) - like those on Roman Emperors!

It was fiddly to insert these motifs, though. And my scissors had a field day! There are still 2 butterflies I'd like to change, but it's a wrap. Hence if a tatter wishes to make this variation, it is advisable to do it simultaneously rather than at the end. 

After soaking to block, I remembered a snipped chain! Oh well, Mr Downplay decided to let it be! Can you spot the snip?

But in a moment of weakness, Mr Meticulous took over and I fixed it ;-P

The final doily just touches 14 inches across the widest part, worked in Anchor cotton size 40.

This is the colour palette. The black labels indicate the threads are about 15-20 years old - vintage. 

It was already late night and I 'threw' the doily on my dining table in order to keep it flat. And suddenly the swirls and butterflies came to life! Quickly took a couple of pics. Hubby is happy, too, and approves the choices ;-P

My sincerest thanks to Ninetta for choosing me to tat this wonderful doily. It kept me happily engaged (except for the last stages where it kept my scissors engorged ;-P) as a tatter and learner. Hope some of the learning rubs off in my future designs. 

Her pattern presentation (in Italian at present) is Stupendous! What an eye for detail - both in the text and and the schem

https://ninettacaruso.blogspot.com/2018/08/spiral-rings-with-treble-tatting.htmlatics. She also included detailed pictorials of elements and techniques used here (many of which are already shared in her blog). I just wish my colour placement had been a bit better. Oh well ...

Complete list of posts so far (chronologically) (click on blue link) : 

Ninetta - 

https://ninettacaruso.blogspot.com/2018/08/fun-swirly-effect-in-treble-tatting.html

https://ninettacaruso.blogspot.com/2018/09/swirling-butterflies-need-flower.html

https://ninettacaruso.blogspot.com/2018/09/swirling-butterflies-its-about-time.html

https://ninettacaruso.blogspot.com/2018/11/break.html

https://ninettacaruso.blogspot.com/2019/04/cedronella.html

https://ninettacaruso.blogspot.com/2019/04/swirling-butterflies-finished.html

https://ninettacaruso.blogspot.com/2020/08/swirling-earrings.html

https://ninettacaruso.blogspot.com/2020/10/seventh-blog-anniversary.html

My posts (including the tat-along) -

https://tipsaroundthehome.blogspot.com/2018/09/change-of-perspective.html

https://tipsaroundthehome.blogspot.com/2018/09/twist-n-twirl-spiral-n-swirl.html

https://tipsaroundthehome.blogspot.com/2020/09/4-plus-1-is-5.html

https://tipsaroundthehome.blogspot.com/2020/09/7-plus-6-is-13.html

https://tipsaroundthehome.blogspot.com/2020/09/3-and-1-and-2.html

https://tipsaroundthehome.blogspot.com/2020/09/3rd-times-charm.html

https://tipsaroundthehome.blogspot.com/2020/10/14-times-3-minus-14-times-3.html

https://tipsaroundthehome.blogspot.com/2020/10/multiples-of-7.html

14 times 3 minus 14 times 3

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UPDATE : Oops, the equation should read 14 times 3 minus 7 times 3!

Continuing Ninetta Caruso's Girandolina di Farfalle Swirling Butterflies doily - Round 10 without the butterflies!

All my previous rounds and notes - https://tipsaroundthehome.blogspot.com/search?q=swirling+butterflies

How slow am I?! Ninetta started much later and finished way ahead - check out her exquisite 2nd version here.   

Round 10 : without butterflies - 33cms/13" in Anchor size 40

Techniques I used: fs/bs tatting, treble stitch, spiral rings, lock join, direct tatting (for brown chains only, hence 2 shuttles)

Giro, giro, giro (round, round, round)! 

So, Round 10 requires 14 motifs comprising 3 rounds. Half of these motifs have 3 butterflies, the center butterfly (Cedronella) being a separate motif joined later. Hoping to work at a faster pace, I decided to make all 3 butterflies individually and join later. Hence the 3rd round of each motif (green) could be worked with ball and shuttle instead of 3 threads.

Farfalle (butterflies) 

I did a trial to see if they could be tatted separately, and without tail ends to hide. In the pic they are joined to picots, but when I make them now, I will try to place them on the chain directly - to lower the height, and to decrease the overwhelming green.

And none of them will need any hiding ends!!! Although I think one might have to apply some fabric glue to keep the antennae from curling and distorting when washed. We'll see ....

TIP : Since adjacent motifs are unattached except at the base, they are floppy and interfered with my tatting. I solved this by tying with scrap threads and holding them together as a unit. Worked beautifully!

The scrap threads will be snipped after I finish with the butterflies.

Girotondo (round dance)

Despite the huge amount of tatting required, I did not get bored at all. There is so much variety in terms of techniques, directions, sequence, and colours, that it keeps me happy and engaged! And instead of doing the same round consecutively 14 times, I did them in batches of 3 or 4 motifs, working lighter colours at night.

 

Lasagna (yummy ;-p)

I enjoy playing with in-progress lace, especially layering. Ideas swirl around and spring out! So, this is the 14 motifs folded inwards, overlapping. Not sure what idea is swirling, but I do like the effect :-D

This is the same folded round against a white background. It is so difficult to get the colours look as good as in real. A photography course?

Minore (minor) TIPs :This may be unimportant, but sharing nonetheless since it is part of my journey. 

For the spiral ring round, I did not make a lock join for the last ring. Instead, when it came to joining the last to 1st spiral, I passed tail through the 1st, and back to the space where lock join was required, and then made a knot/lock join.

As with most of my knitting, etc., I try to avoid starting at the same point. Ditto with the light yellow rings. I started by joining to the 2nd/3rd last spiral ring instead of the last. 

Errori (mistakes)

One glaring mistake reared it's head all the way back in Round 3 (the green round)! Despite all the pics I've taken and worked on, the missing ring revealed itself only when I was attaching the the 1st motif of Round 10! 

Can you spot it in the above pic? I can't 'unsee' it now ;-/ Should I add it or let it be?

There are 3 other minor errors - 1 in the light yellow picoted spiral ring round (a picot short of the required 14); 1 less tds in one of the tds spiral rings; and 3rd in one of the 14 motifs where I made a ring (3-3+4) instead of (3+3). But neither is apparent. Oh, and not using a picot gauge means my picots are not all symmetrical.

The blue and cream really stand out against this polished wood background, although all other colours have dulled down!

Nessun picot, nessun aggancio (no picot, no hooking)

As in my 2018 tat-along version, I avoided the picot and joining between the 2 green rings. The joining picot did not seem to add any value. Instead it slowed me down, trying to join such tiny rings in this dark colour. 

Keeping the count same, here's how I worked them -

    small ring : 3 +(to 2nd round) 4.

    large ring : 5 +(to 2nd round) 6.

Okay, I'm trying to show off some Italian terms I learned (or Googled) from the pattern! Hopefully some recognition, retention and recall will happen in future ;-P One can only admire how wonderfully adept Ninetta is at English - all self-learnt! 

I think this is my penultimate post on the doily. The next will be when it is all completed. 

3rd times a charm

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 continuing Ninetta Caruso's Swirling Butterflies doily - rounds 6 to 9 ... 

All my previous posts on this work in progress with notes - https://tipsaroundthehome.blogspot.com/search?q=swirling+butterflies

Round 6 : 15.5 cms in Anchor size 40, worked counterclockwise with one shuttle only.

Techniques - spiral ring, decorative picots, treble stitch (tds), lock join (substituted with a DYJ variation)

This round consists only of spiral rings with long decorative picots and a single tds. I asked Ninetta about that single tds -- it is a clever visual effect to maintain same height!

This light yellow colour was a compromise colour although Ninetta approved early on, and later even my hubby liked it a lot, despite my continuing doubts midways

My first choice was this dark green in order to frame the large floral design. Unfortunately the thread turned out to be very difficult to work spiral rings! Notice the ugly bare thread and distorted rings in the inset above?! Not to mention eyesight difficulty in tatting with a dark colour

TIP : Quality of thread is very important to work spiral rings. The stitches should slide smoothly so that the ring closes easily without any tug on thread between rings.

The yellow was a charm - worked like a breeze! Especially since I did not use any picot gauge.

TIP : There are 13 long picots and a 14th vsp for the last treble stitch. I made All 14 picots long. 

TIP : In order to avoid counting back all the picots, this coiless safety pin marked the picot (7th) on which a lock join needs to be made to coil the ring.

During my failed green trial, in order to increase stability (and for peace of mind), I altered the lock join to a variation of the Dora Young Join (DYJ) and decided to continue with it in the yellow version.

Dora Young Join (DYJ) variation - Start with making a lock join, but instead of pulling shuttle thread to tension it, tug at the loop thread that is at the back of work (like we do for the DYJ and CWJ) to remove slack, In next step, pass shuttle again through the open loop, front to back, and tension.  

I'll have to try it with thicker thread to see how it looks up close. 

This round is quite floppy with rings tending to dance and twirl since there are 7 unattached rings in between. I had to be real careful to keep them facing correctly when attaching 8th ring to previous round.

Rounds 7, 8, 9 : 17.5cms, 19.5cms, 21.5cms in Anchor size 40 worked counterclockwise. 2 shuttles, ctm.

Techniques - fs/bs tatting, split chain, split ring (all 3 optional).

These 3 rounds are worked continuously, climbing out with a split chain and into the next round with a split ring. With only 2 SRs, I decided to work with 1 shuttle and ball.

All 3 rounds are identical!

Ninetta warned us that rounds 7 & 8 ruffle but settle after round 9. The waves after round 7 already seem to be flattening as round 8 gets underway. 

Ruffling has decreased even more along the portion where round 9 portion has been made.

I blocked (rolling pin) only after completing all 3 rounds.

Voila! Flattened! 3rd time was such a charm!

Working 3 identical rounds consecutively could've been boring, but it was truly Fascinating watching the taming of the ruffles!

Got me wondering if there was any other way to keep it flat and avoid ruffling. Here are my thoughts on the Design Options -

1. start with shorter chains and increase the number of stitches (1 or 2 ds per outer round) ; 

2. include stabilising picot after 2 & 1 ds, to link adjacent chains in rounds 7 & 8 respectively.

3. progressively increase ring size in subsequent rounds.

All options come with their visual consequences - it all depends on what the designer is going for!

The next round consists of individual 3-round motifs very similar to the center. (7x2) motifs will take some time to tat. The very last round is simple rings, chains, and thrown rings.

I had intended to keep blogging as I worked this doily on the side. But I get so engrossed and Love the tat, that all blogging is side-lined. Hopefully I'll squeeze in a few posts this time.