3D solid tatting

Pin It now!

 Who knew these cute little birds would be the cause to anger some people who then went on to make them an extinct species in their ecosystem! This pertains to only one specific FB group from which many of us have been booted out while others have left voluntarily. We now have a new group started by Vicki Clarke, called 3-D Tatting. All birds wiped out from that one group are now flocking together in this group, LOL, and others as well.

Bluebird in solid tatting

Continuing from my last post about flat solid tatting, see how wonderfully it can be applied to tatted amigurumi models!!! All pics in this post belong to Carolyn Craig who is the experimenter, designer, and tatter. I will quote some of what she shared with me privately with permission to use whatever was needed.

What is Amigurumi - Amigurumi is the Japanese art of crocheting or knitting small, stuffed yarn creatures or objects. The word combines "ami" (meaning knitted or crocheted) and "nuigurumi" (meaning stuffed doll). Amigurumi are typically worked in spiral rounds using basic crochet stitches like single crochet and invisible decrease. They can now add tatting to the list for amigurumi. CRAIG

Solid Tatting by CAROLYN CRAIG - is the same as amigurumi. It is continuous rounds instead of joined rounds in a spiral, but it can also do flat solid tatting which is continuous. 

3-D Lips

After her 2D solid tatting in 2020, Carolyn tried these lips, working them in continuous rounds and stuffing them before sewing them closed

The Lips became the body of the birds. I am a retired art teacher. I have used basic shapes in clay, paper, and other materials to make different objects for class projects. I see how some can be made with the solid tatting, I just have not mastered all the ways it can be used. CRAIG

3-D Mouse Family

"The mouse family in solid tatting with jute... continuous spirally circle of tatting"

3-D Robin

This Robin is worked in yarn. 

You can see how she is experimenting with different threads/yarns as well as sizes to get the desired result.

The collage shows how the body is being worked as a single entity, a continuous round which includes the head in a different colour. Before the body is closed completely, it is stuffed. The tail, wings, beak, eyes are added later.

Below we see the assembly parts of a solid tatted Sparrow. 

3-D Sparrow

"This sparrow was done in 4 ply acrylic yarn with a Moonlit shuttle. The sparrow is continuous solid tatting in a spiral to form body and head. The spine and tail are solid flat tatting in one piece. The wings are regular tatting."

The second image is the parts of sparrow solid tatting in a continuous spiral - body and head, Flat solid tatting which is continuous - spine and tail, and regular tatting - wings with moonlit shuttle in background. 

If you look close at the flat spine and tail, one of the two stitches used to create SOLID TATTING can be seen in the top and bottom row……. CRAIG

TIP: Carolyn uses two types of lock join to achieve her compact 3D solid tatting. For the most part the lock join made through the wasitband of a double stitch which she calls LFW (LJ through front waistband). It is the horizontal bar of a DS when the DS is facing us; the LJ is made within the stitch, between two half-stitches. The 2nd is when the LJ is made through the back waistband - LBW. This is simply like joining between two DS. Since 3D model is tatted all from the front, the LFW is used much more. LBW is used for increases/decreases to shape the model. 

3-D Bluebird

"The blue bird is with size 3 tatting thread (but tail and wings are still in size 3 thread instead of size 10)"

 

A closer look at these beauties!

These are but 3 solid birds designs. Her aviary consists of 7 or 8 different birds and you can see them in her FB timeline or the 3-D Tatting group (besides a few other groups). There are many active preservationists who stepped in to prevent extinction! Carolyn will be sharing her process and experiments in detail in future.

🐦🐦🐦🐦🐦

3D in Tatting - There are numerous ways to tat 3D models with or without stuffing. Some are worked continuously (as in the listing below) while others can include joining motifs, bowl shapes, covering a balloon or ornament, etc.  These could include in no particular order ....

• Bobby Demmer's bauble tatting (which the Shuttle Brothers used to tat mice, etc.) (https://janeeborall.blogspot.com/p/exclusive-tatting-club.html), 
• Richard Embrey's helix tatting (2019) (https://tipsaroundthehome.blogspot.com/2024/01/helix-tatting-pictorials.html), 
• Rhoda Auld's bobble tatting 1974 (which Ninetta Caruso used to make hollow tubes/ropes), to name but a few. (https://ninettacaruso.blogspot.com/search/label/stacking)
• Angeline Crichlow self-published a booklet titled Solid 3D Tatting (1995) where she mostly used block tatted segments to create numerous shapes and creatures. She has several models, but no birds. (https://www.somethingunderthebed.com/CURTAIN/REVIEWStat/REVIEWS_AtoD/Crichlow/CRICHLOW8.html) 
• 3-Dimensional from Endrucks directory (https://docs.google.com/document/d/10F9PdUIL_GcOelRsk5vKhaXXZnDQjaoJstaJU8ZPEJ8/view) displaying a range of 3D models derived from Endrucks' (1920) patterns. Also check out the eye candy section to see many many more models and ideas in the FB albums and roundups from games involving 3D tatting in #Endrucks1920Project. 
• Therese Dillmont's layered rings (1886) adapted & stacked for a 3D hollow for a tree trunk or a bangle, etc. (https://tipsaroundthehome.blogspot.com/2016/12/miniature-conifer.html)
• Patty Dowden's hyperbolic tatting (http://www.keepandshare.com/doc/6194296/hyperbolic-tatting-pdf-698k?da=y in Jane McLellan's blog)  
• To de Haan-van Beek's (1998) inverted tatting (https://www.somethingunderthebed.com/CURTAIN/REVIEWStat/REVIEWS_EtoH/HAANVANBEEK1.html) and Judith Connor's exquisite pieces in her album in Craftree.com
• Carolyn Craig's books on 3D tatted fairies, angels, flowers, etc. (https://www.somethingunderthebed.com/CURTAIN/TATTINGbiblio.html#C)
• Inserting or tatting over wire to shape and stabilise the model. Linda Davies has used this frequently in her tatted flowers (https://toptattyhead.blogspot.com/)

Please note that the above list is by no means exhaustive! Feel free to remind me of any I might've missed.

🐦🐦🐦🐦🐦

I wasn't going to, but this is adorably cheeky to not share! Here's what some veteran masters of tatting are doing in the above FB group .... Anita posted this yesterday and then left the group and told me I could share after several other tatters expressed their desire to copy/paste. 

Please note that this is the vintage edging (recreated by Anita) that inspired my threader holder motif here - https://tipsaroundthehome.blogspot.com/2026/04/literally-out-of-box.html

And now I am told Martha Ess has also posted something similar listing all our greats who inspired her 3D design using block tatting and it reads like a true historical timeline. 

Cheeky but civilised and disciplined and following all rules! 

🐦🐦🐦🐦🐦

Many thanks to Carolyn for allowing me to share her lovely work and details and to ALL others mentioned who allow us to use their ideas and techniques so that we do not have to reinvent the wheel.

literally out of the box

Pin It now!

and functioning as a threader holder! Why didn't I think of this solution ages ago?! Here's the full story ...

Going back a few weeks, Anita showed me a vintage edging she had picked up at a thrift store. A single shuttle trefoil/clover edging with a curious way of joining the rings. It looked so good, too. Thought I'd work a sample but somehow I let my shuttle take over and ended up with this medallion.

Now I wasn't in the mood to use a picot gauge despite having a few handmade folded picot gauges, which is why the bare thread spaces are not perfect.

Nevertheless the highlight of this medallion is the little twist at the base of each ring. 

All I am doing is attempting to make a 1st half-stitch (ie. bringing the thread from Under the previous thread) without actually transferring or flipping it. This leads to all that twisting. One has to be careful with it. As you can see, the stitch is not tensioned and snugged completely since I wanted a loose twist. 

There is ample scope to play around with the effect, adding more half-stitches, etc.

It then reminded me of something that Ninetta had done. Turns out she used a lock join to simulate a twist in this vintage motif here - https://ninettacaruso.blogspot.com/2020/08/locked-in-old-corner.html - from Emmy Liebert's 1916 book.

So coming back to the problem that was awaiting a solution. I whip stitch tail ends using tapestry needles and a threader to thread the needle. The latter is kept in a different box within the larger project box. I wanted a way to have both the needle container and the threader to be together - pick them up in one go. Didn't want to use tape; couldn't use a magnet; couldn't glue it down for obvious reasons. 

This medallion which happened to lie over the circular box struck me as the perfect solution. I glued it down with a spot of glue at 3 points, that's it! 

Being so open and airy, the threader easily slips through any space yet stays put! And no fear of the wire being bent or getting caught anywhere. A safe haven!

Anita called this the Threader Keeper!!! Now she's one to think out of the box and guess it is rubbing off on me, LOL.

Oh, and I am submitting this BTS medallion (my 5th submission) for Natalie Rogers' Picot Bingo 2026 Level 2, crossing out one box -  

• Use Bare Thread Space. 

(Details here - https://www.patreon.com/posts/happy-new-year-147124370)

too clever by half

Pin It now!

or too lazy ... take your pick, LOL. So I actually completed a motif from scratch today as celebration of the International Tatting Day! Wanted to tat enough to upload to our Endrucks 1920 Project FB group and then continue tomorrow along with a blogpost. Wonder of wonders, my smart take meant I 'finished' the motif et al much before the end of the day! 

I had decided to tat a butterfly when I realised it would mean a line/row bingo as mentioned in my post here. And my first search was in the EP directory of butterfly derivatives. This was one motif I hadn't tatted, so mind made up. That it would happen so soon, well .... and that it had block tatting was something I hadn't planned on either.

This is the E16 Grazia Butterfly derived and designed by Pina Pinto for the #Endrucks1920Project; pictorial and written pattern by Ninetta Caruso. with a bit of input from me. Here is the direct link to the PDF - https://drive.google.com/file/d/10mqdUjIcdRADIuGt5il0C2PUvGn0HthK/view

And as you can see if you compare the models in the PDF to mine, this is in profile! After tatting two wings it looked pretty complete for a butterfly in profile! I think it looks good even though it is only Half the pattern. Folded the central (body) ring and added one more antenna and voila, it's ready to fly or alight.

The decision was possible because I followed my alternate path (diagram on page 9 of PDF) and tatted the wings separately. However, I also followed my own tip to tat the antenna in one pass which is why the first antenna is too long. Shortened the 2nd one at the end, though.

In Anchor and Red Rose pearl cotton size 8, the butterfly is 3cm high and 5.5cm wide (without antennae). In Lizbeth size 20, these measurements should hold true. I didn't want the ombre tinted colourway to overwhelm the pattern, hence paired it with ecru/cream.

And so I submit my 4th motif for Natalie Rogers' Picot Bingo 2026 Level 2, crossing out two boxes and one line, yay!

• Block Tatting
• Tat a Butterfly

Here's where I stand at present ... please note that I have a couple more motifs already tatted but not shared, which is why I did not cross out any of the respective boxes.

PICOT BINGO for the last row, teehee! (Details here - https://www.patreon.com/posts/happy-new-year-147124370)

Hope you had or are having a great ITD. Ciao for now!

Dedicating my 1000th

Pin It now!

For this 1000th post I kept musing on the choice of subject. And I finally decided to dedicate it to some of my favourite people who have shaped and inspired my tatting journey. This is a symbolic gesture to ALL the tatting teachers, designers, innovators, experimenters, explorers who have shared their own learnings and experiences. 

Three Geniuses and a brand new stitch in tatting!

Two years back I stumbled upon two drawings that gave Ninetta Caurso's treble tatting stitch a basis in tatting history! 

A drawing on page 31 in Anne Dyer's 1994 book, To Boldly Go Where No Shuttle Has Gone Before, showing the decorative chain picots. 

A drawing on page 85 in Rhoda Auld's 1974 book, Tatting: the contemporary art of knotting with a shuttle showing her twisting the thread (this twisted picot is something I had pointed out in my pictorial) and passing the shuttle through it. Her tatted model is what we now call the vapour stitch.

Well, our very talented Ninetta engineered the two movements to create her treble tatting stitch (tds) all on her own! At the time she did not posses either of the books and till I pointed it out to her, she had not noticed! Basically, the chain picot became the 1st half of the tds while the vapour stitch became the 2nd half of the tds! 

💧One of the reasons for the delay in posting this was ambiguity about whether I could share the diagram pic from the book with due credit. Anita suggested I ask Tamie Montgomery, who now runs The Online Tatting Class and is very mindful of such issues. She was very receptive and we discussed it. Although she said it was okay to use the accredited pics (like Georgia had done) since it was a 'technique', I still wasn't comfortable, till I hit upon the idea of showing it in thread as above. 

💧💧💧

Auld is gold bead effects!

Last year I found some new beading effects by Rhoda Auld in the same book and took the liberty to give them each a name based on words used by her.

Framed Bead - The diagram on page 107 has been in circulation through Georgia Seitz's classes for several years now. Georgia pitched it as a way to add a bead in the center of a ring and I used it in this butterfly. 

However, Rhoda showed it as a way to add a free bead on a long picot with bare thread framing the bead on both sides when slack is removed. Makes for some good possibilities.

Piggyback Beads - Now this was fun to discover! On pages 99-100 Rhoda shows how to place two free beads one over the other using simple movements. I tweaked it a bit to make it easier to tat.

Instead of loading the bead on the core thread where she has to move the chain stitches, I loaded it on the knotting thread (teal in above sample) and the rest of the process remains the same. On an earlier page, Rhoda makes the teal picot longer and ties up both picots till required for joining. Hence there are many options depending on the pattern.

My sample is a bit wonky, but you get the picture, right?

💧💧💧

Generosity knows no bounds!

💧I can't thank Anita Barry enough for gifting me so many vital books on my list. Without these I wouldn't have been able to review and edit Net Best's, Six T's of Shuttle Tatting, not with any satisfaction or confidence. These have helped me to confirm, correct, or refine terms for her glossary, and even understand and discover so many gems, some of which I took the liberty of adding to the glossary.

💧Judith Connors has been taking an active interest in the glossary, too, either as an answer to my question, as a reaction to my blog post, or reaching out on her own privately. You can imagine what a treasure trove of knowledge she is and how lucky we are to benefit from her skills. 

Judith sent me a copy of her 2000 book, Creative Tatting with beads, shuttle, and needle. It has some of my all-time favourite patterns besides numerous interesting effects and applications. While I read the book, tatting models will be later in the year. 

💧Late last year I received a wonderful digital book by Carin Jansen, Riego ReTatted (2023).  She needed some advice on selling the book through the USA, not being sure of its reception. With permission, I sought Anita's advice and we both gave our respective take urging Carin to put it on the market. Eventually she decided against it for personal reasons, though she has shared her Dutch version within her group. It is such a labour of love and we hope she will change her mind in future. Carin has chosen patterns from each of Mlle Eleonore Riego's books (1850-1886) and shared detailed steps and modernised versions/tips in a pleasant format alongside diagrams and written patterns. 

💧💧💧

I'd like to think that my blog has stayed true to its name to the extent that almost 95% of my posts have a tip of some kind. Unfortunately I couldn't stay true to the url since this blog soon turned into a tatting blog ... not that I'm complaining, LOL. 

Hope you continue to follow my blog and read my posts. 💞

You will find tutorial links to terms in this post here - https://tipsaroundthehome.blogspot.com/p/tatting-resources.html and you can use the search box on the right panel to look for past posts on the tags used here and much more.

💧💧💧

Many many thanks to all the wonderful tatters mentioned here and also to those not mentioned who have influenced, inspired, and improved my tatting journey and maintained my eagerness to blog.

CWJ for EP tuts

Pin It now!

 You might remember that I have been mentioning a resource document (EP Tutorials) from the perspective of Endrucks' original patterns and derivatives. Ninetta and I decided to restrict the technique tutorial links to our respective blogs, and the Endrucks 1920 Project, without any outside source. To that end we even created some new pictorials and/or videos - some of which are still underway. 

The Catherine wheel join (CWJ), however, is something both of us had in our folders for the last several years but hadn't shared it online. My pictorial is from 2020 which I did for my Lock Join Plus series aka Reposition Methods, while Ninetta's diagrams were also drawn many years back. Bringing the two together, we present this PDF. https://drive.google.com/file/d/1UmmjBqNwwQYIb9Ms9_-T5K6dPnZENCwl/view

A few selected pics from the pictorial -

In the same 2020 folder I have the pics for working the CWJ backside, but have not presented them here. Perhaps at a future date I will work on that presentation and include it.

And Ninetta Caruso's diagram page - 

        Download the PDFs :

Catherine Wheel Join (CWJ) -  https://drive.google.com/file/d/1UmmjBqNwwQYIb9Ms9_-T5K6dPnZENCwl/view

Lock Join Plus aka Reposition Options series - https://drive.google.com/file/d/17zsM3JaLO7r0ajg8VOnv5IcJ-kLNqEiU/view

And in case you want a practice pattern, here's a quick one - E28 Heart by Muskaan - https://drive.google.com/file/d/1-rWqmDAd51VwxOqtt9spD-FIX5zYDAUE/view

There are already plenty of tutorials, including video demonstrations on this join, links to which you can find by clicking on the Tatting Resources tab above. I am of the opinion that there is no such thing as too many resources. Each of us learns in their own way and one never knows which tutorial will click for an individual. So, hope some of you find this helpful.

Happy tatting!

full of options tatting

Pin It now!

 In our endeavour since July 2025 to update patterns in our Endrucks 1920 Project collection, some PDFs posed a dilemma. For instance whether to leave the E1 shamrock and it's butterfly offshoot in the same PDF or to separate them. A survey in our FB group voted overwhelmingly in favour of the former. We took the opportunity to include a stepwise pictorial, add some missing portions, as well as options to work certain parts through some mini-pictorials.

E1 Happy Hands Shamrock and Butterfly by Diana Howe and Muskaan : 

https://drive.google.com/file/d/1_D5xY68NyfsKMB4LDr0GUv-WYC0VCba6/view (updated pattern link)

Following are some notable features -

This Way or Tat? (TWoT Notes): This is one of those patterns where many paths and options are possible.  Diana had diagrammed both clockwise and counterclockwise pathways (my E1 Happy Hands Heart from which it was derived could also be worked either way), and my working of the shamrock followed a third. Since it is a two shuttle pattern, just follow the shuttle which is in the right position, but adjust the instructions accordingly.  

I used contrasting colours in size 10 knitting cotton for the pictorial to clearly indicate which shuttle is in use.

Dimpled Yorkie: Since the heart ring is fairly large, it is a good idea to apply the two-step closure option as in the dimpled yorkie. Notice the bare thread on the left, just before the ring starts? It is part of the false picot ....

False Picot: Since there will be two back and forth chains at the base of the heart, a false picot is needed to prevent overcrowding. And the bare threads need to be long enough to accommodate them.

False Picot v/s Mock Picot): I distinguish between a false picot and a mock picot. The former is just bare thread left before and/or after an element to simulate a picot. The latter usually uses an overhand tie, a lock stitch, or a paperclip/spacer to make the picot. False picot is a much more vintage term than a mock picot, often used interchangeably, and the construction is left to the discretion of the tatter. However one should be aware of this since it may affect which of the two shuttles you will be using to continue. Does it coincide with what the designer intended? If not, the tatter will need to adapt accordingly.

Lock Join and Under-Over Join (U-OJ) aka Alligator Join: During my early trials with the original E1 pattern, I finally settled on making a lock join through the false picot in order to keep the chain in place. This was followed by ensuring that the two threads/shuttles were on either side of the picot (one above and one under).  

However the lock join can be eliminated completely and only the U-OJ can be used if so desired. And which thread you wish to keep above and which under is entirely up to the tatter. Just make sure to adjust instructions accordingly.

The first heart motif is complete in the above image. 

Armadillo join: While in the above model we went with the original consecutive joins (picot join on top and lock join below), this can be substituted with the armadillo join as explained in my previous post. https://tipsaroundthehome.blogspot.com/2025/12/armadillo-join.html . 

Over The Top Join (OTT): This is an adaptation of the U-O join when the space is too small for a shuttle to pass under (or one forgets to position the shuttles ahead of the final chain segment in the pattern). Above image shows Ninetta working it in the 2nd or 3rd repeat.

 

Ninetta's E1 shamrock and butterfly versions! Can't thank her enough for all her enthusiastic and prompt support in so many unexpected ways!

Stem : Diana recommended the BDS or padded chain for a stem. However, any decorative chain or cord can be applied such as the lock chain in above model, a pearl tatted chain, etc. 

Never let it be said that tatting is just rings and chains and picots, LOL.

We will soon be releasing the EP Tutorials document which endeavours to list all tatting techniques, effects, and terms used in the Endrucks patterns - original, reworked, and derived. Until then you can find tutorial links in the Tatting Resources tab above (https://tipsaroundthehome.blogspot.com/p/tatting-resources.html).

Please give credit to the designer and pattern, and use the tag #Endrucks1920Project when you post your version of the pattern.