Showing posts with label Ninetta. Show all posts
Showing posts with label Ninetta. Show all posts

Wednesday, 22 July 2026

angels needed

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 Tamie Montgomery who has taken over the baton from Georgia Seitz and has been successfully conducting classes through The Online Tatting Class (TOTC), has organised a Heavenly Angels Challenge for a charity drive. She is looking for angel patterns and designers who can share their patterns for the drive. 

She has been asking in several FB groups, including in our Endrucks group. So when I contacted her, this is what she wrote to me some days back - 

"There is a charity foundation that I am trying to get involved with to share tatting around the world. I have students from all walks of life and different countries. I thought a good way to get everyone involved in sharing their love of the art is to open up a charity drive and make it a challenge.

The rules are this. I will start the challenge off by nominating 5 tatters and they each have to tat 5 angels. Each one must be different. Then once they tat their 5 angels and send them to a local branch of this particular charity then they nominate 5 tatters to tat 5 angels. Where the designers come in is we need more angel patterns to choose from and I am asking designers to design 1 angel then everyone can choose from the patterns listed on the website from each designer. The patterns will be located on the designers page. This will also drive traffic to each designer's website who participates. So if they are monetized then they will make a few dollars for their time and effort.

The charity is Angel Tree Foundation. They put paper angels on the Christmas trees and people pick an angel off the tree and the angel will have a child's name on it. They will then purchase a gift for that child for christmas and it will be a gift from an Angel. Churches and childrens hospitals all participate in this charity all over the world. The children that the Angels on the trees in Churches are underprivileged Children. Children's hospital's participating are children who are very sick and may not see another Christmas. It gives them hope and love. The person donating the gift keeps the tatted Angel as a thank you for being an Angel.

Now for the overseas people we want them to give to the local children's charities in their country if there is none then give a sick child an Angel to watch over them. Small things to sick little ones are big to them.

 The Challenge's name is Heavenly Angel's Challenge."

She has now opened a dedicated page for the event with details and links to patterns/sites and you can read about it here - https://www.theonlinetattingclass.com/tatting-angels-tribute

- 3D model only -

On behalf of the Endrucks 1920 Project, we are offering the patterns we already have. You can find them in the Angels and Tree Ornaments from Endrucks directory here - https://docs.google.com/document/d/1MVEEhKE79euDmOY65Es95rYihb5P9UcqmAJWG5qw4Ws/view or scroll down for individual PDF links.

E7 The Slim and The Chubby Angels by Ninetta Caruso (2022)https://drive.google.com/file/d/1sHQfHC2Al-o5dGE0tTRhuhwajN0QRB5D/view


E12 Angel in White (one pass) (page7) and its coloured version E12 Sky Blue Angel (page11) by Krystyna Mura (2021)https://drive.google.com/file/d/1E26K3FFgHygdkEKUvVHn-f0MFlENDsqA/view   

The 3D model of E12 Christmas Angel at the lead is also part of this document but without a dedicated pattern. 

E22 Eleonore's Li'l Angel by Muskaan (2015)https://drive.google.com/file/d/0B5MqI5ByadI4RmRhS3ZBeDVjcnc/view

E37 Endrucks' Angel n Bell by Margaret Davies (2022)https://drive.google.com/file/d/1aq202-ESOzP_DLlA1bQ1mz3unyTTrpwr/view 

For different versions of this E37 Angel with beads, halo, etc., scroll through the images in these posts -
https://tipsaroundthehome.blogspot.com/2022/12/tagme-roundup-1.html 
https://tipsaroundthehome.blogspot.com/2022/12/tagme-roundup-2.html
https://tipsaroundthehome.blogspot.com/2023/03/tagme-roundup-3.html

All the above patterns are free to use but please give credit to the designers and use the hashtag #Endrucks1920Project if you post online. 

Many thanks to all designers for their willingness to share.
With best wishes ... keep your shuttles busy ...

Sunday, 28 June 2026

happeeeeee birthday

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 28th June is Eleonore Endrucks' birth anniversary and we had shared 6 derivatives of the E monogram for a combined ILD 2026 and birthday celebrations. I got so caught up that I tatted all six ... they are fairly quick tats anyways. 

So, here's wishing our designer of Endrucks 1920 Project a very Happeeeeee Birthday with expectations that she would be looking down on her Endrucksian tribe with pride.

All worked in size 20 threads (though some are closer to Lizbeth size 10) and arranged in ascending order for comparison.

My original idea was to arrange them in an arc as if we were calling out in a rising crescendo but it didn't quite make the mark as seen above.
All six patterns were shared here - https://tipsaroundthehome.blogspot.com/2026/06/double-celebration.html
Sharing my thoughts and details in the same order as above -
Letter E Cursive from E32 by Paola Bevilacqua - I already shared my notes here - https://tipsaroundthehome.blogspot.com/2026/06/multiple-celebrations.html
Measurement: 3cm wide, 4cm high.
Letter E from E1 by Manju Talekar. Notes shared here - https://tipsaroundthehome.blogspot.com/2026/06/multiple-celebrations.html
Measurement: slightly more than 4cm x 4cm.

Letter E from E41 by Julie Villegas. This was an easy and quick tat.
Measurement: 3½ cm wide, 4½ cm high

Letter E from E1 by Vani Kattoju. I have tatted sooo many E1 original/reworked and derivative patterns that my motor memory kicked in and I made a mistake in the vertical chains. Instead of 4ds between picots, I made 3ds as in the original. Discovered this only on the return journey and had to un-tat a few segments before tweaking the count by 1 less stitch each. Thankfully it doe not seem to have made difference.
My slight tweak which isn't too obvious since I did it too late - In the 2nd motif I shortened chains and rings in the arms by 1ds to make the horizontal arm of E shorter than the end ones.
I was forced to play thread chicken for several of the final elements but managed to have just enough tails left to be able to sew them in. Reposition methods help a great deal as did not cutting for 2nd row - simply made a slip stitch.
Measurement: 4cm wide, approx 6cm high.

And when it is rotated we get some interesting possibilities! I see a chandelier, a bowl, but also an elephant, LOL.

Letter E from E41 by Ninetta Caruso. Now I had always intended to tat this with bugle beads, but this time I went for speed. And I was so inspired by Ninetta's version of Julie's E (for ILD) that I copied her colourway ;-D
Measurement: 4cm wide, > 6½ cm high
.... When rotated 

Letter E from E17 by Manju Talekar. I could've done a better job with sharper angles and straighter lines. 
Measurement: 5cm wide, >7cm high.

So that's it for now. 
For plenty more derivative patterns, tutorials, and the original reworked patterns from Endrucks' 1920 book, Die Schiffchen-Spitzen save this EP LINKS url - https://docs.google.com/document/d/1w1TZBg-HIzseGEUoJ-rko7tNbtSgZY5A18Oy2Y9Hh0Y/view
Hopefully my PIC Ninetta and I can return to our FB group activities in full earnest next year.

Many many thanks to all designers and participants!

Saturday, 20 June 2026

double celebration

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 Tomorrow is International Lace Day (ILD) and on 28th June is Eleonore Endrucks' birth anniversary. This time we decided to combine the two events into a week-long celebration if you would like to join us. We have a huge collection of Endrucks' original/reworked 44 patterns from Die Schiffchen-Spitzen, 1920, and the derivatives which are housed in 16 categorised directories. For our celebration, we released six Letter E patterns - initial of Endrucks' name. 


The six Es - 

Letter E from E1 by Vani Kattoju 2024 - https://drive.google.com/file/d/1W5Dvx4LTiFUtwaMI9XkwC8ecUW1FYuPc/view

Letter E from E17 by Manju Talekar 2024 – https://drive.google.com/file/d/1aPpcIJiYFNTnzRQ9R5n8s54X1PT4paLl/view

Letter E Cursive from E32 by Paola Bevilacqua 2024 – https://drive.google.com/file/d/1LFhDbOo3UGjw1eMywcz3R4pY76i9CAxP/view

Letter E from E41 by Julie Santos Villegas 2024 – https://drive.google.com/file/d/1bKKeKLztN35vqCxVGKjSSxfhmTEEJBo2/view

Letter E from E41 by Manju Talekar 2024 – https://drive.google.com/file/d/1-zQQ0ZQs1NLDmp5xPUAJzTIV3zy1JvTY/view

Letter E from E41 by Ninetta Caruso 2025 – https://drive.google.com/file/d/1IGsQVjONbkvFY7lVUN5MmzezPpmvUnoy/view

 Most can be tatted up very quickly and if you rotate it slightly we get the letter M! It is amazing that one pattern E41 has generated Three versions of letter E!

Feel free to choose any of the above and give it your own spin - decorate as you wish - or derive your own E from the Endrucks collection!

For lots more patterns and inspiration check out the EP LINKS doc - https://docs.google.com/document/d/1w1TZBg-HIzseGEUoJ-rko7tNbtSgZY5A18Oy2Y9Hh0Y/view

If you are on Facebook, here are the links to check out -https://www.facebook.com/groups/InternationalLaceDay/permalink/24271776935747699/ - ILD  group   https://www.facebook.com/groups/1235560633606162/permalink/2416136588881888/ and   https://www.facebook.com/groups/1235560633606162/permalink/2420591988436348 - EP group

💗💖💗 Happy tatting and sincere thanks to all the designers mentioned above and to the organisers of the ILD 💗💖💗

Thursday, 18 June 2026

EP Tutorials

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Ninetta Caruso, my partner in crime! Ninetta is my PIC in the Endrucks 1920 Project and we have a great collaboration going. Add to the vibrant Project is something she and I have been working on since August of 2025 - a tutorial resource catering to the Endrucksian collection. but of course, it is relevant for any tatting project.

Eleonore Endrucks used very limited techniques to create unique patterns in her 1920 book, Die Schiffchen-Spitzen. Yet the derivatives and even some reworkings of her originals have applied a wide range of techniques and effects. Our members cover an entire spectrum of skill levels. Hence some required help at various stages. We tried to provide that help. Over time, these tips and techniques started growing and remained scattered. (We had used the #eptutorial hashtag, yet found that only some selective posts came up). Hence we needed to bring them all under one roof so that future tatters could find the tutorial alongside the pattern easily. To that end we worked on the EP Tutorials document and lo and behold, it started to grow and grow!

This is a quick collage showing some step in a pictorial or some application in a model, etc. 

As our technique list grew, we tried to incorporate what Frau Endrucks herself advocated through her advice and preface and balance it with what we do today. 

EP Tutorials :  https://docs.google.com/document/d/17Xh32ZlW5MmVTlidA8RzwwY7j-l4i_9YYv5N236R5RE/view    (click link to open/download)

Some features of this document include -  

  • Endrucks' tips
  • short introduction or descriptions
  • pictorials (as PDFs)
  • video links
  • blog links (We have tried to keep it an in-house affair limiting the links to either Ninetta's or to my blog and resources created by us.)
  • diagrams (as PDFs)
  • pattern links where the technique was used or effect applied; these can act as practice patterns. All patterns are from our Endrucksian collection.

The document is divided into sections and each sub-listing is arranged alphabetically for ease.
We start with a general section comparing vintage or traditional tatting with contemporary tatting.
This is followed with 
  1. starting and finishing
  2. changing direction
  3. 3D or dimensional tatting
  4. picots
  5. joins
  6. classic formations
  7. techniques
  8. continuous tatting
  9. needle tatting
  10. working with beads and jewellery findings or notions
Some presentations are still works in progress; we had delayed the release of this document long enough and didn't want to wait any more. So these PDFs will be done over time and the document updated accordingly.

We hadn't realised ourselves how much diversification had entered into the Project! And I am sure we must've missed a few! Do let us know if you come across something we've missed or something you want.

On the top right of this blog page you will find important links relating to the Endrucks Project. I also added a new page (tab on top panel) titled 'Endrucks' to give a birds-eye view of the Project and all relevant links. It is still under construction. 

Saturday, 16 May 2026

itch scratched

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 From April 2019 to May 2026 - took all of seven years for me to put up the pictorial for curled ring connectors! I had a one-page graphic prepared in 2019 but kept putting it off. The 7-year itch proved advantageous because now I am sharing a comprehensive tatted ring connectors presentation which includes two main types of connectors as well as numerous applications and variations along with tips and options! You no longer need to rummage through your stash of motifs wondering what to do with them, or to worry about finding the right findings for your tatted jewellery! No preplanning, no joining picots needed!

Since this is an image-heavy post, I will try to keep the text to a minimum. You can read all details in the PDF and the links provided below.  

Tatted Ring Connectors
Two main types are the Curled Ring Connector (CRC) and the Tatted Ring Connector (TRC) as seen above.

Curled Ring Connector
All you need is a single shuttle to tat picoted rings and a lock join to curl each either individually or simultaneously at the end. 
Curled Ring Connector in progress. These are single shuttle rings curled around desired motifs to connect them.
Collect all your motifs or lace and arrange as desired.

My CRC SOUP bracelet. Here, I have added beads in the center of the 3-way CRCs. 
The large ring at the bottom left will be curled and will act as a toggle for the bracelet.

Detail of the beaded CRC.

This is my Italian Connection bookmark made by linking Patty Castagno's Square Motifs.
Notice the 3-way CRC decorating the tassel and its 'empty' counterpart at the other end.

Not merely tatted motifs, these connectors can be used to link sequins! There are even 4-way connectors here tatted with metallic thread.
First sneak peek here - https://tipsaroundthehome.blogspot.com/2019/04/pattys-square-pattern-and-peeks.html
Ninetta Caruso's E37 Iris Pendant uses a triple onion ring to curl around the necklace. And on the other end she worked a curled ring to link to the tatted motif with a split ring between the CR and OR!

Tatted Ring Connector
All you need is a single shuttle to tat picoted rings and a picot join between them, encapsulating  two motifs/pieces. 
Some of my E37 Eye Spy Hearts #2 motifs left over from my trials and prototypes are now linked with TRC or tatted ring connector. More hearts here - https://tipsaroundthehome.blogspot.com/2025/09/timeline-and-play.html
Detail of a TRC in progress.
My E37 SOUPy Vine bookmark with E37 Eye Spy Hearts #1 has a variation of the tatted connectors where the two rings are not joined to each other but to the motifs! More details here - https://tipsaroundthehome.blogspot.com/2023/07/soupy-vine.html
My E1 Happy Hands Linked Bookmark uses the main motif 'hands' to link the tail to the body! More here - https://tipsaroundthehome.blogspot.com/2022/03/linked-hands-trial.html 

My E1 Happy Hands Linked Bracelet has two motifs and the linkage to the body is made with the crossed long beaded picots. https://tipsaroundthehome.blogspot.com/2022/08/a-bonanza-of-happiness.html  
Detail of the crossover picots between the two motifs.

Ninetta Caruso's E1 Happy Hands Necklace uses 3 individually tatted interlocking rings to link the clasp to the lace! Lots more pics and details here - https://tipsaroundthehome.blogspot.com/2022/10/not-just-edging.html

Ninetta uses a similar technique to attach the clasp to the lace in her E2 Fishbone Bracelet. Her pattern pdf also has a detailed pictorial of the process and she has shared two important tips for our presentation as well.

I hope you are sufficiently impressed by the variety and will want to assemble your practice and prototypes pieces to create useable articles and jewellery!

Many thanks to Ninetta for her feedback, input, tips, and proofing!

Saturday, 25 April 2026

3D solid tatting

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 Who knew these cute little birds would be the cause to anger some people who then went on to make them an extinct species in their ecosystem! This pertains to only one specific FB group from which many of us have been booted out while others have left voluntarily. We now have a new group started by Vicki Clarke, called 3-D Tatting. All birds wiped out from that one group are now flocking together in this group, LOL, and others as well.

Bluebird in solid tatting
Continuing from my last post about flat solid tatting, see how wonderfully it can be applied to tatted amigurumi models!!! All pics in this post belong to Carolyn Craig who is the experimenter, designer, and tatter. I will quote some of what she shared with me privately with permission to use whatever was needed.

What is Amigurumi - Amigurumi is the Japanese art of crocheting or knitting small, stuffed yarn creatures or objects. The word combines "ami" (meaning knitted or crocheted) and "nuigurumi" (meaning stuffed doll). Amigurumi are typically worked in spiral rounds using basic crochet stitches like single crochet and invisible decrease. They can now add tatting to the list for amigurumi. CRAIG

Solid Tatting by CAROLYN CRAIG - is the same as amigurumi. It is continuous rounds instead of joined rounds in a spiral, but it can also do flat solid tatting which is continuous. 
3-D Lips
After her 2D solid tatting in 2020, Carolyn tried these lips, working them in continuous rounds and stuffing them before sewing them closed
The Lips became the body of the birds. I am a retired art teacher. I have used basic shapes in clay, paper, and other materials to make different objects for class projects. I see how some can be made with the solid tatting, I just have not mastered all the ways it can be used. CRAIG
3-D Mouse Family
"The mouse family in solid tatting with jute... continuous spirally circle of tatting"

3-D Robin
This Robin is worked in yarn. 
You can see how she is experimenting with different threads/yarns as well as sizes to get the desired result.
The collage shows how the body is being worked as a single entity, a continuous round which includes the head in a different colour. Before the body is closed completely, it is stuffed. The tail, wings, beak, eyes are added later.

Below we see the assembly parts of a solid tatted Sparrow. 

3-D Sparrow
"This sparrow was done in 4 ply acrylic yarn with a Moonlit shuttle. The sparrow is continuous solid tatting in a spiral to form body and head. The spine and tail are solid flat tatting in one piece. The wings are regular tatting."

The second image is the parts of sparrow solid tatting in a continuous spiral - body and head, Flat solid tatting which is continuous - spine and tail, and regular tatting - wings with moonlit shuttle in background. 

If you look close at the flat spine and tail, one of the two stitches used to create SOLID TATTING can be seen in the top and bottom row……. CRAIG

TIP: Carolyn uses two types of lock join to achieve her compact 3D solid tatting. For the most part the lock join made through the wasitband of a double stitch which she calls LFW (LJ through front waistband). It is the horizontal bar of a DS when the DS is facing us; the LJ is made within the stitch, between two half-stitches. The 2nd is when the LJ is made through the back waistband - LBW. This is simply like joining between two DS. Since 3D model is tatted all from the front, the LFW is used much more. LBW is used for increases/decreases to shape the model. 

3-D Bluebird
"The blue bird is with size 3 tatting thread (but tail and wings are still in size 3 thread instead of size 10)"
 
A closer look at these beauties!

These are but 3 solid birds designs. Her aviary consists of 7 or 8 different birds and you can see them in her FB timeline or the 3-D Tatting group (besides a few other groups). There are many active preservationists who stepped in to prevent extinction! Carolyn will be sharing her process and experiments in detail in future.
🐦🐦🐦🐦🐦

3D in Tatting - There are numerous ways to tat 3D models with or without stuffing. Some are worked continuously (as in the listing below) while others can include joining motifs, bowl shapes, covering a balloon or ornament, etc.  These could include in no particular order ....

Please note that the above list is by no means exhaustive! Feel free to remind me of any I might've missed.
🐦🐦🐦🐦🐦

I wasn't going to, but this is adorably cheeky to not share! Here's what some veteran masters of tatting are doing in the above FB group .... Anita posted this yesterday and then left the group and told me I could share after several other tatters expressed their desire to copy/paste. 
Please note that this is the vintage edging (recreated by Anita) that inspired my threader holder motif here - https://tipsaroundthehome.blogspot.com/2026/04/literally-out-of-box.html

And now I am told Martha Ess has also posted something similar listing all our greats who inspired her 3D design using block tatting and it reads like a true historical timeline. 

Cheeky but civilised and disciplined and following all rules! 
🐦🐦🐦🐦🐦

Many thanks to Carolyn for allowing me to share her lovely work and details and to ALL others mentioned who allow us to use their ideas and techniques so that we do not have to reinvent the wheel.

Wednesday, 15 April 2026

literally out of the box

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and functioning as a threader holder! Why didn't I think of this solution ages ago?! Here's the full story ...

Going back a few weeks, Anita showed me a vintage edging she had picked up at a thrift store. A single shuttle trefoil/clover edging with a curious way of joining the rings. It looked so good, too. Thought I'd work a sample but somehow I let my shuttle take over and ended up with this medallion.

Now I wasn't in the mood to use a picot gauge despite having a few handmade folded picot gauges, which is why the bare thread spaces are not perfect.

Nevertheless the highlight of this medallion is the little twist at the base of each ring. 

All I am doing is attempting to make a 1st half-stitch (ie. bringing the thread from Under the previous thread) without actually transferring or flipping it. This leads to all that twisting. One has to be careful with it. As you can see, the stitch is not tensioned and snugged completely since I wanted a loose twist. 
There is ample scope to play around with the effect, adding more half-stitches, etc.

It then reminded me of something that Ninetta had done. Turns out she used a lock join to simulate a twist in this vintage motif here - https://ninettacaruso.blogspot.com/2020/08/locked-in-old-corner.html - from Emmy Liebert's 1916 book.

So coming back to the problem that was awaiting a solution. I whip stitch tail ends using tapestry needles and a threader to thread the needle. The latter is kept in a different box within the larger project box. I wanted a way to have both the needle container and the threader to be together - pick them up in one go. Didn't want to use tape; couldn't use a magnet; couldn't glue it down for obvious reasons. 

This medallion which happened to lie over the circular box struck me as the perfect solution. I glued it down with a spot of glue at 3 points, that's it! 

Being so open and airy, the threader easily slips through any space yet stays put! And no fear of the wire being bent or getting caught anywhere. A safe haven!
Anita called this the Threader Keeper!!! Now she's one to think out of the box and guess it is rubbing off on me, LOL.

Oh, and I am submitting this BTS medallion (my 5th submission) for Natalie Rogers' Picot Bingo 2026 Level 2, crossing out one box -  
  • Use Bare Thread Space.