EP Tutorials

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Ninetta Caruso, my partner in crime! Ninetta is my PIC in the Endrucks 1920 Project and we have a great collaboration going. Add to the vibrant Project is something she and I have been working on since August of 2025 - a tutorial resource catering to the Endrucksian collection. but of course, it is relevant for any tatting project.

Eleonore Endrucks used very limited techniques to create unique patterns in her 1920 book, Die Schiffchen-Spitzen. Yet the derivatives and even some reworkings of her originals have applied a wide range of techniques and effects. Our members cover an entire spectrum of skill levels. Hence some required help at various stages. We tried to provide that help. Over time, these tips and techniques started growing and remained scattered. (We had used the #eptutorial hashtag, yet found that only some selective posts came up). Hence we needed to bring them all under one roof so that future tatters could find the tutorial alongside the pattern easily. To that end we worked on the EP Tutorials document and lo and behold, it started to grow and grow!

This is a quick collage showing some step in a pictorial or some application in a model, etc. 

As our technique list grew, we tried to incorporate what Frau Endrucks herself advocated through her advice and preface and balance it with what we do today. 

EP Tutorials :  https://docs.google.com/document/d/17Xh32ZlW5MmVTlidA8RzwwY7j-l4i_9YYv5N236R5RE/view    (click link to open/download)

Some features of this document include -  

• Endrucks' tips
• short introduction or descriptions
• pictorials (as PDFs)
• video links
• blog links (We have tried to keep it an in-house affair limiting the links to either Ninetta's or to my blog and resources created by us.)
• diagrams (as PDFs)
• pattern links where the technique was used or effect applied; these can act as practice patterns. All patterns are from our Endrucksian collection.

The document is divided into sections and each sub-listing is arranged alphabetically for ease.

We start with a general section comparing vintage or traditional tatting with contemporary tatting.

This is followed with 

1. starting and finishing
2. changing direction
3. 3D or dimensional tatting
4. picots
5. joins
6. classic formations
7. techniques
8. continuous tatting
9. needle tatting
10. working with beads and jewellery findings or notions

Some presentations are still works in progress; we had delayed the release of this document long enough and didn't want to wait any more. So these PDFs will be done over time and the document updated accordingly.

We hadn't realised ourselves how much diversification had entered into the Project! And I am sure we must've missed a few! Do let us know if you come across something we've missed or something you want.

On the top right of this blog page you will find important links relating to the Endrucks Project. I also added a new page (tab on top panel) titled 'Endrucks' to give a birds-eye view of the Project and all relevant links. It is still under construction. 

itch scratched

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 From April 2019 to May 2026 - took all of seven years for me to put up the pictorial for curled ring connectors! I had a one-page graphic prepared in 2019 but kept putting it off. The 7-year itch proved advantageous because now I am sharing a comprehensive tatted ring connectors presentation which includes two main types of connectors as well as numerous applications and variations along with tips and options! You no longer need to rummage through your stash of motifs wondering what to do with them, or to worry about finding the right findings for your tatted jewellery! No preplanning, no joining picots needed!

Since this is an image-heavy post, I will try to keep the text to a minimum. You can read all details in the PDF and the links provided below.  

Tatted Ring Connectors

PDF: https://drive.google.com/file/d/1vHuQjgEgH2vWSUX8JO5svG737jMM4Q9n/view

Two main types are the Curled Ring Connector (CRC) and the Tatted Ring Connector (TRC) as seen above.

Curled Ring Connector

All you need is a single shuttle to tat picoted rings and a lock join to curl each either individually or simultaneously at the end. 

Curled Ring Connector in progress. These are single shuttle rings curled around desired motifs to connect them.

Collect all your motifs or lace and arrange as desired.

My CRC SOUP bracelet. Here, I have added beads in the center of the 3-way CRCs. 

The large ring at the bottom left will be curled and will act as a toggle for the bracelet.

Detail of the beaded CRC.

First sneak peek here - https://tipsaroundthehome.blogspot.com/2019/04/pattys-square-pattern-and-peeks.html

This is my Italian Connection bookmark made by linking Patty Castagno's Square Motifs.

Notice the 3-way CRC decorating the tassel and its 'empty' counterpart at the other end.

First shared here - https://tipsaroundthehome.blogspot.com/2019/04/my-italian-connection.html

Not merely tatted motifs, these connectors can be used to link sequins! There are even 4-way connectors here tatted with metallic thread.

First sneak peek here - https://tipsaroundthehome.blogspot.com/2019/04/pattys-square-pattern-and-peeks.html

Ninetta Caruso's E37 Iris Pendant uses a triple onion ring to curl around the necklace. And on the other end she worked a curled ring to link to the tatted motif with a split ring between the CR and OR!

First shared here - https://tipsaroundthehome.blogspot.com/2023/10/rabbits-multiply.html

Tatted Ring Connector

All you need is a single shuttle to tat picoted rings and a picot join between them, encapsulating  two motifs/pieces. 

Some of my E37 Eye Spy Hearts #2 motifs left over from my trials and prototypes are now linked with TRC or tatted ring connector. More hearts here - https://tipsaroundthehome.blogspot.com/2025/09/timeline-and-play.html

Detail of a TRC in progress.

My E37 SOUPy Vine bookmark with E37 Eye Spy Hearts #1 has a variation of the tatted connectors where the two rings are not joined to each other but to the motifs! More details here - https://tipsaroundthehome.blogspot.com/2023/07/soupy-vine.html

My E1 Happy Hands Linked Bookmark uses the main motif 'hands' to link the tail to the body! More here - https://tipsaroundthehome.blogspot.com/2022/03/linked-hands-trial.html 

My E1 Happy Hands Linked Bracelet has two motifs and the linkage to the body is made with the crossed long beaded picots. https://tipsaroundthehome.blogspot.com/2022/08/a-bonanza-of-happiness.html  

Detail of the crossover picots between the two motifs.

Ninetta Caruso's E1 Happy Hands Necklace uses 3 individually tatted interlocking rings to link the clasp to the lace! Lots more pics and details here - https://tipsaroundthehome.blogspot.com/2022/10/not-just-edging.html

Ninetta uses a similar technique to attach the clasp to the lace in her E2 Fishbone Bracelet. Her pattern pdf also has a detailed pictorial of the process and she has shared two important tips for our presentation as well.

I hope you are sufficiently impressed by the variety and will want to assemble your practice and prototypes pieces to create useable articles and jewellery!

Many thanks to Ninetta for her feedback, input, tips, and proofing!

vintage false CTM

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There are so many methods and even more combinations to add new thread to a work in progress lace. We came across Eleonore Endrucks' advice to fix mistakes in her 1920 book, 'Die Schiffchen-Spitzen'. Here is the translation - 

We now call it False CTM (false continuous thread method) and I have shared several scenarios and applications over time. Here, we limit ourselves to Endrucks' method, a variation of the same, and a knotless method.

All this has been presented as pictorials in this PDF - 

False CTM - Endrucks' Advice & Pictorials -https://drive.google.com/file/d/1_Jm7puHcMemY3lhwP2cP8G3EmcgamlVj/view

Since everything is already presented in the PDF, I will be brief here, with only a few selected pics. Please click on the link above to download the document.

1. False CTM - Endrucks' Method

Notice 1. the old tails tied together and the new ones tied together ; 2. the knots are far apart, with the new knot wound on the ball or 2nd shuttle, far from the point of attachment to the work in progress.. The blue thread between these two points creates the false continuous thread.

However, since the two tails (in each pair) are tatted over in the same element, it creates bulk. This can be countered to some extent by tatting very tightly.

TIP: Use a slip knot to tie the new threads (blue) so that it can be opened and the knot repositioned as desired.

2. False CTM - Variation of Endrucks' Method

In order to avoid bulk, here the old shuttle tail is tied with new shuttle tail and old ball/2nd shuttle tail to the new ball/2nd shuttle end. Preferably, maintain a distance between the two knots so that we have a continuous thread space to work with.

Look closely, all four tails are hidden (tatting over tails) in four different elements. The extra ends are trimmed later.

3. False CTM - Knotless Variation of Endrucks' Method

Knotting the tails can be completely avoided. Above the new ball or 2nd shuttle thread is being folded around the old tail and will be tatted over in the chain element. 

Similarly, the core thread can be added and worked over.

The other tail in each case can be sewn/whip stitched later, or pulled through stitches using a magic loop, etc.

The choice of the three methods would depend on the specific situation - how long are the old tails, etc.  The above is merely a small glimpse of the numerous ways in which we can apply false ctm. Some related posts/pictorials/PDFs -

https://tipsaroundthehome.blogspot.com/2019/10/false-ctm-part-1.html

https://tipsaroundthehome.blogspot.com/2019/10/false-ctm-part-2.html

https://tipsaroundthehome.blogspot.com/search?q=false+ctm 

Tatting Over Tails (PDF updated from 2017) - https://drive.google.com/file/d/1kwszAseuEZqkMdXosfTHtXdw0diCwmKz/view

Starter Picot or Starting with a Chain (PDF) - https://drive.google.com/file/d/1vzSHMxas51Yn5iujdmror1obx27AuIhw/view

Hiding Ends and Adding Thread - vast compilation of options and tutorials - https://tipsaroundthehome.blogspot.com/2016/11/beginning-or-ending.html

Hope you find this helpful in some future situation. 

Dedicating my 1000th

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For this 1000th post I kept musing on the choice of subject. And I finally decided to dedicate it to some of my favourite people who have shaped and inspired my tatting journey. This is a symbolic gesture to ALL the tatting teachers, designers, innovators, experimenters, explorers who have shared their own learnings and experiences. 

Three Geniuses and a brand new stitch in tatting!

Two years back I stumbled upon two drawings that gave Ninetta Caurso's treble tatting stitch a basis in tatting history! 

A drawing on page 31 in Anne Dyer's 1994 book, To Boldly Go Where No Shuttle Has Gone Before, showing the decorative chain picots. 

A drawing on page 85 in Rhoda Auld's 1974 book, Tatting: the contemporary art of knotting with a shuttle showing her twisting the thread (this twisted picot is something I had pointed out in my pictorial) and passing the shuttle through it. Her tatted model is what we now call the vapour stitch.

Well, our very talented Ninetta engineered the two movements to create her treble tatting stitch (tds) all on her own! At the time she did not posses either of the books and till I pointed it out to her, she had not noticed! Basically, the chain picot became the 1st half of the tds while the vapour stitch became the 2nd half of the tds! 

💧One of the reasons for the delay in posting this was ambiguity about whether I could share the diagram pic from the book with due credit. Anita suggested I ask Tamie Montgomery, who now runs The Online Tatting Class and is very mindful of such issues. She was very receptive and we discussed it. Although she said it was okay to use the accredited pics (like Georgia had done) since it was a 'technique', I still wasn't comfortable, till I hit upon the idea of showing it in thread as above. 

💧💧💧

Auld is gold bead effects!

Last year I found some new beading effects by Rhoda Auld in the same book and took the liberty to give them each a name based on words used by her.

Framed Bead - The diagram on page 107 has been in circulation through Georgia Seitz's classes for several years now. Georgia pitched it as a way to add a bead in the center of a ring and I used it in this butterfly. 

However, Rhoda showed it as a way to add a free bead on a long picot with bare thread framing the bead on both sides when slack is removed. Makes for some good possibilities.

Piggyback Beads - Now this was fun to discover! On pages 99-100 Rhoda shows how to place two free beads one over the other using simple movements. I tweaked it a bit to make it easier to tat.

Instead of loading the bead on the core thread where she has to move the chain stitches, I loaded it on the knotting thread (teal in above sample) and the rest of the process remains the same. On an earlier page, Rhoda makes the teal picot longer and ties up both picots till required for joining. Hence there are many options depending on the pattern.

My sample is a bit wonky, but you get the picture, right?

💧💧💧

Generosity knows no bounds!

💧I can't thank Anita Barry enough for gifting me so many vital books on my list. Without these I wouldn't have been able to review and edit Net Best's, Six T's of Shuttle Tatting, not with any satisfaction or confidence. These have helped me to confirm, correct, or refine terms for her glossary, and even understand and discover so many gems, some of which I took the liberty of adding to the glossary.

💧Judith Connors has been taking an active interest in the glossary, too, either as an answer to my question, as a reaction to my blog post, or reaching out on her own privately. You can imagine what a treasure trove of knowledge she is and how lucky we are to benefit from her skills. 

Judith sent me a copy of her 2000 book, Creative Tatting with beads, shuttle, and needle. It has some of my all-time favourite patterns besides numerous interesting effects and applications. While I read the book, tatting models will be later in the year. 

💧Late last year I received a wonderful digital book by Carin Jansen, Riego ReTatted (2023).  She needed some advice on selling the book through the USA, not being sure of its reception. With permission, I sought Anita's advice and we both gave our respective take urging Carin to put it on the market. Eventually she decided against it for personal reasons, though she has shared her Dutch version within her group. It is such a labour of love and we hope she will change her mind in future. Carin has chosen patterns from each of Mlle Eleonore Riego's books (1850-1886) and shared detailed steps and modernised versions/tips in a pleasant format alongside diagrams and written patterns. 

💧💧💧

I'd like to think that my blog has stayed true to its name to the extent that almost 95% of my posts have a tip of some kind. Unfortunately I couldn't stay true to the url since this blog soon turned into a tatting blog ... not that I'm complaining, LOL. 

Hope you continue to follow my blog and read my posts. 💞

You will find tutorial links to terms in this post here - https://tipsaroundthehome.blogspot.com/p/tatting-resources.html and you can use the search box on the right panel to look for past posts on the tags used here and much more.

💧💧💧

Many many thanks to all the wonderful tatters mentioned here and also to those not mentioned who have influenced, inspired, and improved my tatting journey and maintained my eagerness to blog.

CWJ for EP tuts

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 You might remember that I have been mentioning a resource document (EP Tutorials) from the perspective of Endrucks' original patterns and derivatives. Ninetta and I decided to restrict the technique tutorial links to our respective blogs, and the Endrucks 1920 Project, without any outside source. To that end we even created some new pictorials and/or videos - some of which are still underway. 

The Catherine wheel join (CWJ), however, is something both of us had in our folders for the last several years but hadn't shared it online. My pictorial is from 2020 which I did for my Lock Join Plus series aka Reposition Methods, while Ninetta's diagrams were also drawn many years back. Bringing the two together, we present this PDF. https://drive.google.com/file/d/1UmmjBqNwwQYIb9Ms9_-T5K6dPnZENCwl/view

A few selected pics from the pictorial -

In the same 2020 folder I have the pics for working the CWJ backside, but have not presented them here. Perhaps at a future date I will work on that presentation and include it.

And Ninetta Caruso's diagram page - 

        Download the PDFs :

Catherine Wheel Join (CWJ) -  https://drive.google.com/file/d/1UmmjBqNwwQYIb9Ms9_-T5K6dPnZENCwl/view

Lock Join Plus aka Reposition Options series - https://drive.google.com/file/d/17zsM3JaLO7r0ajg8VOnv5IcJ-kLNqEiU/view

And in case you want a practice pattern, here's a quick one - E28 Heart by Muskaan - https://drive.google.com/file/d/1-rWqmDAd51VwxOqtt9spD-FIX5zYDAUE/view

There are already plenty of tutorials, including video demonstrations on this join, links to which you can find by clicking on the Tatting Resources tab above. I am of the opinion that there is no such thing as too many resources. Each of us learns in their own way and one never knows which tutorial will click for an individual. So, hope some of you find this helpful.

Happy tatting!

full of options tatting

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 In our endeavour since July 2025 to update patterns in our Endrucks 1920 Project collection, some PDFs posed a dilemma. For instance whether to leave the E1 shamrock and it's butterfly offshoot in the same PDF or to separate them. A survey in our FB group voted overwhelmingly in favour of the former. We took the opportunity to include a stepwise pictorial, add some missing portions, as well as options to work certain parts through some mini-pictorials.

E1 Happy Hands Shamrock and Butterfly by Diana Howe and Muskaan : 

https://drive.google.com/file/d/1_D5xY68NyfsKMB4LDr0GUv-WYC0VCba6/view (updated pattern link)

Following are some notable features -

This Way or Tat? (TWoT Notes): This is one of those patterns where many paths and options are possible.  Diana had diagrammed both clockwise and counterclockwise pathways (my E1 Happy Hands Heart from which it was derived could also be worked either way), and my working of the shamrock followed a third. Since it is a two shuttle pattern, just follow the shuttle which is in the right position, but adjust the instructions accordingly.  

I used contrasting colours in size 10 knitting cotton for the pictorial to clearly indicate which shuttle is in use.

Dimpled Yorkie: Since the heart ring is fairly large, it is a good idea to apply the two-step closure option as in the dimpled yorkie. Notice the bare thread on the left, just before the ring starts? It is part of the false picot ....

False Picot: Since there will be two back and forth chains at the base of the heart, a false picot is needed to prevent overcrowding. And the bare threads need to be long enough to accommodate them.

False Picot v/s Mock Picot): I distinguish between a false picot and a mock picot. The former is just bare thread left before and/or after an element to simulate a picot. The latter usually uses an overhand tie, a lock stitch, or a paperclip/spacer to make the picot. False picot is a much more vintage term than a mock picot, often used interchangeably, and the construction is left to the discretion of the tatter. However one should be aware of this since it may affect which of the two shuttles you will be using to continue. Does it coincide with what the designer intended? If not, the tatter will need to adapt accordingly.

Lock Join and Under-Over Join (U-OJ) aka Alligator Join: During my early trials with the original E1 pattern, I finally settled on making a lock join through the false picot in order to keep the chain in place. This was followed by ensuring that the two threads/shuttles were on either side of the picot (one above and one under).  

However the lock join can be eliminated completely and only the U-OJ can be used if so desired. And which thread you wish to keep above and which under is entirely up to the tatter. Just make sure to adjust instructions accordingly.

The first heart motif is complete in the above image. 

Armadillo join: While in the above model we went with the original consecutive joins (picot join on top and lock join below), this can be substituted with the armadillo join as explained in my previous post. https://tipsaroundthehome.blogspot.com/2025/12/armadillo-join.html . 

Over The Top Join (OTT): This is an adaptation of the U-O join when the space is too small for a shuttle to pass under (or one forgets to position the shuttles ahead of the final chain segment in the pattern). Above image shows Ninetta working it in the 2nd or 3rd repeat.

 

Ninetta's E1 shamrock and butterfly versions! Can't thank her enough for all her enthusiastic and prompt support in so many unexpected ways!

Stem : Diana recommended the BDS or padded chain for a stem. However, any decorative chain or cord can be applied such as the lock chain in above model, a pearl tatted chain, etc. 

Never let it be said that tatting is just rings and chains and picots, LOL.

We will soon be releasing the EP Tutorials document which endeavours to list all tatting techniques, effects, and terms used in the Endrucks patterns - original, reworked, and derived. Until then you can find tutorial links in the Tatting Resources tab above (https://tipsaroundthehome.blogspot.com/p/tatting-resources.html).

Please give credit to the designer and pattern, and use the tag #Endrucks1920Project when you post your version of the pattern.