Showing posts with label Endrucks 1920 Project. Show all posts
Showing posts with label Endrucks 1920 Project. Show all posts

Saturday, 23 August 2025

festival tatting

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 I should've posted this days ago but my head is immersed in another project and days kept slipping by. As always happens with me, I start off with a small goal but it keeps expanding and I seem to fall into a black hole, LOL! 

This is Manju Talekar's brilliant adaptation of a leaf pattern into an artistic collage of one of the most beloved and vastly invoked god with an elephant head - Ganeshji! There are interesting stories of how he ended up with the head of an elephant! Manju also added his vehicle, the mouse, and his favourite plate of modaks/laddoos. I'm sure you will find it interesting to read up a bit more about this god who is welcomed home every year and then sent off into the sea! https://en.wikipedia.org/wiki/Ganesha  https://en.wikipedia.org/wiki/Ganesh_Chaturthi
Among Hindus, any festive occasion, rite or ritual, starts with invoking his blessings for an auspicious start. Even wedding invitations have his image or mantra inscribed right at the beginning. 

 E15 Ganesh by Manju Talekar (2024) pattern pdf for #Endrucks1920Project -   https://drive.google.com/file/d/1EgXVMpAEsXA0CASayy_rShQHjGGbbQvn/view
Adapted from E15 Leaf Doodle #1 (by Muskaan) which in turn was adapted from Eleonore Endrucks' pattern E5 in her 1920 book titled, 'Die Schiffchen Spitzen'.
There is also a short explanation of a Hidden Picot in the PDF.

Here you see the leaf doodles from which she made the head and used part of the motif to create the rest of the body. The entire collage is worked in several separate pieces and then assembled together. She meant it for a greeting card, but ended up framing it.

I worked the pattern as an unofficial test-tatter while doing the pattern presentation. I still need to complete the ears before I post my version. It tats up very quickly!

With Ganesh Chaturthi on 27th (through to 7th Sep) there is still plenty of time to tat your idol in thread and add to your decorations when Ganpati Bappa comes home!

PLEASE mention the name of the designer, the name of the pattern, and the hashtag #Endrucks1920Project whenever you post your version, as a courtesy to the designer.

Many many thanks, Manju, for this lovely model and pattern!

Thursday, 7 August 2025

celebration tatting

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We celebrate the brother-sister bond of Rakshabandhan on the 9th of August this year. So I had this strong urge to collect motifs into rakhis, as I have done a few times over the years. 

I had a collection of these rose and floral motifs from past test-tatting and tutorial exercises, and I had intended to arrange and attach them into a necklace or collar to celebrate International Lace Day (June 22nd, 2025). 

Both motifs are adaptations of the central rounds of Eleonore Endrucks' pattern E42 in her 1920 book, ‘Die Schiffchen-Spitzen’, and reworked by Paola Emilia Rotuletti (2021). (https://drive.google.com/file/d/1NgPuAzM83cjVoWvzFaiAIp7UDbuueBB0/view)

The small motif on top is the E42 Roses by Daniela Galli (2025) which she kindly shared for the ILD 2025. Pattern PDF - https://drive.google.com/file/d/1HiDjl4A_CkRcRGqpjhEItWqgEI1bGMhE/view 
There is a small and a large rose, both of which can be worked with a ball and shuttle in one pass.

The large motif below is the E42 Flower Motif by Muskaan (2023). It is my 6-repeat adaptation for my E42 Antiks Snowflake (2023). Pattern PDF - https://drive.google.com/file/d/1U5J5sjuAA7D0qGPOGnK9RJ83MKdNkWSZ/view

I had used the large motifs to demonstrate three ways of climbing out without the need for split chains. https://tipsaroundthehome.blogspot.com/2023/11/game-antics.html

I love lock stitch aka lock chains and simply picked up the knitting cotton size 10 threads in contrasting colours. I worked with one ball and shuttle. The rakhi motifs are all worked in size 20 crochet cotton from various brands.

 
Just so I remember for future, here's how I brought the motifs together with a Swarovski faceted bead (4.5mm) in the center. Pre-string the bead onto a length of thread and slide it to the center; bring both ends through the layered motifs; adjust and wind one end on a shuttle. 
Now from the ball pull off a length similar to one half of the first thread, leave it aside and start tatting a lock chain from the center. When desired length is reached, remove shuttle and again wind it with the other end and repeat the lock chain with ball thread on the other side. The bead remains locked in.

And for the tips, I inserted a bead through both threads at one end, tied a knot niched with the bead and trimmed off the tails. Repeated it on the other side. This seemed the quickest way to finish off the rakhi/bracelet.

The above large motif is from the original E42 center - notice it has 8 repeats.
In fact each E42 rose is also slightly different with tiny tweaks. It's fun to play around.

All together again. Rakhi traditionally has a thin string for tying. However, for a bracelet, one can use broader braids, which are shorter in length with relevant findings instead of ties.
Of course if tatted specifically for a bracelet or rakhi, one can embellish the motifs with beads, picots, etc. Mine are SOUP rakhis hence plain.
💥💥💥💥💥 

Now I had initially collected the motifs back in May with the intention of making a necklace or collar as stated at the beginning.
I played with arrangements using all the motifs at hand. The above could become a necklace with addition of beads and bling...while the one below could be a collar.

Besides these, I had several other arrangements, including asymmetrical ones but deleted the pics someway along the way.

After several possible arrangements, this is what I found the most appealing and settled on it. Tatted ring or curled ring connectors would be used to link adjacent motifs. However I couldn't get myself to accomplish even this simple task and the lace day passed by without any tatting. 

Who knows if the mood takes me I might even free the motifs from the rakhis and rearrange as a necklace. What is your verdict/preference? Leave as rakhis or make a necklace?

NOTE - These are free patterns but please name the designer and the pattern when you make and post And also use the hashtag #Endrucks1920Project.

Many many thanks to Daniela and Paola - always ready to help and share 💕

Related Posts
Antiks Snowflake pattern and more - https://tipsaroundthehome.blogspot.com/search?q=Antiks
Patterns for Rakhi/Bracelets - https://tipsaroundthehome.blogspot.com/p/patterns-designs.html - listed under Holidays, Festival and Jewellery - Hands.
Endrucks, Holidays and Jewellery directories also have some rakhi models -https://docs.google.com/document/d/1w1TZBg-HIzseGEUoJ-rko7tNbtSgZY5A18Oy2Y9Hh0Y/view

Monday, 28 July 2025

viral spread

Pin It now! This would've been the first time an entire month would've been devoid of a single blog post here in my 12/13 years of blogging! Couldn't let that happen, now.
 
The reason for this silence and absence has been my own viral flu which came on a bit severely this time. Since we started taking the flu vaccine annually, we only get some very mild symptoms, easily covered with some paracetamol tablets. Despite the antibiotic course, it left me totally devoid of energy - both mental and physical. I am still taking extra measures to overcome the inflammation and this leaves me very little time to do much.  And while I have been visiting blogs to see new posts, I haven't been in a very chatty mood nor mode, hence no comments ... hope to make up for it soon. As it is, the new line of treatment I started some months back hasn't worked, at least clinically, leaving me more exhausted than previously. The book editing has been shelved for probably two months now and I might not be able to get back to it till late September when I see my pulmonologist with blood tests, etc. :-(

All I can manage are kind of mindless activities which is why the  other virus (below) has been detected at an opportune time ...

💦💦💦💦💦

Interestingly, another virus was detected – a simple ‘s’ that spoiled the party! Spellings are so important especially when citing or crediting. 

‘Die Schiffchen-Spitzen’, 1920, by Eleonore Endrucks
NOT  
‘Die Schiffchen-Spitszen’

 

I profusely apologise for inadvertently introducing an ‘s’ into the book title when we started the Endrucks 1920 Project. Initially my spelling was correct, but when I typed it in my fall-back word doc, the 's' creeped in and I continued to copy and paste this in my blog, PDFs, and articles. :-( 
Except for a miniscule number, this has also been copy-pasted by almost everybody through the years till Manju Talekar’s sharp eyes spotted the error and pointed it out some weeks back. 
Since then, my extremely supportive PIC Ninetta Caruso and I have been on a mission to update all Google docs, blog posts, and pattern PDFs with the correct spelling.

We also created a checklist of other updates we had been mulling over since this has been an evolving and an unbelievably expanding Project. I am taking this opportunity to simultaneously incorporate as many of these updates as possible and Ninetta will be doing the same eventually (she has already completed the spelling-change in her PDFs!). This often requires some reformatting and could easily take up to an hour or more for each PDF. Unfortunately, we cannot do anything about articles written for publications but we can be extra vigilant in future.

PLEASE NOTE that while the original reworked pattern PDFs have her full name, Eleonore Endrucks-Leichtenstern, we have removed her maiden surname in the derivative patterns and now use only Eleonore Endrucks. And all her 44 patterns are listed as E1, E12, etc., where E stands for Endrucks.

We are also adding the links which did not exist before, viz., the EP LINKS and the Directory links.

My sincere apologies once again and please do not hesitate to inform us of ANY discrepancy or problem you might encounter in any of the documents. We wish to remain as error-free as possible.

And many many thanks to Manju and Ninetta!

Wednesday, 2 April 2025

shagun tatting

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 'Shagun' is a Hindi word derived from Sanskrit which denotes good omen, auspiciousness, a token, .... Though it it is associated more with Hindu rituals, we also use it in daily life to commemorate an event, an occasion, or any good news with the elders blessing the young with a symbolic token. Or if we cannot perform an entire task, some small part of the ritual/task is started on an auspicious day.  

This is what I try to do every International Tatting Day! This day is also very special for personal reasons and I tend to be busy elsewhere. Yet I make it a point to pick up my shuttle and thread and tat at least a ring or two and not let the day 'pass by' ;-D Despite a very busy first half, I managed to find time from evening onwards and actually completed not one but two motifs! One had only 2 rings and a chain left to tat (I'll share this tomorrow) while the heart motif I started from scratch and completed! 

doesn't it look like a possible angel?!
My new version using graduated and 'erect' vapour stitch which is more like a picot here. I was inspired by a recently shared Turkish Tatting video by Eftelyanin Mekikleri where there are many more than 3 wraps and the bare thread is not pulled down so that the stitch/picot stands erect. Also, the wraps are followed by a complete stitch rather than the 2nd half-stitch. 
I did it all in tatting. But it was not easy and many of my stitches are not as neat as they should/could be. I had started one in perle cotton but the thread unraveled so much that I snipped it off and started afresh with this Anchor size 20 thread. 
TIP: I suggest using 2 shuttles so that the thread can be balanced again by suspending the shuttle frequently. And use tightly twisted thread, polyester, silk, ....

I winged it and don't really have an exact count for the decorated chain. I started and ended with vapour stitch (3 wraps) but graduated up to 7 wraps.
The motif is 4cms wide and 3cms high.

For more Vapour Stitch info and links - https://tipsaroundthehome.blogspot.com/2024/09/variably-padded-lines.html and a few effects - https://tipsaroundthehome.blogspot.com/2025/01/the-years-flow.html

My previous E28 hearts & pattern from prototype to tweaked versions and a beaded jewel version - https://tipsaroundthehome.blogspot.com/2023/06/yet-another-heart.html   and  https://tipsaroundthehome.blogspot.com/2025/04/happy-tatting-day.html    Pattern PDF - https://drive.google.com/file/d/1-rWqmDAd51VwxOqtt9spD-FIX5zYDAUE/view

I had more shagun tatting to share - something tiny and fun, but will continue in a couple of days. Time to juggle ;-D Meanwhile I also have much more to share on the vapour stitch as well when I can take some pics .... 

I hope you did much more than shagun tatting, like I ended up doing ;-D

Tuesday, 4 March 2025

very fishy business

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 Oh yes, a special treat for Pisceans and the rest of us as well, here's a fishy fishy pattern to enjoy! 

E43 FISH by MANJU TALEKAR

It started with a game we played in July 2024 - Pattern of the Month where we chose Frau Endrucks' pattern #43 to tat. The pattern had been reworked by Maria Grazia and Ninetta Caruso ( https://drive.google.com/file/d/1JRu7OggaSna0eXDRA2P18dRu6uE4-1J7/view ; https://ninettacaruso.blogspot.com/2021/01/testing-with-grace.html ). Several new derivatives and applications emerged from that game which will be shared eventually. 

Manju first derived this Granny Square from the same pattern and then she saw a fish and went ahead with the adaptation!

Her prototype. She used some clever little tweaks to get the shape and direction she visualised!

And once she tweaked it to perfection, she quickly belted out several more and made this lovely mobile!

This is my test tatting and as you can see the fish faces the other way! 
TIP: Happens in frontside/backside tatting depending on how you start the first element. This is a great a simple way to make a mirror-image model as in earrings.

Worked in Anchor size 40 thread. Wish I had a better bead for the eye - they were either too large or too small. I had tremendous fun tatting it, but getting the pattern presentation and diagram easy to follow/read took a toll. Fortunately, Manju had hand-drawn the entire fish and I could trace over it while diagramming.

And this is Ninetta's version. She was so eager to tat it herself and it really helped coz she noticed one mistake in the presentation which was rectified.

Wouldn't this motif make a great gift for fish lovers and fishing hobbyists, too? Tatters often ask for designs for men and here's a nice one! And the mobile arrangement is ideal for infant's crib or kid's room. And this fish would look good in solids as well as variegates!

Check out our Directories for lots of derivative patterns and ideas from Frau Endrucks' 1920 book - https://docs.google.com/document/d/1w1TZBg-HIzseGEUoJ-rko7tNbtSgZY5A18Oy2Y9Hh0Yiew

Manju has been a prolific and talented tatter in the Endrucks 1920 Project and has derived several patterns sharing them graciously. She enthusiastically draws and sends us the count. It is my  fault for not being able to keep up. Which is one of the reasons we decided to take a break from our games in the Endrucks FB group for this year.

Many many thanks to Manju for this lovely pattern and all the energy she brings!
And thanks to Maria and Ninetta for reworking and presenting the main pattern!

Thursday, 12 December 2024

fulgent and folly

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This month Ninetta has hosted the Bead Me Endrucks game in the Endrucks 1920 Project FB group. Simple and single rule - to choose any pattern from the original or derivatives and bling it with beads. Here's my fulgent attempt...

I extracted a motif from Endrucks' pattern #10 and worked it into a complete circle. Since I haven't decided what to use it for - so many possibilities - it's a medallion for now.

I used Wally Sosa's version (page 4) in the reworked pattern presentation by Ninetta Caruso here - https://drive.google.com/file/d/1YFBYqbgssthqDKYi8YkTX-fvAPmIYbm-/view. After taking the length of bugle bead into account, I doubled the stitch count in the rings. Since the bugle bead covers the chain length, there are only 2ds on the ringside and 1ds, p, 1ds, bead, 1ds, p, 1ds on the inner side. See TIP below.

Materials - This is a pic after I gathered all the supplies needed. I chose to go with a ball and shuttle instead of 2 shuttles. Red Heart metallic thread size 40; yellow seed beads size 16/0; red beads size 5/0; twist bugle beads #4. And beading needles and crochet hook #11. I selected beads from my stash, though I do need to buy more in different sizes.

As per my visualisation, I pre-strung the bugles on ball thread and the red and yellow beads on the shuttle. However, the shuttle beads didn't work out the way I had hoped. Hence all the beads were removed and re-strung differently. One yellow bead between a pair of bugles on the ball thread and alternating 1 red and 2 yellow beads on the shuttle.

This is how I ended up doing the effect I had in mind. On the ring, a long picot holding 14 yellows...
I loaded the beads using sewing thread and size 28 tapestry needle as seen in the background. 

Followed by 1ds, red, 1ds, join to the beaded picot, continue. This centered all the beads beautifully.

Can't say how much of the brilliance and shine the camera caught, but in real it is quite the shining medallion!

Folly - not one but many! If you look closely, most are easy to spot.

  • I should've used pure metallic thread instead of this single metallic strand twisted around perle cotton, size 40. Tons of trouble with the metallic strand breaking while closing the large ring even after I started working the stitches loose. Had to start afresh many times! Took the shortcut but tying a slip knot and tatting over both tails. The number of rings you see in the final medallion are only half the rings I tatted, LOL. 
  • Once I forgot to work the twin ring and had to cut off two repeats. 
  • Not making a lock stitch at the end of the bugle bead to avoid the core thread from being pulled too tight. Did it for the last few beads. 
TIP: If the bugle bead is not on the core thread, it may be a good idea to add an unflipped stitch at the end before continuing, so as to lock in the core thread and bead.

  • Noticed the difference in bugle bead size in one arm only in the pics, LOL, though I kept wondering why it wouldn't stay even. And not to mention the space between two rings where the thread got pulled while closing the ring and I didn't notice in time. Dr Downplay at work here, though lessons learned for future.

It measures a wee bit over 7cms across. 

Mr Meticulous is not happy at all, but Dr Downplay rules the day. What's your verdict?

Many thanks to Ninetta and Wally for their work on the main pattern and thanks for organising the game, Nin!

Tuesday, 29 October 2024

never be late

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 I barely made it before the end date. 

This month we have a very special game in our Endrucks FB group. We were supposed to convert Endrucks' pattern #30 into a cross and those who didn't want to tat a cross, could do a bookmark, bracelet, etc. I chose to do a cancer awareness ribbon, but with beads. Beads to signify the happiness/bling of being a survivor and also to be able to wear it as a bracelet if so desired. 

It is for a very special and sweet friend who, though being merely a couple of years younger, insists on being a younger sister and calling me 'badi didi' ;-D Well, she certainly has my blessing and good wishes always 💕
And never be late to detect any lump and get it checked.

This is worked in Anchor Pearl Cotton size 8 with randomly loaded 13/0 (red) and 17/0 (clear) seed beads. They add a nice weight to the piece and it feels good to wear it. I didn't inset any findings, though, and for a 7 inches long bracelet make one repeat less. 

One can play with colours, too! Use any Reposition Method to get the desired thread/colour placement. 

This is one of the patterns I had attempted in 2015-16 and couldn't get the chains to lie nicely. While here, too, I could've done better by adding 1 stitch to each segment of the onion ring, this is merely my own tatting tension issue.
While tatting the edge on the other side, I ended up adding 2ds in each chain segment, which I should've done for the first edge as well.

Ninetta Caruso did an excellent job of reworking the pattern and sharing versions, including a corner and a square motif adaptation! Here's the pdf link - https://drive.google.com/file/d/1f7g8gIB7S3-ggRbdneLYmxfxPcDBoq7u/view . She has also uploaded a diagram-only version in here flickr account which I used - https://www.flickr.com/photos/ninettacaruso/50560777536/ . 

Why'd I use two different coloured beads? The clear ones wouldn't have shown up well in the pics and the clear red ones would dominate the ribbon. And loading them randomly on both shuttles was Dr Downplay's flexible path to quick stringing without any calculation of bead position, LOL.
Also, when I started, I had no clear idea where and how I wanted to place the beads. 
 
Shuttle #1 ran out of thread hence had to rewind and re-string beads. Shuttle #2 ran out of beads and had to add more beads. Yet, it was an enjoyable tat and something that went pretty fast considering the number of beads used. Only wish my tatting was better. Well, there's always a next time!


And I am entering this as a second submission this month to splocik's 'Small Decorations' game! I just think it will resonate with many, hence. Thank you, splocik 💖

Many thanks for all the work that went behind reworking this pattern and also creating adaptations, Ninetta!

Tuesday, 20 August 2024

veg patch game

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Game of the month in the Endrucks 1920 Project FB group this month is to tat either of two pumpkin patterns derived from pattern #25 - one is flat (Julie Myers) the other 3D (Daniella Galli). Obviously I would've liked to tat both, but went for the quicker option. 

Julie Myers' adaptation of E25 Extract Me Pumpkin pattern PDF for #VegPatchEndrucks Aug2024https://drive.google.com/file/d/1WKxGqijegF911nOvbmNjUuPVOQkHNZyF/view . Incidentally she derived this during our Sep 2022 game - ExtractMeEndrucks (as did Daniella!). Hmmm, one month shy of exactly two years!

My version reflects the type of pumpkin I enjoy eating during summer months - the green pumpkin (see next image). It is not fully ripe, has a mottled green skin and pale yellow pulp with a few scattered seeds. I visualized her pattern as a cross section of the whole pumpkin - the rings as white seeds, the pale yellow pulp, and a green skin. 

https://images.app.goo.gl/qpWbJWvj4BTVDEU5A
This is the only good image I could find which is identical to what I buy. Most images have an orangish pulp and green or brownish skin. Perhaps next season I'll remember to take a pic when I buy it.

I make the sabzi (kaddu/sitaphal) in summers till raw mango is available. Cut into pieces (one can keep the skin on or peel it), also dice some raw mango into small cubes, mix in spices, temper with whole fenugreek seeds and asafoetida, cover with plate and microwave for 3 minutes, stir and zap for another minute or so as required! It is such a quick-cooking dish and tastes wonderful with roti, puri, paratha, rice. 
I have a traumatic experience with the kaddu raita, though! Mummy once made it and it was horrible. But she insisted we finish it and I shudder ever since, despite enjoying various kinds of raw or cooked/grated veggies in beaten curd, LOL.

Wanted to use beads for seeds, and had even selected the pearls. Then decided to tat in 3 colours. 

NOTES - 

  • In Gopi size 40 threads, the main body is 4.5cms high and 4.2 cms wide. 
  • I used a single shuttle wound with the white thread. Yellow and green remained on their respective ball. 
  • Started with false ctm - pulled out a short length of yellow, and finger-tatted the first chain, leaving a starter picot. Then continued with white shuttle, hiding & snipping off the extra yellow length.
  • Tatted continuously, all clockwise. I didn't feel the need to turn work after every round. Especially since I was using the one shuttle and the colours positioned themselves as needed. Just left a very small picot at the start of each round to join back to.

  • Treble tatting on the outermost round. While not strictly realistic since the actual peel is thin, but tds is fun and gives a nice finish and texture I hope. Would look good for a floral effect!
  • I didn't count the tds, eye-balling the length of each segment by placing it along the corresponding chain segment below it. 
  • TIP: After the required tds, I worked in 2ds, lock join, 1ds, p, 1ds. Now join simultaneously through both the hidden picot of last tds and the picot of new segment, and continue this as the 1st tds of new segment. Repeat at each join. This gives a nice, clean dip (You can see the difference on the join between 2nd and 3rd chains on the right side. The dip is not pronounced because I experimented without the picot, joining directly). Another advantage is that there is no 'gap' at the base of the join. I think it came off nicely.

  • The stem encapsulates all the tails and since I had used leftover thread, I simply ended with the long tendril, without extending the stem further. 
  • I had intended to add leaves, but one of our participants has already done a stellar job of it! Perhaps I will still tat a leaf or two from the same 2022 game - this would act as an incentive to share the E25 palm leaf pattern which inspired Elisabeth's Multifaceted leaves. See how the branches keep multiplying?!
I enjoyed tatting this piece despite the somewhat unorthodox colours which don't immediately identify it as a pumpkin, and hope that soon I'll get a chance to tat Daniela's 3D version, too. 

🌿🌿🌿🎃🎃🎃🌿🌿🌿

UPDATEhttps://tipsaroundthehome.blogspot.com/2024/08/lollygagging-or-not.html


🌿🌿🌿🎃🎃🎃🌿🌿🌿

We do have a few other veggies in our Endrucksian garden patch as inspiration, including another 3D pumpkin (from E12) by Krystyna Mura. Check them out in the Foliage directory - https://docs.google.com/document/d/1EIgPKHH9V2Dg4gDZNefVfSVNRZQC6LbSfhiaWA_s-G8/view  

Many many thanks to Julie and Daniela for graciously sharing their patterns 

and to Ninetta for hosting the game! 

Thursday, 25 July 2024

multifascination

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 This time I have not delayed, not by much essentially. A couple of months back I came across an Instagram post on tatting and their profile said they were a German group of 15-20 members with a common passion for occhi! I messaged them about our Endrucks 1920 Project and so began a lovely friendship with Elisabeth Dobler (she manages the account and is the founder of the group 'Occhi Freunde Oberschwaben'), a very talented tatter who enjoys pushing the boundaries and exploring new techniques.

Inspired by my E25 palm leaves, she belted out a range of effects from one basic model! We decided to call these Multifaceted Leaves. She graciously accepted to share the pattern and we worked together to create a presentation that is hopefully clear and easy to follow. She also made a presentation in German. Here are the links to both -
E24 Multifaceted Leaves by Elisabeth Dobler - https://drive.google.com/file/d/1ywaZcQP8b1M86jo4yLIwpH5fZ5kQ0_tX/view
E24 Facettenreiche Blätter by Elisabeth Dobler - https://drive.google.com/file/d/1-uFBNdM9aFOPUDCJyWC_dy1R_nyC4KRw/view
 
Multifaceted Leaf #1 (basic) 
This is the basic pattern which can be embellished as desired. She has worked the leaves in a clever and interesting fashion, entailing encapsulation. 
While the detailed pattern for this basic leaf is given, for the others an explanation of the effect/process is provided. Instead of repeating the description here, I request you download the pdf and understand the intricacies.

Multifaceted Leaf #2 - 
She has used metallic thread to embellish the leaves.

Multifaceted Leaf #3

Multifaceted Leaf #4
Maltese Rings adorn this leaf.

Multifaceted Leaf #5
Here the leaf starts at the mekik oyasi ring with cut picots and progresses back and forth to ensure it is worked in one pass. The crosshatch filling is so impressive.

Multifaceted Leaf #6

All six leaves together. 
Would these make a bushy mustache or even eyebrows, LOL? 
Simply add a stemmed flower in the center for a nice composition.

This is but a small slice of the enticing array of possible effects one can play with, using the basic model!

🍃🍃🍃🍃🍃
Patterns 24 and 25 from Eleonore Endrucks' 1920 book, Die Schiffchen-Spitzen, are very similar; E25 has a bit extra on the E24 as base. E24 was reworked by Ninetta Caruso for the Endrucks 1920 Project and you can find her work here ---
https://ninettacaruso.blogspot.com/2020/10/eleonore-thats-difficult.html - notes.

🍃🍃🍃🍃🍃

Elisabeth Dobler has published two books with tatting patterns - Tatted Necklace with Roses, and Tatted Faces! Oh the faces book is really interesting and fun! 

Just like with Sally (in my previous post), it is always a pleasure to correspond with someone who is receptive, prompt, and willing to learn and share mutually! Seeing her interest in new techniques and effects, I told her about Ninetta's flickr account and blog and her new Captured Picot. Elisabeth got right down to it, diligently learning the captured picot, teaching it to her group and also applying them creatively! Wish I had taken her permission to share the pics here ... perhaps in future. But you can check out her Insta posts with all her wonderful displays here - https://www.instagram.com/occhi_freunde_oberschwaben/

These Multifaceted Leaves and many other leaves (seen in Elisabeth's Insta feed) will be displayed in the Austrian Lace Association's Congress 2024 - Participation Leaves in Linz from 11th to 13th October. Wish I and our group could've participated - hopefully next year.

Many many thanks to Elisabeth and looking forward to more creations.

Related Posts - Palm Leaves from E25