Colour Cluny Tatting contd.
In the previous post the tally was worked in a single
colour. But what if we wish to use 2 colours in a pattern? There are a few
examples out there, but I find that the tallies are of the same colour in all. In
a couple of examples, SLT was used to switch colours for the next element. What
if we could switch the colours easily within the tally, with no need for a SLT?
It’s what I tried in this braid and motif.
Confession: My Cluny leaves are far from
perfect. Please do not let my
limitations dissuade you from trying it out yourself. I’m sure you will do a
much better job than I.
What we have here is a kind of transition between the
basic single colour tally (where both loom & weaving threads are of same
colour) and the multicoloured tallies where 2 or more colours can be seen in
the leaf itself. As in the basic Cluny,
we are still using only 2 threads, albeit in different colours. And this
entails an additional step to hide colour blip.
UPDATE : practice pattern for basic colour variation : 2-Tone Cluny Bracelet.
Cluny Tatting –Basic Colour
Variation
Basic (2 threads) Cluny
tatting in 2 colours
(where Warp/loom thread is of different colour)
Resultant tally is single coloured
The following will be covered here :
- Weaving
a different coloured tally (2 ways – A & B)
- Exiting
in a way that the desired colours/shuttles are in position for next
element (A4 & B2).
- Hiding
a colour blip (A6 &B3)
A1. As seen, the loom/Warp threads are mustard, while the
weaving thread is green.
A2. We start weaving by bringing the shuttle to the right –
Under Warp2 & Over Warp3
A3. First pass made to the left – Under, Over, Under. To
complete the 1 wrap/weave, bring shuttle back to right – Over, Under, Over. (not shown here)
A4. The
tally is woven and shaped. Shuttle is back to the starting position - on the
right.
A5. Start
closing loom by pulling the top loop off the loom.
A6. If we
close normally, the Warp colour will show at the tip.
In order to minimize it,
I introduced an extra step :
Pass shuttle back-to-front through the top
loop …
NOTE : In certain cases, it may become necessary to pass shuttle front-to-back.
A7. … the
shuttle is through and we can start closing the top loop
A8. Top
loop is closed. Now close the bottom loop.
A9. All
loops closed and tally is complete.
Notice I haven’t
pulled the lower loop tight enough, leaving a colour blip at the bottom (I
still need lots of practice). This would be unnoticeable in a single colour
basic tally, but when working with more than one colour, it can pose a problem.
If we
follow this weaving pattern, there is a tendency for the weaving thread to emerge on the right, and
the loom shuttle on the left.
A10. If we
want to change colour placement in the next element, we would normally resort to the
SLT/overhand tie as I did in this case. But, the following pictures show how we can avoid the SLT.
I took this opportunity to also show the other way to weave (Ninetta pointed it out in
her comment). No right or wrong, it’s just how one prefers to work, as
long as one is consistent.
B1. After
the SLT, the shuttles got switched and loom is made with green,
and weaving is
done with mustard.
Here, the
weaving commences from left to right by going Over Warp2, Under Warp3.
Move to left
is Over, Under, Over (not shown) Continue weaving.
B2. Tally
is woven and shaped. The shuttle is on the left, and it is time to close.
B3. To
avoid colour blip, pass shuttle, back-to-front, through top loop….
B4. … shuttle
is through. Now close all loops.
B5. This
closure brings the weaving shuttle to the left and loom shuttle to the right.
So basically,
the last pass determines whether the weaving
shuttle will emerge on the right or the left.
If the last pass is to the right (as in A4), weaving
shuttle will emerge on the right
and loom shuttle on the left.
If last pass is to the left (as in B2), weaving shuttle
will emerge on the left
and loom shuttle on the right.
Where
you park your shuttle, is where you will pick it up from – the left curb or the
right curb. And in case you want it on the other side, then take a U-turn, i.e.,
weave one extra pass and you land on the curb of your choice!
Couldn’t
resist a bit of frivolity ;-P
It is what I followed in the Cluny Flower Motif pattern by Jennifer Williams. No SLTs. I chose to make the short chain between tallies in maroon, but could just as easily have made them in pink by choosing where to leave the weaving on the last pass.
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| In Anchor size 20 : Rnd1 - 1¼” ; Rnd2 - >2" |
One can see my tallies get a wee bit better as
I go along. One of the pink tallies is actually shorter than the others. I keep
losing track of the count when weaving ;-(
Further, I didn’t RW to join to the center
ring, opting for a lock join instead. This meant I could tat the entire Cluny round clockwise from
the front.
We’ve taken the first steps towards colour Cluny tatting. From the
next post on, we start with the tallies that have more than one colour in their
weave! I found that a bit more exciting (my tallies came out better, too),
though one does need to manage the extra threads. Hope you stay tuned...
I’d like to thank Jane McLellan with all my heart.
Appreciate her indulgence and help as we tried to figure out a
suitable name
for this transitional basic to multi-colour Cluny tatting.
…to be continued