a trip to the beach

Pin It now!

Reworked patterns, in modern style, from Frau Eleonore Endrucks-Leichtenstern’s ‘Die Schiffchen-Spitzen’, 1920, for Endrucks 1920 Project.

This pattern #39 fell into my lap and it has such a range of possible effects to play with that one cannot get easily bored. Despite my resolve to not play, temptation triumphed. So come to the beach with me and let's pick up shells, pearls, oysters, and more ..... (not in chronological order)

Download Shells and Pearls pattern #39 here - https://drive.google.com/file/d/179E9JeCMeM7RXFcq-wThF0iPiBLfQZ4_/view

Made of 2 alternating motifs, the tiny ring reminded me of a pearl between shells and called it Shells and Pearls circular edging. I broadened the shells a tad. 

Now this is how the edging should've worked out - a straight line, not a circle! But notice the picots and loose chains? We really don't tat like this in this century. 

The tautness and smaller picots resulted in a circle. There are a few more minor tweaks made, all listed in the pdf.

Notice the cute little bows? If we tat these in one colour and use white for the alternating motif (a narrower shell), we get Bows and Cravats!  

And yet, I could not resist straightening out the edging - after all that's how the Frau envisioned it. Unfortunately tweaks were needed again, at least with my tatting tension. These are also shared in the pdf.

These are all my practice pieces where I was trying out the original pattern and also tweaking to get them to be as symmetrical as possible. And I couldn't resist arranging them like a necklace with teardrop crystals. Imagine this with many more beads placed strategically!

A single shell motif could make cute earrings to pair with a complete parure made from this basic pattern!

Or a simpler necklace version with a large teardrop and those small pearls. 

Using 2 colours for a pattern presentation makes sense because one can tell at a glance which of the 2 shuttles is to be held in the hand. And I get to play with colour combinations, LOL.

And when I brought the trial stretch into a tight circle, look what emerged! A Buttercup! Those shells (or cravats) now take the form of beautiful slightly overlapping petals. An easy idea to execute in colours of your choice for the flower of your choice.

This close-up shows clearly how the shell motif leans to one side. This happens because the chains are all parallel as in block tatting. It is an inherent structural dilemma. 

From an early stage I wanted to see if it could be 'corrected' by changing the direction of the 3rd pair of chains. Also, I wanted to try a standalone 3D shell. So I took the plunge with both....

If you ignore my personal tatting flaws, the shell is now symmetrical! The 3rd pair of chains has inward picots (Block Below Tatting or BBT). They should've been tinier, but oh well. 

This is my first tatting with hand-dyed thread (HDT) - a gift from Denise 3 years back. It seemed the perfect choice with the colours of golden sand, blue waves, purple-tinged clams, green kelp, etc. and I dived in.

Huh, a clean dive would've been good. But that short distance held many other commitments and the tatting was sporadic with several day intervals in between. Not having jotted any notes, I lost my trend of thought and made several mistakes. The 3D effect needs more tweaking so this is a prototype.

That large pearl inside is a real pearl from Hyderabad - the pearl capital of India.

So here ends our trip to the beach for now. Someday I will get back to both 3D models (buttercup and oyster) to create better version. Hope some of the above ideas have caught your attention?

Pattern #39 pdf - https://drive.google.com/file/d/179E9JeCMeM7RXFcq-wThF0iPiBLfQZ4_/view

And don't forget to visit the Endrucks 1920 Project document to see what our wonderfully talented volunteers have contributed - https://docs.google.com/document/d/17LEVftXweztBIOWh4sL4BB7bX65ssoOsOn4oXIgCepY/view

joys of dancing

Pin It now!

We are enjoying the sights, sounds and antics of a variety of birds; including their dance of courtship or under the sprinkler or in a puddle! The kingfisher (with a few sparrows) has returned after a gap and sits on a tree in clear view!

joys of dancing with friends !

When we had first moved here over 20 years back, there used to be a couple of peacocks strutting around! They soon disappeared, never to return.

Anita Barry has been strutting my Dancing Peacocks & it's my turn to dance now :-D

She converted the medallion into a beautiful pendant and also worked out her stitch count for the earrings for a size 8mm bead. The green chain has padded double stitch!

This is another pic of her very first try immediately after I uploaded the pattern ('18) – love the vibrant colours & frayed picots!!!

While adding her count, I took the opportunity to draw some stepwise diagrams of the floating beads method, as relevant here, as well as generic. With her valuable and in-depth feedback, the notes on page 2 are more streamlined now.

And the link to Dancing Peacocks updated pattern

I will delete the old one and substitute it in my patterns page above

At Camp Wanna Tat they have a “Pattern Binder” available for workshop attendees to look through and review. This April my peacocks have been mailed to attendees.

And the same pattern will now be taught at Palmettos Tat Days in September this year! Here's a link to the inspiring class pictures. 

My patterns have made it to the Tat Days goodie bags two years in a row ('16 & '17), thanks to Georgia Seitz's initiative.  

Speaking of, she will be teaching Noorjahan's Rubies - necklace and earrings - at the Shuttlebirds event in May! She is using metallic thread, though I haven't seen it yet. I hope to do the same someday.

I have fair reason to dance despite this hot Indian summer, right ?!

All these patterns have floating beads methods! I was hoping to create more diagrams for the method and it’s variations, but doubt if it’ll get done by the end of this month. There Has been progress, though.

My heartiest thanks to Georgia and Anita for letting me dance :-))))

An update to my previous post - 2 new pics have been added - one of mimosa knot leaves, and another prototype of a rose bud. Do check them out. 


Related posts

https://tipsaroundthehome.blogspot.com/2018/01/floating-with-tatting.html
https://tipsaroundthehome.blogspot.com/2018/01/dancing-or-flying.html 

https://tipsaroundthehome.blogspot.com/2017/09/eternal-circles-and-arches.html

https://tipsaroundthehome.blogspot.com/2016/10/a-goodie-bag-of-free-patterns.html 

https://tipsaroundthehome.blogspot.com/p/patterns-designs.html 

https://tipsaroundthehome.blogspot.com/p/my-tut.html

eternal circles and arches

Pin It now!

free tatting patterns

Renata and Justyna take turns coordinating craft series - posting project and tutorial links ranging from tatting, decoupage, sewing, crochet,  etc. They’ve already done many such series, and this time it’s back to “I Love Tatting” by Justyna. Every month there is a new sub-topic – plenty of time to learn new techniques or brush up on old ones. And people join in by posting their project and link during that month. It’s a great way to showcase the immense creativity and skills and be inspired by each other. Check out the details here.

This month (the first in “kocham frywolitkę”) the topic is Circles and Arches. Well, these are universal and ubiquitous ! I chose this simple necklace set with prominent arches and rings....

Noorjahan’s Rubies – a parure

free pattern for 4-piece jewelry set

Georgia is continually throwing challenges my way ;-P And I Love it. Makes me crawl out of my comfort zone. This time it was a necklace for Palmettos goody bag. I wanted a set with earrings, too, and at the last moment a ring was thrown in as a bonus pattern. 

This project took me over a month to present. The tatting is very quick, I assure you. But the designing, diagramming, writing, ooooof (am I That inefficient?) - the countless hours ! So I hope at least a few tatters will be willing to give it a go, if only to cheer me on ;-P

The one great thing that came off it all – a new beading method (Floating Beads).

 

Stephaine Wilson graciously and willingly accepted to test-tat the earring pattern. Her detailed notes, feedback, and input helped tremendously !

I ran out of the large teardrops, and had to snip them off my trial pieces. The earring on the left has longer chain arches. Wanted to show this version as well, though we rejected it (DH had a say in many of the decisions - he was thrilled and quite enamored by the whole tatted jewelry scenario!)

Do you recognize this necklace pattern? Yes, it’s the vintage edging (#7 from Needleart) converted into a necklace. Barely any changes were required!

All the other pieces are based off it to make a set – a parure (a term Georgia introduced me to!).

When it came to naming the piece, Georgia suggested something ethnic. I immediately recalled wanting to design a ruby pendant after reading “The Feast of Roses” by Indu Sundaresan. There is not much literature on this 16^th century empress, but the author has brought her to life. Nothing to it but Noorjahan’s Rubies !

My intention was to use this single large oval bead in the center of the necklace, making the centre large, with more tatted chains around. But it looked too dull there, hence tatsmithed around a ring ! It can also be wrapped around a pin for brooch.

And my first time with wire bending ! The ring was a long wire with a loop at one end. I put the straight end through this loop, and then bent it into a similar loop. The ring can now fit any finger. 

The ring and earrings patterns are shared and explained in this Bellaonline article.

The bracelet was tatted while the Tat Days conference was on, hence not a part of the goody bag. This piece has 2 extra 'flowers' - I didn't realise that the tatting would stretch once it was completed and blocked. In fact it Needs to be stretched before blocking. With the extra repeats, it can be worn as a choker !

I’d like to share the design process (what’ll I do with all the pics I took, all the trials I did?!), but in a future post. There’s always a back story with many by-lanes with learning at each step.

I tried to keep beads at a minimum wanting the circles and arches in tatting to show. But I certainly would like to make this in gold thread – it would be truly Indian then. Everyone has heard of the Taj Mahal with it's elegant domes and arches. But it was Noorjahan who first had a tomb built for her father, which later inspired the Taj.

Symbolism –

Black thread - veil/shadows behind which a woman was expected to remain.
(however,  I wish I could tat it in gold -- it would really bring out the ruby reds. )

Rubies – for the ruby gifted to her by her husband when he named Mehrunissa “Light of the Universe - Noorjahan” !

Teardrops – for the blood and tears, the resistance and intrigue, yet dignity under pressure.

Filigree bead cap – reminds me of the intricately beautiful carvings & inlay work by craftsmen at the time.

Diamond spacers & Gold beads – besides prosperity, these sparkling jewels reveal Noorjahan’s brilliance and strength shining through.

Many many thanks, Georgia and Stephanie ! ((((hugs))))

Download Pattern PDFs here - 

1. Noorjahan's Rubies - EARRINGS – diagrams only pdf,

2. Noorjahan's Rubies - NECKLACE – diagrams only pdf ,

3. Noorjhan's Rubies - RING/Brooch – diagrams only pdf

4. Noorjahan's Rubies - a parure. Complete 4-PIECE PATTERN including BRACELET, written instructions, notations and diagrams pdf.

hope you enjoy tatting a piece of this jewelry …