Showing posts with label Priscilla Tatting Book 3. Show all posts
Showing posts with label Priscilla Tatting Book 3. Show all posts

Wednesday, 6 January 2021

knot stitch stepwise

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I'm not sure whether I will be using this stitch, but it does not hurt to have options. Never say never! It is not difficult and I soon got into a rhythm where the knot stitch, first seen in 1924, could be accomplished in one smooth movement. So, though my pictorial has numerous steps and detailed instructions, it is best to simply pick up your shuttle and tat along. Choose a thick thread in light colour for your first attempts.

The original diagrams in Priscilla Book 3 (free download from http://www.antiquepatternlibrary.org/html/warm/tatting.htm) are very clear. Snapdragon has shared the scans here - http://www.snapdragonlace.com/?p=183   More links in my previous post - https://tipsaroundthehome.blogspot.com/2021/01/old-in-new.html 

Rose Motif from the same book, in Anchor pearl cotton size 8. Bridging elements (chains) use the knot stitch. I am so much happier with this one and the thread behaved itself! More at the end of this post.

At the end of the pictorial I have also compared the knot stitch chain with a split chain, which was a later invention.

KNOT  STITCH  Pictorial

( https://tipsaroundthehome.blogspot.com/2021/01/knot-stitch-stepwise.html )

Shuttle and ball, continuous thread. Shuttle with a hook (or pick) is preferable for fluid movement. 

I start with a backside ring and reverse work, so that the shuttle is in position, to the right of ball thread. 
Always keep the ball thread taut; all movements are with the shuttle and there is no transference.  
1.  Wrap the ball thread over your left hand as when working a chain. In this method, ball thread becomes the core thread over which we make the knot stitches.
Move shuttle to the left Over the ball thread. Let's call this loop a , 
2. ...and bring the shuttle back towards the right to create a second loop on the other side of ball thread.
Important : The black arrow tells you to keep both threads in your pinch (between left thumb and finger) through to figures 6 or 7.
3. This becomes loop b. Notice that the shuttle thread is still over the ball thread as well as above a
4. Bring shuttle over a, but under the ball thread, and hook b 
5. With a slight rotation of the shuttle, it is easy to pull b through. Let's call this loop c. Keep shuttle tip under c. Note that loop c is under the ball thread and is pulled over a.
6. Pull all of b into c. Keep pulling c outwards, while keeping your pinch where the black arrow is. Notice how the shuttle has moved and rotated smoothly.
7. As c is being pulled out, you can simultaneously tug on the thread indicated by the crochet hook. This will shorten a. When c is large enough, pass shuttle through the loop. Then loosen your pinch on the left.
8. The shuttle has fully passed through c, and keep tugging to close a
I actually use my right hand (with shuttle still in hand) to pinch the indicated thread to ensure all slack from a is removed ... 
9. Notice that a has disappeared and only c is left. Now keep pulling shuttle thread to close c.
Important : Close all of a before closing c.
10. All loops are closed and 1 knot stitch is complete.
11. 7 knot stitches made. We have successfully climbed out of the central ring with a chain.
12. After the 7ks chain, I continued with a normal 4-4-4 chain using double stitches.
Then leaving bare thread of same length as the previous ks chain, make a lock join on ring picot.
13. With ball thread in left hand as if making a chain, cover the bare thread with knot stitches.
14. Another ks chain is complete, followed by a regular chain.

Comparing knot stitch (ks) and split chain (SCh) -
I wanted to compare these ks chains with a split chain (the 3rd segment on the right). At a glance, there is not much difference. 
SCh looks exactly like a normal chain, with exactly the same thickness and curvature. The simulated double stitches are made using Dora Young's knotless method.
The ks chain is slightly bulkier or denser/compact and just that tiny bit straighter. The ks does not have 2 distinct half stitches - it is more like one loop is nestled within (see fig 10 above - notice where the shuttle thread is emerging from). This creates a lovely texture along the edge which might be slightly more evident in lighter shades. 
Knot Stitch can do everything a Split Chain can - climbing out for continuous tatting; bridging between elements in any direction.  
It would be interesting to use ks as a design element, with perhaps a bit more slack on to look like picots. What about curlicues (single shuttle split chains), floating chains, and filet tatting? Playing with colours? See more links for variations here - https://tipsaroundthehome.blogspot.com/2021/01/old-in-new.html

Rose Motif from Priscilla Book 3. As in my first attempt here, I made graduated picots along the outer chains, but kept to the original pattern in all other respects. I started with a backside (RODS) central ring, reversed work and continued to next round. Both rounds are worked from the front in clockwise direction. The ks chains have thrown/floating rings; so remember to reverse work before and after each ring.
In Anchor pearl cotton size 8, the motif measures 3.5cms after 1st round and 5.5cms final. Worked with one shuttle and ball, ctm.

The one below is from Anita Barry. I roped her in and she readily agreed to refresh her memory. Her first one was years back. 





I hadn't noticed till she pointed out that all her ks chains do not face the same way. There is a tendency for the ks chains to twist a bit especially if the joining picot is long. But her picots were very small, as directed in the original instructions and seen in the 2 WIP pics. Hmmm. Any ideas?

Many thanks to all tatters who have shared across time 
so that we continue to have options and ideas!

Monday, 4 January 2021

old in new

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I started tatting this year! Chose an old motif in the new year - something that's been in my to-tat list for ages. The WIP above is my 2nd trial - OCD much?! The Rose Motif from Priscilla Book 3 - http://www.antiquepatternlibrary.org/html/warm/tatting.htm

Actually, my first one in pink (Anchor size 40 thread) has several mistakes. Since none of the instructions mentioned RW (reverse work), and I was working with one shuttle and ball, it was only while taking pics that I realised the outer round is backside.

I found my rhythm with knot stitch - it wasn't difficult. But the thread itself caused immense frustration! It kept twisting. Probably the S and Z twist issue. I was determined, so completed the motif, but knew I could do a much better job with the bridging.

It measures 4.5 cms. I switched the rings with Josephine Rings and made graduated picots along the fringe. Both motifs worked with one shuttle and ball, ctm.

So, I started again in Anchor Pearl Cotton size 8, and it went so smoothly! Much happier with the result, too. 
Before starting, I had been collecting links from other bloggers and their experience helped a great deal. 

UPDATE : Completed motif along with a stepwise pictorial for Knot Stitch posted here - https://tipsaroundthehome.blogspot.com/2021/01/knot-stitch-stepwise.html


Here are the projects that I found, although I'm sure there must be many more. 
Snapdragon - 
She shared the pattern in modern notation. However, one needs to reverse work before and after the floating ring. Also, I started my 2nd motif with a backside central ring so that the shuttle thread was in position to climb out to the next round.
Ninetta Caruso - 
Marilee Rockley -
https://yarnplayertats.blogspot.com/2020/08/old-tatting-new-tatting.html - she substituted the knot stitch bridging with Split Chains. She also joined leaves on the go.
Do you know of others who have done the Rose Motif (from Hell, as Sanpdragon called it)? Please do share.
In my next post, I'll share the stepwise pictorial for Knot Stitch, with my own take on it.

Saturday, 25 July 2020

applying techniques rakhi

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It's that time of the year again - Rakshabandhan is round the corner and Indian tatters are already posting lovely tatted rakhis. Here's my rakhi for 2020 ... AppliTech rakhi/bracelet!

The portmanteau 'AppliTech' refers to the fact that it is kind of a test or trial or experimental piece for applying a few techniques. It started as an observation piece for the Lock Join Plus methods as posted here - https://tipsaroundthehome.blogspot.com/2020/07/lock-join-plus.html where lock join, reposition threads, SLT, and reverse join (and switch shuttle) were all used in batches, resulting in randomly placed colours on one side.

Then, in response to a question on facebook, I re-demonstrated what I had discovered last year - whether you hold the gauge above the core thread or below it (as in Ninetta's Tuft picot), provided it goes through the leg of half stitch, the final result is the Same!

All tutorial links here, including my study of picots (Interlocking, Mrs Mee, Tuft} - https://tipsaroundthehome.blogspot.com/p/tatting-resources.html
I will share my detailed comparison in next post, along with more observations.

I continued on to make the 3rd Josephine Ring placing the gauge above core thread.
Each ring starts and ends with 1ds, and has a picot after every half-stitch.
Each JR is made of 20 1st half-stitches with a 5mm gauge.

Many of us have already come across this beautiful Lavender sprig by tatting_art on pinterest or Instagram and she has uploaded a how-to video here (thanks for sharing the link, Karen Cabrera).

Next, I started mock rings with treble tat stitch. I started each chain with an Intruding picot which served as the starting picot for first tds, also to join back the chain into a mock ring!

Why mock rings, you ask?! Because I did not know how big the ring should be, what the count should be.  With mock rings,  I had the freedom to keep 'bending the curve' to gauge the chain length.  Hence, no tds count. 

Close-up of the dimensional/stacked flower. Bead was added before starting the last mock ring, by pulling up a loop...
Continued with the Priscilla edging (Fig 29 from her Tatting Book 3), though this time I followed a symmetry in colour placement. Lock Join and Reverse Join are used in alternating chains to move up to the next chain. By direct tatting (unflipped/reverse stitches) every alternate chain, I could tat all from the front. No RW or turn work!
Added findings after it reached 7" length. Anchor Pearl Cotton size 8.

Perhaps with a bit more effort, I could work the 2nd part of the edging to face opposite, rather than appear continuous. But there are a lot more things on my over-full plate ;-P
See you soon ....

Oh, but before I go, Sue Fuller taught my 2017 rakhi (in March) and Bonds of Love rakhi/bracelet (in April? she liked the blue, red, white version) in the Online Tatting Class earlier this year. I didn't get a hold of the logs, though, so have no idea what transpired in the class ;-D

Wednesday, 3 January 2018

new learning

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The variety and application of techniques in many vintage books is truly impressive. I hope to spend more time browsing through and working some patterns from them.
The Priscilla Tatting Book #3 (free download from Antique Pattern Library) is one such.

Tatted Medallion with Woven Center (Fig 69)
This square medallion is inset in fabric and also linked into an edging for the ‘Centrepiece in Tatting and Weaving’. The weaving between adjacent medallion in the circular edging is even more impressive. 

I chose to tat the square with 3 strands of Anchor embroidery floss. 
The sides are just over 2 inches long. 
There is a central picot common to the 3 large rings at each corner.
Isn’t it a beautiful arrangement?!

But what interested me more was the woven center - something I hadn’t attempted. I chose 2 strands threaded through a tapestry needle for weaving.
Found this interesting and informative article by Georgia Seitz - Tatting with Needle-Weaving Centers  
I tried to follow the Priscilla instructions as well as those in the article, but somehow couldn’t figure out where the needle 'returned to' for the support lines.
So here’s what I did :
  1. First, I pinned down the square in order to keep it taut.
  2. Then inserted a pearl-headed pin in the center of the negative space.
  3. Now, starting with the tail in the center, I went through a picot to create a support beam, and back around the central pin, before moving to adjacent picot in one direction….
  4. After the last beam was done initial weaving was easier with the pin still in place. After a couple of rounds, I removed the pin and continued the under/over movement.


This is my one-n-only first attempt at weaving outside of embroidery and will take some practice to get it tidier. But I’ll get there some day!
Combining tools and techniques creates interesting texture and designs, and widens our scope.

hope your new year is off to a creative start!
weave dreams into tatting !