Showing posts with label design element. Show all posts
Showing posts with label design element. Show all posts

Friday, 12 February 2021

beaded SR braid part 1

Pin It now! Before delving back into the Endrucks Project, I had this strong urge to learn a few techniques/effects that are floating around for pretty beaded split ring bracelets. Keep learning, keep trying. 
Turns out I got only one method done before succumbing to that heart motif idea I shared in previous post and other behind-the-scene commitments. 
No progress on the heart and none on this study, either. Turns out there are too many methods and no time to go into each nuance at present. But hopefully a step here, a step there ...
    
Disclaimer: This is not a serious study of origins, primacy, etc. of technique and effect. It is my whimsical & random exploration and experimentation. I will keep adding to this personal learning journey as and when I can. 

I try to avoid stringing beads whenever possible ;-D - a logistical problem with the smallish Pony shuttles. Now Jon had once incorporated a separate string of beads into her tatting. So many lovely applications, but not on a split ring braid (SR braid). Called for some adaptation.

Beaded SR Braids
In order to clearly differentiate what comes from where -
  1. shuttle 1 has pink thread strung with yellow seed beads;
  2. shuttle 2 has green thread with purple seed beads; and,
  3. where needed, a blue thread with pearl beads.
1. beads on third thread. 
Adaptation of Jon Yusoff's Beads on a String .
I thought this would be easy. Turns out the 3rd thread needs to be anchored before starting next SR! Here is what I tried -
1. Weaving: The beaded thread weaves up and down between alternate rings. 
Well, it leaves a colour blip when brought to the front, (notice the blue between SR1 & SR2) unless using fine, invisible, or same colour thread. Further, the string would be too loose.

2. Encapsulation : To avoid any colour blip I prefer the first of 2 ways to encapsulate the beaded string.
NOTE:  KEEP beaded string at back of work throughout

2A. Encapsulating Within SR (in last half-stitch): Make SR but do not close yet. Move bead to center, make final half stitch and pass beaded string through the open loop (parallel to core thread) of half-stitch before tensioning and closing ring. Thus string is held tight through the last hs and start next SR.
TIP: do it through the 2nd half-stitch, then move string to the back again. It does not leave any imprint!

2B. Encapsulating Outside SR (in unflipped half-stitch): Close SR, move bead to center, then make an unflipped or wrapped stitch with SH1 encapsulating both remaining threads, and start next SR. (I did this before the 4th and also the 5th SRs above). 
This will leave a tiny space between 2 SRs, but it can become a design element.

In both encapsulation methods, the beaded string is not locked and can be pulled to adjust. I went to town pulling away (see above), but the braid can be smoothed back into shape easily.

Despite being invisible from the front, encapsulation simply moves the blip to the back as seen in above pic. Obviously, we need to choose a string that will not be seen as pointed out earlier. I used 3 contrasting colours for purpose of learning. 

3. Knotting: In order to lock the beaded string in place, knotting is required. 
3A. Knotting with 2 threads: We can make an overhand tie or SLT between 2 threads, one of which is the beaded string. In above pic, after closing last SR with bead in center, choose any one shuttle thread and the beaded thread to make the knot, then continue with next SR.
3B. Knotting with 3 threads: Or we can make a knot using all 3 threads (as seen at end). This makes a larger, more visible knot and increases distance between SRs, but can act as a design element.

This is it so far - all my own 'ideas'. 
But before posting, I did a bit more research and found the following !!! 
However, none of these resources make any reference to anchoring the 3rd thread (I didn't check any class logs for possible discussion).  

....to be explored further

Monday, 9 September 2019

changing chain curves

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The outermost round of Rosette Enchained (shown in previous post) pattern is a chain where the middle segment faces inwards. Since the side segments face outwards, we can consider them as convex, and this middle one as concave.
Please note that convex/concave is relative to a specific design and reference point in case of tatting. For instance this example by Sabina Carden-Madden.

Changing Chain Curves : Convex and Concave

There are various ways of accomplishing this change in curve, and I wanted to experiment with each to compare the effect. It’s always good to have a menu of options, allowing the tatter to choose based on project or skill specifications.

  • The first 4 methods can be done while working with a ball and single shuttle, but the 5th one needs 2 shuttles.
  • Some create a sharper point at the changeover.
  • Some methods create a mono-colour chain, or the main shuttle colour can show up in the concave segment.
  • For directional (fs/bs) tatting, the concave segment is usually tatted backside.

Do you have any other method to share? I would love to hear it.

IDEAS : Any of these methods can be used to create a long undulating chain. One can use it as a bookmark tail. Or each long chain can be linked to previous one to create a broader lace or latticed/reticulate fabric. Add beads and picots for a wonderful effect.

UPDATE: Bonnie Swank has demonstrated these options in Needle Tatting - video - https://www.youtube.com/watch?v=CZ9BRdZ2Zl8 .


Related Posts

Monday, 14 March 2016

Lining up the Chains

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Bored with the same old chains ?
Looking for some new chain effects ?
Stumped or can't remember which chain is which?
Fall in line but don't yank my chain !

I fell. I fell hook, line & sinker.  
Elgiva threw me the hook, Sharon followed a persuasive line, & Susan got the concept to sink in !
Looking back I have already used many chain effects in my various patterns (some without knowing the names), yet I keep getting confused when a term crops up & I have to hunt down the tutorial. Hence a sampler reference , along with stitch notations of how it is worked seemed like a good starting point.

I share it here, as a pdf for anyone who is interested. In case of any omissions of errors, please let me know so that it can be rectified post haste.
Design Element : Line
Tatting Element : Chain
Chains in Shuttle Tatting (click to download pdf)

All tatting is done using Anchor Mercer Crochet Cotton in size 20. Thread size, brand, & tatter’s own tension can bring in individual differences. Hence the sampler is indicative only.

Bullion Knot
There has been some confusion regarding the working of a Bullion knot. For starters, please refer to any Roll Tatting tutorial.
A bullion knot is a small roll-tatted ring, without any stitches, and a limited number of wraps/rolls.
It is started like a ring, with thread around the hand; but instead of making DS, one simply starts to wrap the shuttle thread around the thread on hand, & transferring these to the core/shuttle thread. 
I do this simultaneously : wrap by taking shuttle through loop front to back & in same fluid motion tensioning the thread around left hand so that the wrap gets transferred to core thread. I don’t wait to wrap a few times then transfer or snug. But this is an individual choice (I don’t even add DS in my roll-tatted rings & chains).
After about 10 wraps maximum (depending on requirements & thread size), close the ring carefully. Depending on the extent of closure, the bullion knot can look like #15 or #16 above.
I used #15 style in my Hibiscus Doodad here. 
This knot takes some practice; if pulled too tight, it will distort or create bare thread spaces; if wrapped too tight, the ring won't close easily.

Karen Cabrera sent me these 2 links for Bullion knots earlier this week :
MaryM's Original Daisy Bullion Edging. This is how a bullion knot looks. It is a cro-tatted edging & she has crocheted the bullion segment.  
Ruth Perry’s Bullion Stitch Cross. This is an excellent effect with many possibilities. However, it is not a ‘true’ bullion knot (going by even embroidery & crochet terminology). Along the length of the taut thread(s), a half stitch is being wrapped in the manner of an encapsulated Josephine chain (refer to #24 but instead of complete stitches, only unflipped half stitch is wrapped). It is a form of Dora Young’s knotless bridging/split chain.

Omissions/Errors in document (page 2 above)
i)  #29 & 30 - Include the term ‘Floating Chains’ for Curlicues – please add it if you download/print.
ii) Sampler #24 has been glued incorrectly, The caps of stitches in the encapsulated chain should be facing downward.
iii) #27 & 28. Please note that the core threads are different.

There are limitations to this sampler – coils & rosettes are not included ; braids with complete rings are not included ; no decorative picots or elements are added ; mainly straight-line chains have been lined up.

Chains in Shuttle Tatting : This pdf contains 4 pages - p1 & p2 with 30 samplers & stitch-count; p3 with glossary, notes & resource links; p4 with images of chains applied to tatting - both in 2D & 3D patterns.

The list is a compilation but by no means exhaustive. It is a point in time & the line will continue to evolve.
Each chain has it’s unique characteristics & applicability. It is a journey of discovery. It is also a good exercise down the line from beginners to designers.


Happy tatting & discovering :-)

Related Posts : Bullion Knot in 3D pattern