Showing posts with label chains in shuttle tatting. Show all posts
Showing posts with label chains in shuttle tatting. Show all posts

Monday, 9 September 2019

changing chain curves

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The outermost round of Rosette Enchained (shown in previous post) pattern is a chain where the middle segment faces inwards. Since the side segments face outwards, we can consider them as convex, and this middle one as concave.
Please note that convex/concave is relative to a specific design and reference point in case of tatting. For instance this example by Sabina Carden-Madden.

Changing Chain Curves : Convex and Concave

There are various ways of accomplishing this change in curve, and I wanted to experiment with each to compare the effect. It’s always good to have a menu of options, allowing the tatter to choose based on project or skill specifications.

  • The first 4 methods can be done while working with a ball and single shuttle, but the 5th one needs 2 shuttles.
  • Some create a sharper point at the changeover.
  • Some methods create a mono-colour chain, or the main shuttle colour can show up in the concave segment.
  • For directional (fs/bs) tatting, the concave segment is usually tatted backside.

Do you have any other method to share? I would love to hear it.

IDEAS : Any of these methods can be used to create a long undulating chain. One can use it as a bookmark tail. Or each long chain can be linked to previous one to create a broader lace or latticed/reticulate fabric. Add beads and picots for a wonderful effect.

UPDATE: Bonnie Swank has demonstrated these options in Needle Tatting - video - https://www.youtube.com/watch?v=CZ9BRdZ2Zl8 .


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Monday, 14 March 2016

Lining up the Chains

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Bored with the same old chains ?
Looking for some new chain effects ?
Stumped or can't remember which chain is which?
Fall in line but don't yank my chain !

I fell. I fell hook, line & sinker.  
Elgiva threw me the hook, Sharon followed a persuasive line, & Susan got the concept to sink in !
Looking back I have already used many chain effects in my various patterns (some without knowing the names), yet I keep getting confused when a term crops up & I have to hunt down the tutorial. Hence a sampler reference , along with stitch notations of how it is worked seemed like a good starting point.

I share it here, as a pdf for anyone who is interested. In case of any omissions of errors, please let me know so that it can be rectified post haste.
Design Element : Line
Tatting Element : Chain
Chains in Shuttle Tatting (click to download pdf)

All tatting is done using Anchor Mercer Crochet Cotton in size 20. Thread size, brand, & tatter’s own tension can bring in individual differences. Hence the sampler is indicative only.

Bullion Knot
There has been some confusion regarding the working of a Bullion knot. For starters, please refer to any Roll Tatting tutorial.
A bullion knot is a small roll-tatted ring, without any stitches, and a limited number of wraps/rolls.
It is started like a ring, with thread around the hand; but instead of making DS, one simply starts to wrap the shuttle thread around the thread on hand, & transferring these to the core/shuttle thread. 
I do this simultaneously : wrap by taking shuttle through loop front to back & in same fluid motion tensioning the thread around left hand so that the wrap gets transferred to core thread. I don’t wait to wrap a few times then transfer or snug. But this is an individual choice (I don’t even add DS in my roll-tatted rings & chains).
After about 10 wraps maximum (depending on requirements & thread size), close the ring carefully. Depending on the extent of closure, the bullion knot can look like #15 or #16 above.
I used #15 style in my Hibiscus Doodad here. 
This knot takes some practice; if pulled too tight, it will distort or create bare thread spaces; if wrapped too tight, the ring won't close easily.

Karen Cabrera sent me these 2 links for Bullion knots earlier this week :
MaryM's Original Daisy Bullion Edging. This is how a bullion knot looks. It is a cro-tatted edging & she has crocheted the bullion segment.  
Ruth Perry’s Bullion Stitch Cross. This is an excellent effect with many possibilities. However, it is not a ‘true’ bullion knot (going by even embroidery & crochet terminology). Along the length of the taut thread(s), a half stitch is being wrapped in the manner of an encapsulated Josephine chain (refer to #24 but instead of complete stitches, only unflipped half stitch is wrapped). It is a form of Dora Young’s knotless bridging/split chain.

Omissions/Errors in document (page 2 above)
i)  #29 & 30 - Include the term ‘Floating Chains’ for Curlicues – please add it if you download/print.
ii) Sampler #24 has been glued incorrectly, The caps of stitches in the encapsulated chain should be facing downward.
iii) #27 & 28. Please note that the core threads are different.

There are limitations to this sampler – coils & rosettes are not included ; braids with complete rings are not included ; no decorative picots or elements are added ; mainly straight-line chains have been lined up.

Chains in Shuttle Tatting : This pdf contains 4 pages - p1 & p2 with 30 samplers & stitch-count; p3 with glossary, notes & resource links; p4 with images of chains applied to tatting - both in 2D & 3D patterns.

The list is a compilation but by no means exhaustive. It is a point in time & the line will continue to evolve.
Each chain has it’s unique characteristics & applicability. It is a journey of discovery. It is also a good exercise down the line from beginners to designers.


Happy tatting & discovering :-)

Related Posts : Bullion Knot in 3D pattern