influential intrusion

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It all started when Grace Tan saw the intruding picot and brought out her long-stalled pattern. She thought it could be used in her serpentine pattern and simplify the working instructions. And I was one of the first few she roped in to test tat Endless Hearts Braid with Corner.

Grace adapted her heart patterns into an undulating length of lace - a clever symmetry - and a larger heart for the corners. The frequent directional changes take a bit of getting used to, but soon one can set a rhythm. It still needs some concentration, especially if one resorts to fs/bs tatting as I did, in two colours, trying to keep the blips at the back. I had to draw my own diagram for reference initially.

 

Inward facing  picots - She substituted the Intruding Picot (ip) with Ninetta's Face Inward Picot (FIP), although the ip worked for me (above pics) in the 3rd and 4th corners. FIP was my first time and it was not easy to tease out the leg in perle cotton. I followed instructions for the braid, using FIP in first 2 corners.
Encapsulating Picot Join (EPJ) - I got to try out this new blipless join that can link several elements together at a later time. As the term suggests, it is a picot join that encapsulates or traps another element or picot. More elements can be linked to the same point later as well.

Sometimes I got the EPJ looking almost invisible from the front, at other times a thread bulge was visible. I played with many tweaks, such as up and down loops, etc, but need more study in thicker thread to figure out how best to avoid that thread to make it consistently indistinguishable.
Layered Picot Join - My 'easier' alternate to EPJ -

1. Make a longer picot on the ring such that it can span the chain(s) that it intends to encapsulate.

 

2. Keep this picot at back of work and make a normal picot join through Both picots simultaneously. 

3. This is how it looks from the back. 

Note - these pics were taken when I was working backside. 

 

4. This is how it appears from the front - the join is invisible here.

5. This is how the hook will be inserted through both picots when working frontside.
And a 4th element can be joined to that same picot through the back. I love how clean the chains look - the join is invisible.
Drawback - the rings tend to lie slightly below the chains, but with sufficiently long picot, it can be avoided. Mainly, there is a colour bar at the back (clearly visible in #3).
Turn Chain (tc) - Of course there are several other ways to work this, as outlined in Grace's post. Overall, I limited myself to very few tweaks and substitutions, trying to largely stay true to the pattern. I have used many ways to turn a chain, but stayed with her version of turn chain which was to simply rotate the stitches in such a way as to reposition them, like this Twist Work (TwW).
There are also several applications to this versatile pattern! -

Add a drop crystal and beads for a beautiful V-shaped necklace or collar; or a square collar to sew on!

Without the corners, it is easily a braid, bracelet, bookmark, ring, choker, etc. 

In Anchor Pearl cotton size 8, the braid is 1" broad ; 2 hearts = 1.5" long. The entire frame is 3" on the inner edge and just over 5" at the outer edge.
All in all, a good learning experience with tons of ways to work it.

Romancing With Life - an autobiography by Dev Anand -

This all-hearts pattern seemed a fitting frame for this true karma yogi's life, work, and joie de vivre perspective. Ageless, who died at 88 with his boots on and with more energy and curiosity than his juniors by generations.

Dev Anand needs no introduction to Hindi film buffs and Indians in general (isn't that top left pic just great?! - the 3 great contemporary heroes). But my international friends, can you identify who he is with in the top right pic?! This hardbound book is a feel-good read for the most part, dwelling mostly on his various loves - be it nature, mountains, films/film-making, women, beauty, etc. There are more areas and depth one would have liked to read about, but it is understandable how the entire focus was on romancing.

Part 2 present and past

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continued from Part 1 - Ikuta's Picots on a Chain

Here is the second part of the tat-along exercise on Method 3 of Ikuta’s Picots.

But besides this, there is something wonderfully interesting at the end !

After the 1^st exercise, we now have some understanding of how each picot effect looks (layered and overlapping) and how it is constructed on a chain. The same basic principle follows for the ring.

IKUTA’S PICOT EFFECTS ON RINGS

PART 2 of tat-along exercise

A ring, unlike the chain, is a closed loop, increasing the difficulty a bit. Yet, we can still identify the commonalities between the chain and ring arrangement, as shown in the combined picture below. 

On the left is the chain which we have already made ; on the right is how the elements for a ring will be laid out.

In the ring,

1. think of the ring loop as the blue scrap thread of chain
2. yellow scrap thread remains the same - a chain thread
3. the blue shuttle thread in ring replaces the red core/shuttle thread in chain

For the sake of continuity, clarity, and comparison, the same 2 visible colours have been used. 
The red core thread of chain has been replaced by the SH1 blue thread.

ALL TATTING IS DONE BY THE BLUE SHUTTLE 1 THREAD, ALTERNATING BETWEEN THE RING LOOP (blue) AND THE CHAIN THREAD (yellow)

The above picture shows how we can loop and hold the threads taut. Holding the threads in this manner, we can work alternately on the ring loop and the chain thread without having to drop & pick repeatedly.  

Personally, I had to drop the ring loop when making the yellow stitches, since I am used to wrapping chain thread very loosely once around the pinkie. So, do whatever is comfortable. (Please read related discussion on how to construct below)

To start each part of this tutorial, make a ring loop with SH1 blue thread, 

and attach SH2 yellow thread to the base.   

We will follow the same sequence as in Part 1, starting with the easier layered effect.
Download my previous pictorial on Ikuta's Picots (Method 3) for tips and suggestions on how to start & end a ring, how to connect, and much more.  

V. Layered Picots on a Ring

As the term suggests, the picots are in two distinct layers, just as we saw in the chains in Part 1 of the tat-along. This is in Section V (page 8) of my pictorial pdf 

These picots do not require a 2^nd shuttle (unless using 2 colours) and can be replaced with a ball and single shuttle, without cutting off the thread, ie. by continuous thread method.  

Start as shown in Pic 21, and make 3DS on the ring loop with the blue SH1. 

Leave yellow picot space & make 3DS chain with yellow stitches. 

(this was termed 'chain segment' in my pdf) 

Keep yellow SH2 to the left, pick up the ring loop, leave blue picot space & tat 3DS . 

(this was termed ring segment in my pdf)

Again wrap yellow SH2 thread around pinkie, leave picot space & tat 3DS , as in pic 22.

Repeat these alternate blue and yellow segments till end. Close ring.

Notice the placement/layering of picots : each picot is separate, but yellow picots lie in front or above, and the blue picots lie behind throughout the ring.

These colours can be switched. So how about a bit of homework before we proceed further ?

homework : 
For practice, make another ring, but this time have blue SH1 picots lie above & the yellow SH2 picots lie below. Compare with previous ring. 

And for the sake of interest, let’s turn the previous ring over to see how it looks from the back side ....

The colours are switched ! But the homework is to tat this colour effect so that it lies in front.

Just playing around .... the central ring has only 1DS separating the picots. 

Thinking of an aster, in the right colours, of course ?! So many tatted flowers are possible !!!

And here, all I've done is added a normal picot in the center of each segment. 

Each segment between the overlapping picots is [2DS,p,2DS].

I will continue and conclude this tutorial with the overlapping picots (Method 3) with both over-under & under-over overlapping picots. There will also be a comparison with Daisy Picots.

DISCUSSION

Techniques

how to construct ?

With reference to the wrapping of the ring & chain threads, this paragraph was included on p9 :

"Some experienced tatters have compared Ikuta Picots with Shuttle Brothers’ Alternate Thread tatting or AT Rings technique from their book “Tatting Alternate Threads”. Gina Butler’s video for Alternate Thread Wrap is inspired by this technique & is a practical way of holding both threads in position : 

Mituko Ikuta’s book “Shuttle Lace - Tatting & Bead Tatting 3” was published in the late 1990s & 

Shuttle Brothers’ published their book in 2009.

I do not possess either book, hence am not qualified to determine."

BUT , instructions for this construction have been around for a century and a half !!!   Mlle Riego, in her 1868 book "Raised Tatting Book", details how to use the ring and chain thread to make layered picots, all facing the same side (p10). She has a beautiful star insertion pattern (pp10-12) using picots of differing lengths. 

This is my first practice trial, following her instructions only for the ring. The lower flower is seen from the back side. I will be tatting the entire pattern as a sampler.


is this pearl tatting ? 

Instead of a direct answer to the question asked in Part 1, to which a few answers have been ventured, let me first delineate what I consider the characteristics of Pearl Tatting.

As I understand it, pearl (perle) tatting has 5 main characteristics :

1. picots or perles or pearls
2. multiple threads
3. core thread slides freely
4. double-sided tatting ("double pearl")
5. encapsulation (implied in #2) usually with reverse stitch (direct tatting/wrapped/unflipped stitches)

Some of these conditions are essential and basic to pearl tatting, while others are merely a ‘by-lane’ - one of many paths to reach the destination. It is these by-lanes that lead to variations (& confusion !).

Let us examine each characteristic in relation to the layered picots ... 

# 1 - yes, picots are definitely present.
# 2 - In a chain we were clearly using 3 threads. And as the comparison picture (2nd pic from top) shows, the same reasoning can be applied when tatting the ring. So yes, we are tatting over 2 threads.
# 3 - yes, the core thread slides freely.
# 4 - no, all stitches and picots face the same direction - all are on one side. 

# 5 - encapsulation exists, but so far in the tutorial direct tatting or reverse stitch (RS) is not used. However, in the overlapping picots to be tackled in Part 3 (which are the "real" method 3 of Ikuta's Picots), we Can use direct tatting in the chain segments. Refer to Sec II - Using DS-RS & under-over picots on p.4 of my pictorial pdf. 
On the other hand, Mlle Riego also does not use direct tatting in her 1867 "Pearl Tatting Book". She works pearl tatting (or pearl beading) by reversing work for each segment worked with the extra shuttle(s) or worked on the other multiple thread(s).
So this direct tatting feature of pearl tatting can easily be considered as "optional".

Based on the above, is this form of one-sided or "single pearl" not a variation of pearl tatting, with picots & stitches all facing the same direction instead of opposite directions ?
Your verdict ?

For those who do not attend Georgia's Online Tatting Class, I will talk a bit about how the name "Ikuta's Picots" came about. 

Many thanks 

to Eliz Davis for her valuable feedback on the comparison pic ;

to Judith Connors for patiently guiding me, which includes leading me 

to the wonderful world of Mlle Riego's tatting ; 

to Georgia Seitz for introducing me to these beautiful picot effects ;

and to all tatters who have shown an interest in this tutorial.

to be continued

Related posts : Part 1 - Ikuta's Picots on a Chain

Ikuta's Picots Method 3 Pictorial

The first post

Cracking “Picotgate”

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(all links at the end of this post)

Yes, “Picotgate” is what they’re calling the Ikuta Picots (Method 3) in class now, LOL!

Why? Probably because some tatters are still struggling to crack the effect – those picots seem to be in quite a conspiratorial underhanded deal against us :-)

So, here’s another post on the same topic. I don’t know the specific difficulties faced by tatters, but Deep Throat has learned a bit more since the first information was provided in the pictorial & the post, and is revealing it in a slightly different style – a tat-along exercise for the Woodwards & Bernsteins :-). Hopefully, some associations & connections might emerge from this little exercise in “doing is learning” .

We shall approach the picot effects through the chain route, going from simple to complex, so that beginners may take a shot at it too. I have taken all new photographs for a new perspective. 

IKUTA’S PICOT EFFECTS ON CHAINS
A tat-along exercise

For this tat-along exercise, we need only 1 shuttle, and 2 scrap threads, preferably in different colours. 

In my samples, red is the core/shuttle thread & blue & yellow are the ‘chain’ or scrap threads.

To start each part, I tied the 3 threads together & tatted a 3DS blue chain.

I. Layered Picots-1

Knot the 3 threads together & make 3 DS with blue thread.

After the chain segment is tatted, simply leave/drop the thread to the left.

3DS with yellow thread, leaving picot space at beginning.

I have only just noticed that 1 half stitch of yellow segment is missing – an inadvertent mistake; please ignore. 

Continue these segments. Notice how the yellow thread remains behind ....

... and the blue thread remains in front.

Notice the placement/layering of picots : each picot is separate, but one colour lies in front & the other behind throughout the chain. Also notice that the core thread remains the same throughout.

We can switch the colours if so desired (Part II of the exercise is optional) ...

II. Layered Picots-2 

Follow the same procedure as in I. But this time, keep the blue thread behind, to the left, after completing 3DS.

Compare with pics 7 & 8 with 4 & 5 above.

The final result is same as above, except that now the yellow picots lie in front & blue behind.

Pic 10 shows both the above effects together for easy comparison.

This style of layered picots was incidental ; not part of Ikuta’s Picots. But it helped me figure out how to overlap the picots to recreate Method 3. 

The 2 ways of overlapping are as follows - over-under overlap & under-over overlap , giving a sense of intertwined picots.

III. Over-Under Picots (Method 3)

In this overlap, the picot lies Over the arch of previous picot, but Under the arch of next picot. See inset in pic 15

Tie the 3 threads together & tat 3DS with blue , picot, 3DS yellow. 

Bring blue Behind yellow , leave picot space ...

& tat 3DS .

Repeat the same with yellow : bring yellow from Behind blue, leave picot space, & tat 3DS.

Continue in similar fashion for required length. (pic 15) 

Examine how the picots lie in relation to each other. They have an over-under overlap as explained earlier.

Now let's do the other overlap ...

IV. Under-Over Picots (Method 3)

As the name suggests, the left side of picot lies Under the previous picot & right end lies Over/above the next picot.

Make 3DS with blue ;

Bring yellow in front of the blue thread, leave picot space & tat 3DS. 

Bring blue in front of yellow, leave picot space & tat 3DS 

Repeat to required length. 

Examine how the picots lie in relation to each other. The woven appearance has an under-over overlap. 

The two overlaps shown together for easy comparison.

To refresh our memory & compare , all 4 chains are photographed together. 

Have you completed this exercise successfully ? Do the happy dance :-D

Do you feel confident of making the picots on a ring ? If yes, then we will continue our exercise on rings in the next post, along with a bit of conceptual input.

Before I sign out, here's something to ponder over :

IS THIS PEARL TATTING ? 

Can you give reason(s) for your answer ?

In case of Any difficulty or doubt please feel free to leave a comment or email me. Your input & feedback is also very valuable. I hope to get some answers to this question before I post the next part :-)

happy tatting :-)

(to be continued)

Related Links & Resources 

class material & logs for May 9, & May 16, 2016 (many thanks to Georgia Seitz)

pictorial pdf for Method 3

Outline of the pictorial & other notes