Showing posts with label deconstructing patterns. Show all posts
Showing posts with label deconstructing patterns. Show all posts

Sunday, 26 March 2017

a Sunday tatting puzzle

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How to notate ?

I’d like a bit of help, please.
I checked and rechecked, counted and recounted, compared with original tatted model, … and was very confident that what I wrote and tatted was correct.
Then I Googled and found many tatters have made and blogged about the same project over the years, but there was no mention of anything amiss.
Now my confidence is undermined and I need you to take a few seconds and choose the correct one, before I make a complete fool of myself ;-P 


One ring and chain are diagrammed above, along with stitchcount.

When there are many picots separated by the same number of stitches, we like to shorten the notation by putting a single repeat within brackets followed by the number of times the bracketed segment needs to be repeated. 

Going by this ‘shorthand’ method, which of the following notations is correct for each element - A or B ; C or D ?  (refer to diagram)

RING 
  A]   R:  3 (– 3) x6, 7 – 7  RW
  B]   R: (3 –) x6, 7 – 7  RW

CHAIN
  C]  CH: 7 (– 3) x5, 7
  D]  CH: 7 (– 3) x4, – 7

With experienced tatters, our brains autocorrect ; but for new/beginners incorrect notations can cause unnecessary frustration. It is this latter scenario that makes me more vigilant now.

Waiting for your response, tatters J
A or B  for ring ? and 
C or D for chain ?


×+×+×+×+×+×+×+×+×

Just to complete and justify the title, here are a few other ways we come across for the diagram above.

Without any brackets ...
     R: 3 – 3 – 3 – 3 – 3 – 3 – 7 – 7 . RW
  CH: 7 – 3 – 3 – 3 – 3 – 7

Some include the total number of picots in that element as end of line …
     R: 3 – 3 – 3 – 3 – 3 – 3 – 7 – 7 . RW (7p total)
  CH: 7 – 3 – 3 – 3 – 3 – 7.   (5p in all)

“sep” or “sep by” is shortened from “separated by”. It gives us only the number of stitches between the end picots in that segment  ….
     R: 3ds, 6p sep 3ds, 7ds, p, 7ds. RW
  CH: 7ds, 5p sep 3ds, 7ds

These are a few that are most often used when converting descriptive antique patterns to shorter modern format.





Sunday, 23 November 2014

Deconstructing Patterns 3

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So far we’ve been able to find many smaller motifs ranging from Squares to Triangles & Hearts & miscellaneous other shapes , hidden in the Magic Square. (click on highlighted links)

Many of these small motifs can be joined as one tats, or in one pass, to create longer lengths for edgings, insertions, & the like. This has been my attempt for the current post. In general, I have refrained from creating new variations/derivations, sticking to the basic flow of the magic square. But the potential is just so vast & I couldn't resist a few glimpses! I am sure you will be able to recognize many of the patterns drawn below.
UPDATE:
Better than Nothing Bookmark derived from magic square
Edging past the square
Basic Edging (Figs 1, 2) : The most basic, following the flow of tatting, is this edging in Fig 1. In the same pic, I have superimposed the same basic pattern, but with slight additions/changes – eg. the black Josephine Knots & the Double Picots in both the chains, as well as in the joining rings. A sampler of how the basic edging would look in reality, using 2 colours.  
Fig 1.
Fig 2.


Basic Insertion/Bookmark (Figs 3, 4) :When one returns back (mirror-imaging), another edging/insertion evolves ! It could also make a nice simple bookmark, with the addition of a tail or tassel !
Fig 3.
Fig 4.
Elegant Cross (Fig 5) shows the Same pattern continue into a lovely Cross !
Fig 5.
Beginners’ Edging (Fig 6) is another very easy rings-and-chains-only edging (one side) / insertion (both sides), ideal for beginners. How often have these rings & chains edging been used to fill up patterns, including doilies ! 
Fig 6.
Broad Edging/Trim (Fig 7) is yet another lovely edging pattern, slightly broader, where no stitch count changes or special techniques are required.

Fig 7.
Fig 8, below, depicts 3 patterns – A, B, & C.
Simple Edging (Fig 8-A) : The bottom red edging is simple, again going with the original pattern flow. No change in stitch count required.
Insertion/Bookmark (Fig 8-B) : The center edging/insertion (Fig 8-B), with blue Split Rings on either side, is also made in one pass, with a mirror-image return of joins. SRs are depicted with a black line within the ring.
Abstract Floral Bracelet (Fig 8-C) : The topmost edging also requires Split Rings (black-lined rings)  to move from one set to the next & one has to return back to complete the pattern. It would, however, make such a beautiful dainty floral Bracelet (where the yellow ‘flower centre’ are beads) .
Fig 8.
Motif Border (Fig 9) is a collection of tiny square motifs.
For beginners (Fig 9-A), the motifs can be made individually & joined as one tats them, to desired length.
One-pass (Fig 9-B) : It can be made in one pass too ! I have tried to visually explain the path in Fig 9-B, by breaking it into 2 colours. Start with the brown; you will notice that the basic flow of pattern is very similar to Fig, 8-A.  BUT instead of a solitary ring above, make a very small Downward Picot (DP), shown as a black square. When desired length of edging is reached, return (this part is shown in teal) & join once with a  ring to the other 3 rings , & once to the DP.
Fig 9.
Elegant Motif Bracelet (Fig 10)  shows a simple cute bracelet pattern of tiny motifs joined with a red bead in between.
Fig 10.
♫♪♫♪♫♪♫♪♫♪♫

In my deconstructions, I have not attempted to show any “extensions” of the square to form Larger motifs or laces. For instance, one can add triangles to each side to get a larger sq, ; or add the pinwheel triangles to get a zig-zag kind of surround ; … It’s all geometry ;-))
Or continue with the winding maze to make a beautiful shawl eg. Barbara Sears’ shawl.


I would also like to share another ‘deconstruction’: Ninetta found a Heart in the Mystery Doily here, when she was working Round 6!   
Kristen, has needle-tatted “Star No 2” from “Tatting: Patterns & Designs” by Blomqvist & Persson. This is the medium-sized square motif (Motif 2-B) deconstructed in this earlier post.

(I will be adding the Magic Square to my Resources page & keep updating 
with any & all examples/samples I come across in future)

♫♪♫♪♫♪♫♪♫♪♫


My Experience with Magic Square

For those of us who have made this square, the reactions are varied. Some find it pretty easy while others have found it a bit tricky. I belong to the latter group. Having made 2 complete squares & 1 individual triangle, these are my thoughts :

  • I needed a good referral diagram. Since I had used a written-only pattern, I had to draw my own diagram as well as write out more detailed notations for the 1st square. For the 2nd square, I kept the 1st square beside me for frequent referencing.
  • Using Size 20 thread & ball & shuttle, 2 bobbin loads are required to tat one complete square.
  • Working with 2 shuttles will probably be easier ; in any case it will be neater.
  • Working with 2 colours might make the movements & joins less tricky – it will bring out exactly where the next element goes, which should be joined where, etc.
  • It helps to do this motif in all front side tatting, using 2 shuttles & reverse stitch for chains !!! I did this for the triangle, & it helps because one does not have to keep flipping the piece over; it makes referencing to & following a diagram easier.
  • Finally, and this is meant as a tribute, one needs an MC Escher type of brain-wiring to get it done easily; something which I sorely lack ;-/ While I Could clearly visualize & understand the flow, the path & the ‘logic’, when it came to tatting, it was tricky, what with having to RW after each element ! Hence all front-side tatting is of immense help !
  • As an aside, I Really need to practice the Dora Young Knot or Split Chain. I used it to end the square & is quite an eye-sore !
♫♪♫♪♫♪♫♪♫♪♫

Motif #22 for 25 Motif Challenge 



Saturday, 8 November 2014

Deconstructing Patterns 2

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Triangulated Tessellation of a Magic Square !

The earlier post pulled out motifs from the magic square hat. Here, I tackle triangles.
I used the version 1 of the free pattern from here

The bold fonts are all hyperlinks to respective sites/blogs. Click on the word(s).
Abbreviations used : SR - Split Ring ; SSSR - Single Shuttle Split Ring ; SLT - Shoe lace trick

Fig 1. Magic Square in 4 colours !
Although the ultimate shape is a square, the progression of the Magic Square is in triangles, repeated to get a square,as can be seen in the above image! Jenn is currently working on it & you can see the progression on her blog.
Triangular / Corner Motifs
Triangular Motif #1
Fig 2.
Fig 2. This is how it all starts - with a single triangle – one quarter of the final square. I sewed this to the base of the neck on a dress I was sewing at the time. 
This same triangle, when folded on itself along the Y-axis, to form a ‘pocket’, can be used as a bookmark inserted in the corner of a page (from an observation by Judith Connors)!

danie7 shares her Tatted Corner & the page in the background shows how it can be used as a corner on a handkerchief, mat, etc.
Incidentally, Jon Yusoff, following the triangular pattern from “Tatting with Ann Orr”, went on to create a square from the 4 triangles, figuring it all out herself !  

In Fig 1 above, Each of these 4 triangles that go to make the square, are clearly visible due to the 4 colours used. I just went crazy coz it was the first time I’d bought & used variegated thread ! I tatted each triangle with 1 shuttle & ball.
Instead of 4 colours, though, one can only use 2 colours alternately, a single colour, variegated colours, …. 

Small Triangular Motif #2
Fig 3. Pinwheel Square

These triangles can be smaller, too, as can be seen in this ‘pinwheel’ version (drawing only). I hope to make this someday – love the effect ! 
Of course, one will have to take recourse to SLTs !!!

These 4 &/or 8 triangulated square versions remind one of quilting blocks, don't they ?! Well, wouldn’t these tatted ‘blocks’ create lovely large-sized projects !!!



Triangular Corner Motifs # 3 & #4
Fig 4.

Fig 4–A simple triangle done in one pass, using 2 colours. Can be started at any point.

Fig 4–B Also a simple one-pass triangle, but needs to be started at the ring indicated by arrow (since there is no chain to connect the 2 rings in the end).




Triangular Corner Motif #5 & Triangular Pendant 
Fig 5. Corner Motif & Pendant
Fig 5–A . Triangular Motif :Requires 2 shuttles in different colours. If this scheme is followed, then the orange rings with a white line in center are SSSRs.

Fig 5–B . Triangular Pendant. I’ve tried to show a triangle within a triangle here. It can all be done in one pass, with 2 shuttles. However, rings with black lines within, are SRs. 2 short chains have been added on either side, in order to connect to adjoining elements (rings). Beads can be added wherever desired, with the help of long picots, etc.



So, What  is  this Magic Square  ?! 
Very simply, it is a one pass motif made up solely of rings &chains, that can keep repeating itself to any desired length, weaving in & out in the form of triangles (a tessellation of triangles! It is all geometry & symmetry) to create larger square. It is very versatile, as already glimpsed through these 2 posts. It’s character can change with slight changes in the factors involved. For instance :


  • Use 2 colours – one for chains & one for rings to get a totally different look ( Halibut04 & laceladie , in InTatters*, have used this very effectively !)
  • Change the stitchcount just a tad. eg. Jenn is using Halibut’s stitchcount, which gives a slightly angular look because the chains are straighter.
  • laceladie's frivolite 14 version from “Design Burda Frivolite”, is slightly denser due to fewer chains & larger rings.  
  • Liv Strind  has created a very stylized kind of motif that is essentially the magic square with SRs. She has also adapted parts of the magic square very elegantly & stylishly to make many different projects including runner, mat, clutch purse, coaster, etc. You can also see her pins here & have fun identifying the derivatives !!!
  • Check out these two exquisitely beautiful versions called the ‘Tatting Square Doily’. She has added an equally exquisite edging in the 2nd one ! 
  • Beautiful Shawls have been made using this pattern (or a slight variation in terms of stitch count). eg. Wedding Shawl by Jean Younkin et al using extended repeats and one made by SnapDragonLace
  • Carollyn has a fantastic 3-colour version with small rings & lovely long arching chains. Would make a nice bookmark too !   
  • Kristen has needle-tatted “Star No.2” from “Tatting: Patterns & Designs” by Blomqvist & Persson. This is again the small square motif deconstructed in this earlier post.
  • Scroll down to 3rd last pic in this post. Piece #9 is pic uses small square motif to create a gorgeous pastiche colourwise !
  • Jane uses size 40 in 2 colours, & a slight variant of the pattern (as discussed in these posts, slight variations give interesting results)
UPDATE (Oct 2015) : The earliest example found so far is a triangular corner in Ann Orr, 1935 .
And there is a collated list of links for patterns, projects, discussions in Craftree titles Magic Square- Serpentine Square * I have updated all dysfunctional InTatters links ... Please let me know if you still encounter any broken links.

As to where this pattern first originated, I have not been able to gather any concrete evidence, despite seeking info, except that it has been around ‘forever’ & is in the public domain. Multiple sources have been cited by tatters, all of which I have included in appropriate places in the posts, along with the respective tatter’s name.
However, many people have tried to “decipher” the movement of the pattern through diagrams, etc. There are a few threads in InTatters* where quite some discussion has taken place. Here is all that I’ve been able to find so far.

In addition to all the links scattered in the 2 posts so far, here are some more links where this pattern has been ‘deciphered’, diagrammed, &/or discussed :
  • Alice Wolska shares her diagram here 
  • Jon Yusoff has shared her observations too (links already provided above)
  • Rachel has used the pattern from Helen Chesno’s “Tatting Made Simple”. She shared this in a discussion, along with a notated square in this thread 
  • Yet another forum thread that discusses this 
  • A diagrammed & written explanation to make it easy to tat by seesawyer here  (updated Jan 2016)

My next post, here, deals with many possible edging &/or insertion patterns, along with my thoughts on tatting the Magic Square. And in the last post in this series, I will share a Bookmark pattern derived from this Magic Square.
Hope you remain interested :-))


Related Posts Square Motifs from the Magic square
Edgings from Magic square & My tips/thoughts
Bookmark pattern from Magic Square

Update : Robin Perfetti has spawned a whole new series of brand new Magic Squares. Check out her Tutorials and Patterns pages for all links.
Her initiative inspired Jane McLellan and Ninetta Caruso to create their own magic squares.


Wednesday, 5 November 2014

Deconstructing Patterns

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The Magic in A Magic Square !
Statutory Warning : This is a seriously addictive exercise! 
Venture into the magic maze at your own peril.

In an earlier post , I had used a small motif to build up larger patterns. This time I take the reverse path ; using a larger pattern to deconstruct & tease out some patterns from within the ‘Magic Square’ pattern, and to have fun trying to see patterns within patterns !!!
Fig 1. The Magic Square
The magic square really is magical ! This one-pass square holds within it many patterns that can be derived for various uses. From one square, we can actually get motifs, edgings, insertions, different shapes, & so on. You may have already come across many of the patterns I’ve coloured over & can now recognize as part of this larger block.

This was conceptualized back in Sept 2013 when I made my 1st square with 4 colours (in the next post). I used this free pattern (version 1). Since then, I joined InTatters & came across the term Magic Square. Eventually, when I began writing out this post, I came across even more examples of the pattern. I have tried to list them all out wherever relevant (click on each name for links). I have tatted & scanned a neutral monochrome square specifically for his post, so that I could paint over it to bring out the patterns within. 

Please Note :
  • When drawing over, I have not focused on or shown picots. The background provides the context for picots & joins.
  • Also, wherever any element has been changed in the drawing, in any way, I have tried to make a mention of it.
  • ‘Embellishments’ such as Josephine Rings, beads, etc. have been used very sparingly, in an attempt to focus on deconstruction rather than reconstruction ;-)
  • Maybe in future, when I become proficient in Inkscape (with valuable help from Robin ), I can revisit these diagrams for better visual appeal. Meanwhile, I hope you overlook (& forgive) the untidiness & enjoy the idea.

 Abbreviations used :
SR : Split Ring ;   SSSR : Single Shuttle Split Ring ;   SLT : Shoelace trick

abracadabra … it’s aaaaaa   MOTIF !!!

Square Motifs
Fig 2. Square Motifs from Magic Square
One of the basic elements is the square. Different sizes of squares can be formed (Fig.2-A & 2-B)
Check out the actual tatted version of 2-B in black : Tatted Motif #2
In fact, Sonja , using a pattern “Frivolite 14” from “Design Burda Frivolite”, has demonstrated a real-time comparison between square elements when done singly, & when repeated multiple times … going from tiny to large, in 4 sizes!
If we consider 2-A as tiny, then 2-B is small, the complete square in fig1 is medium, & when four such fig1 squares are joined, you get a large sized square doily !
TIP : These square motifs can be joined to create longer laces, or they can be joined adjacent to each other to create coasters, mats, runners, table-cloths, & so on.
Motif 2-C is also a one pass pattern made with simple rings & chains.
Motif 2-D requires SRs or SSSRs (the ones indicated by black slashes within). If desired, the two outermost rings in each arm can be left out.

Fig 3. Square Motif from Magic Square

Fig3 shows another repeatable square motif. This one is simply the very heart/centre of the main square.
I used it as the center of a coaster, with 2 rows of outer edging in black (not shown here).







Irregular Square/Round Medallions
Fig 4. Motifs from Magic Square

Fig 4 has drawings of 2 different motifs/medallions, which also require SRs or SSSRs.

4-A is a slightly irregular square & the SRs can be seen along the periphery. Solid black dots represent possible beads.

4-B is almost a circle. The solid red dots represent possible beads. Again, the peripheral rings are SRs.






Hearts & Hexagon

Fig 5. Hearts & Hexagon from Magic Square

Hearts emerge in Fig 5 !
The pink heart (5-A) is simple, but with addition of 2 small chains at the base, to complete the outline.

The red heart (5-B) is a bit abstract. Again, a SR or SSSR is needed for the bottom ring.


And then there’s a Hexagon !
Fig 5-C. It can be done in one pass with the help of a SR or SSSR, or it can be done in 2 parts (as indicated by the black axis) joining as you go.




Octagonal Motifs

Fig 6. Octagon from Magic Square


Fig 6 has multiple possibilities. 
Instead of making rings in one color & chains in another, 2 colours can be used as shown. The inner orange colour becomes a square with curvature, while the outer blue forms an edging or border in octagonal shape !!!
Beware, though of colour blips & the Huge reliance on SLTs if one is using 2 shuttles & wants to make it all in one pass ;-))







Cross Pattern !
Fig 7. Cross from Magic Square


To end this post, in Fig 7, is a possible cross pattern where some liberty has been taken by introducing split rings along the edges of each arm, in order to stabilize the otherwise long chains. The lower arm can be lengthened for a proper cross.











This was not meant to be a long post, just some basic ideas. But I had such great fun teasing out patterns, & then drawing over them, figuring out whether they can be done in one-pass, etc. - it was like doing puzzles - that now the content & pictures will have to be spread across many posts.
In the next post, I will talk about triangles as well my own feelings & experience with this square. After that, it will be edgings & another cross pattern ! Hope you travel with me :-)