Showing posts with label oya makuk. Show all posts
Showing posts with label oya makuk. Show all posts

Thursday, 25 July 2024

multifascination

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 This time I have not delayed, not by much essentially. A couple of months back I came across an Instagram post on tatting and their profile said they were a German group of 15-20 members with a common passion for occhi! I messaged them about our Endrucks 1920 Project and so began a lovely friendship with Elisabeth Dobler (she manages the account and is the founder of the group 'Occhi Freunde Oberschwaben'), a very talented tatter who enjoys pushing the boundaries and exploring new techniques.

Inspired by my E25 palm leaves, she belted out a range of effects from one basic model! We decided to call these Multifaceted Leaves. She graciously accepted to share the pattern and we worked together to create a presentation that is hopefully clear and easy to follow. She also made a presentation in German. Here are the links to both -
E24 Multifaceted Leaves by Elisabeth Dobler - https://drive.google.com/file/d/1ywaZcQP8b1M86jo4yLIwpH5fZ5kQ0_tX/view
E24 Facettenreiche Blätter by Elisabeth Dobler - https://drive.google.com/file/d/1-uFBNdM9aFOPUDCJyWC_dy1R_nyC4KRw/view
 
Multifaceted Leaf #1 (basic) 
This is the basic pattern which can be embellished as desired. She has worked the leaves in a clever and interesting fashion, entailing encapsulation. 
While the detailed pattern for this basic leaf is given, for the others an explanation of the effect/process is provided. Instead of repeating the description here, I request you download the pdf and understand the intricacies.

Multifaceted Leaf #2 - 
She has used metallic thread to embellish the leaves.

Multifaceted Leaf #3

Multifaceted Leaf #4
Maltese Rings adorn this leaf.

Multifaceted Leaf #5
Here the leaf starts at the mekik oyasi ring with cut picots and progresses back and forth to ensure it is worked in one pass. The crosshatch filling is so impressive.

Multifaceted Leaf #6

All six leaves together. 
Would these make a bushy mustache or even eyebrows, LOL? 
Simply add a stemmed flower in the center for a nice composition.

This is but a small slice of the enticing array of possible effects one can play with, using the basic model!

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Patterns 24 and 25 from Eleonore Endrucks' 1920 book, Die Schiffchen-Spitzen, are very similar; E25 has a bit extra on the E24 as base. E24 was reworked by Ninetta Caruso for the Endrucks 1920 Project and you can find her work here ---
https://ninettacaruso.blogspot.com/2020/10/eleonore-thats-difficult.html - notes.

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Elisabeth Dobler has published two books with tatting patterns - Tatted Necklace with Roses, and Tatted Faces! Oh the faces book is really interesting and fun! 

Just like with Sally (in my previous post), it is always a pleasure to correspond with someone who is receptive, prompt, and willing to learn and share mutually! Seeing her interest in new techniques and effects, I told her about Ninetta's flickr account and blog and her new Captured Picot. Elisabeth got right down to it, diligently learning the captured picot, teaching it to her group and also applying them creatively! Wish I had taken her permission to share the pics here ... perhaps in future. But you can check out her Insta posts with all her wonderful displays here - https://www.instagram.com/occhi_freunde_oberschwaben/

These Multifaceted Leaves and many other leaves (seen in Elisabeth's Insta feed) will be displayed in the Austrian Lace Association's Congress 2024 - Participation Leaves in Linz from 11th to 13th October. Wish I and our group could've participated - hopefully next year.

Many many thanks to Elisabeth and looking forward to more creations.

Related Posts - Palm Leaves from E25

Thursday, 10 March 2022

girl interrupted

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 Despite the best of intentions, commitments can fall by the wayside. Usha Shah and Ayşe Özgür were among our original volunteers and started tatting immediately after selecting their respective patterns, sending in the first trial pictures.

Then life intervened, interrupting their commitment, and we lost their participation. However, their trial samplers are inspiring and a wee bit different from the original pattern, making it a pleasure to share with everybody. Both ladies are highly accomplished and talented and we expected nothing less, right!

The other commonality lies in the way the tatted they ‘block’ without switching shuttles, seemingly like a continuous chain. Hence despite working with 2/3 colours, their block chains remain the same colour.

Ayşe Özgür worked pattern #7 in 3 colours! Her sampler resembles oya mekik or Turkish lace, partially because of the thread used. If we compare closely, this sampler is a modification of the original pattern not merely in colours but also techniques, direction of chains, etc. A possible variation to keep in mind when tatting.

This is the pattern that went through many hands before landing in mine and the pattern was shared here - https://tipsaroundthehome.blogspot.com/2021/11/the-foster-child.html

Ayşe tats a range of flower motifs, both 2D and 3D. These original designs are very pretty and colourful and impeccably made – a mix of tatting and Turkish oya. However she uses shuttles instead of needle. Besides her Facebook profile, she hosts a FB group (Tatting Ayse), has a YouTube channel, and an etsy shop. Do check out her inspiring work. 


Usha Shah of Shuttle Creations is another talented tatter, designer who needs no introduction. All one needs to say is Dot Picot! She chose pattern #39 and sent in this trial sampler.

Again, if one examines closely, it is a modification or variation of the original, with the block chains worked continuously without switching shuttles or turning work. The vertical segments stand up straight, providing a nice symmetry.

The way her chains stack up, reminds me of peacocks! Do you see birds with open plumes, too?

When Usha could not return to this project, despite wanting to, I was at a stage where it was easier to do it myself than request for volunteers and review their work. (We wanted different names on the modern pdfs than repeating the same). The entire review process is very time- and energy-consuming, without the pleasure of actual tatting ;-D If you remember, I had tremendous fun doing the pattern and adaptations - https://tipsaroundthehome.blogspot.com/2021/11/a-trip-to-beach.html

Usha has shared many lovely original and unique patterns for free in her blog - https://shuttlecreations.blogspot.com/. She, too, is on various social networking platforms including Facebook, Instagram, WhatsApp. If you haven’t yet, do check out her inspiring work.


We are grateful to both ladies for their attempts, even if they could not see their projects through to the end.

muskaan and Ninetta

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Endrucks 1920 Project is a community project, where patterns from Endrucks’ German book of 1920 were converted to modern-style presentations and pdfs. We welcome you to join our Facebook group “Endrucks 1920 Project” (please read the group’s description and rules before joining :  https://www.facebook.com/groups/1235560633606162)  where the fun continues with derivative tatting, new variations, activities, etc. all within the gamut of Endrucks’ patterns.

Using the hashtag #Endrucks1920Project when posting in FB or Instagram, ensures that your pic will show up in a search.

If you enjoy sharing and experimenting, or even test-tatting, the group is waiting for you!  All info and links to patterns (original and modern), including model images, are in the Endrucks 1920 Project Document, here   https://docs.google.com/document/d/17LEVftXweztBIOWh4sL4BB7bX65ssoOsOn4oXIgCepY/view There is still a lot to explore and extract, derive and apply and scrolling through this document will give you an idea of the possibilities and beyond.

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Saturday, 4 March 2017

Fill in the rings

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Turkish tatting and filled-in rings 

BD Angel 2017
Wally Sosa

Wally has been sharing a birthday motif annually for the last 17 years ! This time she chose an angel with Turkish Tatting or Oya Makuk (lace shuttle). She has shared an excellent stepwise pictorial, as well as Karen’s video for this technique. Both made it easy to follow along.  

I used various shapes of sequins to create a wing-like effect, along with a beaded star in the center. 
So that I remember in future : thread the left wing sequin, red star, round sequin and bead on the shuttle (core thread). Then bring the thread back through the 3 sequins, thus securing the bead over the 3 layers. Snug into place. Then load the right wing. This can be done over a picot, if desired.
I also increased the stitches in the head ring so that it showed up nicely over the ‘wings’. 
I had to decrease the skirt length because it was becoming too wide (I need to practice controlling my hand loom). Instead of 15 weaves, I only did 10 or 11. The increased width also called for a longer chain below.
The above pic shows the angel from behind. I like this woven edge too - feels 'sunken'.

It was tremendous fun learning a new technique on such a cute, quick pattern. One suggestion in the OTC was to add beads on the long picots ! Wouldn't that be awesome. 

Many thanks to Wally for sharing her immense creativity.

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  My Experiments with Solid or Filled-In Rings

It was my first attempt at Oya Makuk above, but many months back I did experiment with filling in rings. You might remember that tiny 3D spiderwort doodle.

The images below are all prototypes. I haven't been able to work on them since.

In this first experiment, graduated picots are made on a normal/true ring. Then on the way back, keep joining to each picot. Close ring. The effect closely resembles oya, but can be done within a true ring. 
Requires tremendous practice to get it looking nice ; size of ring is a limiting factor ; joining is a bit fiddly.
On the plus side, no need for any other thread or shuttle ; no extra thread ends to hide ; can make spot decisions.


Could I fill the entire ring ?
The graduated picots were made along the edge as before, but at the tip I added a twisted picot for spiked effect, and went back from above, joining to each picot and adding a few extra stitches to get the larger arch. One can use a folded ring for this. When Inverted tatting fails us, this faux inverted tatting can come to the rescue !
I found this leaf ring much easier to close than the petals, and could make it larger, too. 
Again, requires a lot of practice. And one must be careful while closing the ring.


Now this is something I have never come across !
It is a ring made and filled up Entirely with chains !!!
Start the chain (I used 2 colours to differentiate between core and chain/stitch thread). At regular intervals, insert a paperclip to hold an inward picot space. I have 3 such picots as evident from the clips.
Continue with a long chain ; fold at desired point, turning back and joining to inner picot, fold and move to right, and so on. It is one continuous chain, being joined back to picots along it's inner lengths. 
Pretty fiddly, of course, with all those dangling clips. But fun to experiment ! And do-able too. And no limit to size of ring !!!

In balance, of course, one has to admit that Oya makuk is the way to go. Turkish tatting is a much simpler, quicker, neater way to fill in a ring of any size or shape ! And so much easier to add beads in the filling picots !!!

Hope you enjoyed my little whimsical meanderings ....

happy tatting always :-)

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