rosettes

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 In tatting, we often come across different names for the same technique/effect and the same name for different techniques! (jot it down to various reasons - historical, linguistic, ignorance, non-standardization, ....).  One example of the latter is Rosette. This historical term refers to at least three different styles as evident in the collage below!

Our newest game in the Endrucks 1920 Project FB group involves the third motif and it seemed a good opportunity to address this situation and refresh my knowledge.

They are arranged along evolutionary lines -

1. Single ring with picots aka central ring. Tatted with a single thread. This was a common starting medallion in numerous antique patterns, and the thread was tied and cut after each! Now, we climb out with a mock picot or if possible, we work it as a thrown ring for continuous tatting.

2. Outward facing rings, often called a daisy or flower. Again, tatted with a single thread and the rings are joined to each other to create beautiful medallions. It helps that joining on the go was discovered. The number of rings can determine the shape and size.

Rosace is a term used by several non-English speaking tatters, to address this formation. eg. Maria Papia's earrings (https://www.youtube.com/watch?v=wbqLn8xTaGU) and Lilas Lace's pictorial of Edwige Renaudin's Double Rosace (https://lilas-lace.fr/blog/2014/02/28/diy-a-double-rosace-diy-une-rosade-a-double-rangee-danneaux/)

3. Concentric chains around a central ring. Each chain segment is joined to the picot below from the previous round. The entire medallion is worked continuously, but requires two threads. Obviously this came into existence after the discovery of tatted chains.

In the sample above, the consecutive chain rounds are niched closely into a compact circle - like a dartboard. However, if the chains are made slightly longer, with more of an arch on each chain, it gives the appearance of a flower - a Rose or wild rose as Sharon Briggs calls it (https://sharonstattedlace.blogspot.com/2008/05/tatting-wild-rose.html).

This is all I have. Have you encountered the term for another formation? Please do share.

My main references for the above, besides online resources already listed (including Craftree), are - Elgiva Nicholls' 'Tatting: Technique & History' 1984, and Judith Connors' 'An Illustrated Dictionary of Tatting'. And all three tatted samples above are from derivatives of Endrucks' (1920) patterns 42, 20, and 37.

UPDATE: (9th Oct 2023) - Perhaps I should've spoken about the origin of the word rosette, etc. But here's a comment by Stéphanie Mc (Tattimic) on my FB post and quoted here ---

I'm pretty sure it comes from French.
In French, the word "rosette" can take about 10 different meanings. It usually refers to something circular with a circle in the middle, but not necessarily.
Also, when the suffix "-ette" is added to a noun - let's say "rose", haha-, it refers to a smaller version of that noun. So a "rosette" is supposed to mean "a small rose", at least in some interpretation of the word, of course.

 Well, she is absolutely right! 

My sincerest thanks to all mentioned!

sneak peek variation

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 This is my submission for our #TALme2Endrucks Aug2023 game of the month. It is a variation on Ninetta Caruso's Garland pattern derived from Endrucks' pattern #20. The pattern was shared in 3 parts during the 3 weeks, and a 4th part on some surprise variations will be shared in a couple of days. Here's a peek into part of what might be expected, ;-D

Most participants have already finished and shared their beautiful versions. So sharing my variation will not cause any confusion now.

It was meant to have 8 repeats and 5 rounds. I have 7 repeats and a 6th round of rosette motifs.

 

This interesting pattern is worked from the outermost round. It has onion rings with thrown rings.

Onion Ring with Thrown Ring. A few members seemed to find it difficult to understand. Hence I quickly prepared this pictorial using 2 colours to show which shuttle was in action. It is the same process as for the Happy Hands patterns from #1 (https://tipsaroundthehome.blogspot.com/2021/03/balancing-act.html). But each tutorial I referred to, was missing in one feature or other that was need for this particular pattern. Hence it was simpler to follow the steps of this pattern without the need for detailed written explanation.  

The 2nd round is worked on the inner edge of the previous round, made of block tatting 'flowers'. In my first repeats I am sure there are mistakes in the block (the very first one was snipped) - it needed mindful tatting.

I may not have gotten the shape of the flowers very nice, but the construction is very clever, as is to be expected of Ninetta.

The inner space is filled by working 3 rounds, this time in the 'proper' order - ie., from the inside out ;-D

The center rosette is worked and cut off. The thread for Round 4 is attached and worked around. 

The left one has 8 repeats, as per the pattern. This time I had counted and followed correctly, LOL.

Round 5 continues from the previous one without cutting and it is the round that connects to the outer rounds. It was only at the 'final' join that I realized there had been a miscount!!! Nothing to it but to bring out the scissors and snip snip snip.

Tatted Rounds 3,4, and 5 again, this time with 7 repeats, and joined successfully. However I did not wish to change the count which is why you see the slight curve in the linking chains. However I kind of like the organic feel of this imperfection.

TIP: To get a neat point in parallel chains or with chains that turn back, as in the middle round, I always count the lock join as one half of the double stitch. It leaves a much smaller footprint.

I had the pleasure of test-tatting and proof-reading this clever pattern back in June. Well I messed up with the repeats, but it gave us a variation that lay flat. So not much was lost.

For some reason the tinted green felt too overbearing. Hence I wanted to tone it down a bit. So after a long tatting break, I picked my shuttles for 2 nights in August for some 'mindless' tatting .....

This is what I came up with - repeated the inner flower motif around the edge. I measured the distance between the rings and the picots on the chains. It was a good fit!

Design TIP: I had initially tatted a 6-ring rosette. Surprisingly it did not look nice! So the 2nd one was made with 7 rings and these reflected the pattern well. So the first one was snipped off. 

 

I intended to fill in the space between the motifs with purple and white flowers connected with a plain green trellis. However, my tatting buddy Anita Barry, completely forbade it! She called it finished at this stage. To assuage my designing curiosity I might still try out one repeat, but not in the near future since I'm back in the no-tatting zone.

The model is worked in Anchor Pearl Cotton size 8 [green 0128; purple 00087; yellow 00291; white; tinted purple 5393. It measures around 12.5cms without and about 16cms with motifs.

I had a great time tatting it and apologize for the inadvertent error in counting. Must go back to a Maths refresher class! However yet again a mistake led to a slight variation - I should call it 'Mistake Designing', LOL.

Many many thanks to Ninetta for her beautiful pattern and all the work that went into it and into organising the game.