Saturday, 28 September 2024

variably padded lines

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If you tat only for beautiful lace, this post might not be for you, though it does showcase some lovely effects. My approach to tatting is different and I enjoy all aspects, including delving a bit deeper and finding commonalities or differences. And there was one discovery here that really got me excited!

Another post in my Common Threads series, a consequence of my research, tatting, and editing for 'Six T's of Shuttle Tatting' by Net Best. Sharing my thoughts and observations and short explanation of concepts. 

PADDED DOUBLE STITCH (pds) or padding the stitch (as different from padded tatting) has been around for several decades, with Rhoda Auld's (1974) 'self-padded double stitch' followed by the balanced DS and double DS. You can read the detailed and comparative post, along with a pictorial and notations, here - https://tipsaroundthehome.blogspot.com/2015/11/pds-padded-double-stitch.html .

VARIABLE  PADDED  STITCH - In this 2014 post,  https://tipsaroundthehome.blogspot.com/2014/05/tatting-experimenting-with-stitch.html , I showed a few possibilities of padding only one half-stitch as in spiral tatting; of having more than 2 or 3 wraps; and more importantly of making a variable/uneven number of wraps in the half-stitches. This can be applied to both rings and chains.

TIP: Due to the wraps, it is essential to suspend the shuttle at intervals so that the thread regains its balance. 

LINE is a generic term used by Anne Dyer to refer to the different ways rings and chains can be 'knotted' - basically the different stitches we can use to achieve a certain look and effect. Some may require auxiliary threads and shuttles; some might apply only to one type of element; some may be better expressed through use of contrasting colours; and so on. We can all name multiple techniques starting with regular double stitches to pearl tatting, Victorian sets to lock chains, ....
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LUMPY LINE - another term and effect by Anne Dyer (1993) where she uses a padded stitch after every 3 or 4 double stitches creating a lumpiness to an otherwise smooth line. Here both halves of the padded stitch have three wraps giving it more body or bulk. The lump can become more pronounced if not tensioned too tightly.
Notation for Lumpy Line (the lower model) - 
Ring or Chain: [4, 1pds(3,3)]x4, 4. 
In the top red/orange model, I did not space the pds enough, leaving only 2 DS between.
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The following two effects of variable padded stitch threw up a very exciting observation!!!! It is the reason I took stepwise pics despite the existence of excellent resources, so that you can compare yourself!

SPIRAL  KNOT  STITCH - a term coined by Jennifer Williams (2012) along with a pictorial here - https://www.cariad-tatting.com/techniques . It is a textured effect made with a single padded half-stitch flanked by normal DS. An example of variable PDS.

1. Following a DS, tat a 2nd half-stitch (SHS) but do not snug. Instead pass your shuttle back to front thrice through the open leg as we would normally do for any PDS. 
TIP: There are 3 ways to make the wraps, but once transferred, the result is identical. Follow whichever method you prefer.
2. The 3 wraps are now being snugged ...
3. Notice how the wraps or spirals coil around the Core thread. 
They are, after all, the additional 'legs' of the stitch.
4. Continue with 1DS.
Repeat from steps 1 to 4 for desired length.

5. A ring and a chain with spiral knot stitch or variable padding.
Notation example for Spiral Knot Stitch (no FHS in the PDS) - 
Ring or Chain: 4, [1pds(-,3), 1]x4, 4.

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VAPOUR STTICH - by Ninetta Caruso (2011)    (https://www.flickr.com/photos/ninettacaruso/5660263485/in/album-72157625550124777) more popularly known as the Vapor Picot. This can also be considered a variable PDS, but with a notable difference in the initial step itself. 

UPDATE: This stitch was used in a ring by Rhoda Auld in her 1974 book but constructed a bit differently. More about it in a future post.

1. Make the first half-stitch (FHS) but do not snug. Pass the shuttle from front to back through the loop but BEHIND the open leg. The crochet hook shows how the shuttle would need to move.
2. Here the shuttle is following the path outlined above.
3. Repeat the step twice more, thus making three wraps behind the leg (they are now around the leg). The thread tends to twist.
4. Now transfer the wraps to the ball thread and gradually allow the wraps/spirals to move down snugly. Notice how the wraps are stacked one above the other vertically - the complete opposite of spiral knot stitch. (Compare pic #3 of spiral knot stitch with pic #4 of vapour stitch)  
5. Tat second half-stitch to complete the vapour stitch.
6. Vapour stitches on ring and chain. In the ring, they are contiguous. In the chain, 1 DS separates 1st and last vapour stitch from the 3-stitch cluster in the center.
Notation example for Vapour Stitch (wrapping behind leg of FHS) - 
Ring : 7pds(3,0).
Chain : 8, 1pds(3,0), 1, 3pds(3,0), 1, 1pds(3,0), 8.
 
Both effects together. I have limited my samples to the very basics. It is interesting to play with the number of wraps especially as shown by Ninetta. When you increase the number of wraps, we get a curved coil. 

When I told Ninetta of my discovery, she remembered that Karen Cabrera had also made the same observation, having consecutively shot videos for both stitches! Watch her demos in Lessons 131 and 132 (http://entrelanzaderas.blogspot.com/2010/10/clases-de-frivolite-tatting-lessons.html)

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Now this next effect is not strictly a padded double stitch but I found it so interesting when I had tatted my first sample as Anita and I worked through the book (or started to but never finished!) last year. (https://tipsaroundthehome.blogspot.com/2023/06/bigger-flower.html).

KNOBBLY  LINE - Anne Dyer (1993). The way this is worked is completely new to me, but very easy. I do hope to use the effect in some project. Applicable to both rings and chains.

We work 2 DS, but leave a very small picot space between them without snugging. Start the 3rd DS but move the ball thread loop over the open space before tensioning the half-stitch. Follow this by a normal SHS. This is seen in the right sample above. She says to make 'sure the twist is on the top and not at the back'. I found this a wee bit fiddly this time and had to manually coax the thread into the desired twist.
The sample on the left is made similarly, but I let the loop slide and sit 'naturally' following its normal grain or twist. Thus the 'bar' faced back. The difference in look is evident and I kind of prefer my variation, LOL. 
The same samples as seen from the back are also interesting.

So, while this knobbly line does not strictly conform to PDS or variable PDS, there is a tiny bit of 'padding' since a half-stitch is tightened over previous work. And I like the effect!
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If you have managed to read this far, I commend your patience and passion! And I'd like to stress that this is not a comprehensive listing of variable padded stitch effects. It is probably the tip of the proverbial ice berg. Why not create your own?

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Many thanks to all mentioned above - they enrich our world of tatted lace!

Thursday, 26 September 2024

complimentary

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 Two complimentary copies arrived a few days apart!

The IOLI Bulletin Summer 2024 - Volume 44 Number 4. It has a spectacular display of vintage laces from various museums and places! I just sat ogling at their intricate beauty. 

And tatted lace was represented by a sole article - SOUPing the Cards by yours truly.
Long time readers of my blog might remember that I often sew or use tatted motifs in different ways. Once such is on greeting cards which I shared in the article along with a few tips and notes. 
https://tipsaroundthehome.blogspot.com/search/label/tatting%20SOUP

  
And then this arrived!!! Lilas Joublet's, who we fondly know as Lilas Lace, new book 'Cluny Tatting Experiences'. In mid-August she contacted me for my address which came as a complete surprise. It seems she had referred to my Cluny tatting tutorials/pictorials and wished to send me a copy as  acknowledgement! She also included a lovely handwritten message with her name 💗

I love the layout of her bi-lingual book. I have already watched a few of her videos (through QR codes) and am eager to try out a few of her lovely patterns. She has written the book as a kind of log or diary of her experiences with her entire Cluny tatting journey. 

Many many thanks to Liz and Lilas - these complimentary copies brighten up my tatting corner and my tatting-filled heart!

UPDATE: Please be careful while buying a book! Read why here - https://lilas-lace.fr/blog/2024/10/12/dont-buy-just-any-tatting-book/


Tuesday, 24 September 2024

DRR long time

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 Can't believe its been six years since we worked the Design Round Robin (DRR) doilies in Craftree and I find that I have posted round-wise pics of only one doily! Time to rectify the situation. However, I will have to limit myself to pics, 'coz it is too much work to hunt down my notes for each round I either designed or tatted. Good for you, huh, less to read ... but plenty of pics! ;-D 

Dancing Peacocks
Design Round Robin 2018 (DRR 2018), Craftree
Muskaan, Coretta, Kathleen, Tim, Coretta.

Worked in Anchor embroidery threads, 3 strands equivalent to Lizbeth size 20.

Round 1 - Muskaan. I designed the center for this doily. 

The green/blue one was made first but not being happy with my tatting, I started over with the bottom one. This pattern is originally from my enclosed space medallion phase with only minor tweaks to add picots for joining subsequent rounds. It has triple onion rings where the innermost Josephine ring is made using the floating beads method so that it stands a bit apart. 
Dancing Peacocks Medallion design process - https://tipsaroundthehome.blogspot.com/2018/01/mad-or-maddening.html
Dancing Peacock Earrings derived from the medallion -https://tipsaroundthehome.blogspot.com/2018/01/floating-with-tatting.html  Later that year Anita Barry taught this pattern at the Palmetto Tat Days.

Round 2 - CORETTA L.  

I like how she opened up the design!

Round 3 - KATHLEEN M.  
So much to learn in this round. However it started with me having to snip off quite a length and restart because of some mistakes - https://tipsaroundthehome.blogspot.com/2018/06/rotten-core.html

She used her tweak on the Captured onion ring technique, which I have been using since. 


Round 4 - TIM K.  
He designed the round in such a way as to fit any tension.

He used Split SCMR and also shared a video on how to make it in his blog - http://timtatstoo.blogspot.com/p/the-split-self-closing-mock-ring.html
However I remember discovering that the split scmr was not really needed in this case and explaining how to go about it. 

This completed our round robin of four designers. Started in Feb 2018 and finished within the same year. Design round robin entails we each tat all the rounds of each doily sequentially designing and tatting by turns. No need to mail off the doily ....
I felt we could do with another round or two, but was not sure how to go about it. In March 2023, Coretta worked out a 5th round and shared it!!! I tatted it early this month.

Round 5 - CORETTA L.  
After mulling over the colour scheme since I wanted the round to reflect the earlier colours, yet not be too overwhelming or bright, I came up with the following solution... 

The onion rings are tatted in three peacock colours but as separate motifs. Carrying 3 extra threads encapsulated within the chains would add too much bulk and skew the arches.
The tails are hidden or sewn, but left untrimmed. Couldn't risk any tail being pulled out when the outer chain round was tatted and joined! 
Green for border would make the entire composition too greenish which is why I chose to repeat the inner round blue; it also carries forward the peacock impression.

All trimmed and done. However, I used 4 strands of blue after realising that 3 might not allow the doily to lie flat since my chains are usually tight.

Anchor embroidery 3 strands equivalent to Lizbeth size 20.
Orange - 0333 ; Yellow - 0306 ; Green - 0258 ; Purple - 097 ; Blue - 0170 (4 strands in last round).
Final diameter - 17 cms or just under 7 inches.
This additional round has really brought the entire design together and I love how it looks. What do you think? Too many colours or ....

You can find the Dancing Peacocks doily pattern here - https://docs.google.com/document/d/1LBml-8Q0WYbCQyBrSLVKg713T9D3HE9YAPlKmg3wxTo/view

Many many thanks to Coretta, Kathleen, and Tim and a very special thanks to Grace Tan for her forethought in creating the Google docs for each doily!  

I am also entering this doily for both the 2024 games ....
Small Decorations hosted by splocik - This doily is my submission for September.
The August gallery of submissions is posted here - https://splocik2.blogspot.com/2024/09/male-dekoracje-2024-galeria-sierpniowa.html  with such a diverse range of projects!

And this doily also crosses off several blocks in Natalie's PICOT Bingo!
- Tat a Doily
- Josephine Ring
- Onion Ring
which means I have a 2nd BINGO - the 4th column is done!!! My first bingo was posted here - https://www.patreon.com/posts/picot-tatting-we-110762797
Actually I've finished tatting some more but blogging is taking a backseat ....

Thanks for the fun Natalie and splocik!