2D solid tatting

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 Carolyn Craig's journey of 3D solid tatting started with a flat 2D fabric which she first made and shared publicly in 2020.

This was the piece. In her words -

"My first piece of solid tatting was for a tapestry purse in 2020. I tatted a flat piece of solid tatting for tube at the bottom of the purse for a scarf or umbrella."

This is what the 2D solid tatting fabric looks like without the appliqued tatted letters. It is worked continuously in to and fro rows with a shuttle and ball. Thus we work from the front from left to right, turn work and go back from right to left in continuous succession and repetition.

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Above is my first attempt when she privately discussed her process with me. I chose to start with a ring and worked in continuous chains around it.  It is worked all from the front and the joins are made through the waistband of each double stitch (she calls this LFW - lock join front waistband) of the previous round.

My mistake was to use knitting cotton size 10. This is not as firm as crochet cotton. Also I couldn't always make out the joining point and probably fudged.

Nevertheless it gave me enough of an idea of how Carolyn worked her solid tatting.

One can continue this piece and end up with a 3D model but more on that in the next post.

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Meanwhile Carolyn has created a PDF with her pictorial on flat or 2D solid tatting. She graciouslygave me permission to share her work here. I like the applications she included towards the end. 

2-D Solid Tatting with Carolyn Craig April, 2026 PDF - 

https://drive.google.com/file/d/12-ti9Ut7j9KXvrubxncW1mK3lnhvRnFE/view

The tutorial starts with a foundation chain rather than a ring and I followed along ....

 

Her tip about using a marker or pin is Really helpful. 

This time I used Anchor crochet cotton size 20 in single colour and worked off a ball with single shuttle.There were some errors and I had to re-tat the 3rd row ... practice will make it neater.

This is how it looks from the back - like knitting!!! Seed stitch as some members said.

TIP: In a square or rectangular piece where we alternate between working rows from the front and the back, all joins are made through the 'hidden picot' since we are not deliberately making any picot.  Carolyn terms this the LBW (Lock join to back waistband), 

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Carolyn pointed out that while some pinholes are fine in a flat piece, if we wish to use it for 3D, the space should be as minimal as possible to avoid any stuffing from being visible. So I continued with tighter stitches ....

You can see the difference between the upper and lower halves. 

Texturally, too, the upper half is stiff. Although I do like the lower one - it feels more cloth-like when handled. Each has its use.

The same sampler from the back. The seed stitch pattern is more obvious in the lower half than the upper one, though it could be my own fault.

At present this is set aside. Oh by the way, I used 7 double stitches per row and am certain there was some fudging at some of the turns.  

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So far, when worked in ROWS of 1DS chains, it is nothing different than Dora Young's patterns. The difference is merely in design; in the combination of dense and open areas. And she deliberately made 'picots' at each lock join. 

Since I last posted, this is how far my Dora Young's Round Pinwheel Doily from her 'All New Knotless Tatting Designs' (2nd ed) has reached.  As of 5th Oct 2025, it is 14 cms or 5.5 inches in diameter. The dense pinwheel is complete and only the open chain rounds are left. However, I ran out of thread and couldn't decide on how to proceed. 

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To recap, 

Solid Tatting is simply dense area(s) in any tatted lace. Usually the dense is interspersed with lighter/airier portions in interesting designs. Solid tatting also includes tatted formations such as blocks, coils, tallies, onion rings, etc. Remember how many of Eleonore Endrucks'  patterns have broad and diversely shaped blocks interspersed with more open areas? Die Schiffchen-Spitzen, 1920 -https://docs.google.com/document/d/17LEVftXweztBIOWh4sL4BB7bX65ssoOsOn4oXIgCepY/view. The difference is that she uses longer chain segments as well as segmented blocks rather than single DS chains. Even before Endrucks. we come across a couple of projects in Lady Hoare's book (1910) where continuous rounds of tiered chains provide a dense highlight to patterns.

UPDATE: Double Chains also offer a solid design option, however they require a minimum of Three threads - https://tipsaroundthehome.blogspot.com/2024/09/pleasure-and-pondering.html

However solid tatting can also be applied to 3D models as we shall see in the next post. 

Many many thanks to Carolyn .... the best is yet to come! 

pleasure and pondering

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 Something old something new with loads of fun and possibilities. I found it listed in Karen Cabrera's Lesson #151 - Double Chain. At the end of the video is a model which was clearly a Jane Eborall pattern. However when I went to Jane's Techniques page, there is no listing for it. Finally I traced down the pattern where she used it - Butterfly with Fancy Edging (2001 rewritten 2011).

And I went a couple steps further, playing with some effects. This is merely a small window into possibilities which can be explored in future. In the above pic you see the three samplers and details follow ...

Abbreviations used: SH = shuttle ; SS = switch shuttles ; DS = double stitch ; RORS = reverse order reverse stitch (as in RODS) ; DC = double chain

Original Double Chain using 3 threads. All double stitches, but you switch shuttles and core threads. 

Step1: SH1 is the active shuttle (lavender) and SH2 thread forms stitches (green). Make 1DS and SS.

Step2: SH2 is the active shuttle (green) and SH3 thread forms stitches (brown). Make 1DS and SS.

Repeat steps 1 & 2 to desired length.

If using 3 colours, the first one remains hidden.

What if we added another thread? 'Double Chain' or should we say 'Triple Chain' using 4 threads. At least 3 shuttles are required while the 4th one can be a ball.

The process is exactly the same, except for the additional thread requiring an extra step.

Despite how they've been photographed, these are not straight chains. When I tried to straighten the DC variation, the SH1 core thread (green in this case) became visible between the stitches. Does make for a nice effect, though. The more threads you add, the wider this colour blip.

TIP: Yes, they can become straight if we use a thicker thread in SH1. 

NOTE The SH1 core thread remains free throughout but the other core threads become 'locked in'. Hence care should be taken to snug each stitch properly.

Since multiple shuttles are used, we can throw off rings and make chains! Imagine the free-styling one can do! And of course we can add beads in so many wonderful arrangements and colours!

In the above sample, I allowed the chain to curve.

TIP: This double chain can be used to make mock rings.

When I showed Ninetta a sneak peek, she sent me a link to Edda Guastalla's site where she has used and diagrammed the double chain technique.

https://digilander.libero.it/chiacchierino/tecnica/bordooro.html . Not sure about the year yet.

Its not just fun and games. There are several lessons and some startling observations that emerged from this project! Let me share these with you and would love to read your insights and feedback.

Comparing Double Chain with other Techniques

1. Is it Pearl Tatting? 

To the extent that there are extra/auxiliary/additional threads, it can be considered pearl tatting. However there are differences - 

    the chain is not straight ;

    stitches face the same way, not opposite ; and

    the stitches are in two separate tiers, not on a common core thread.

2. Is it a Cord or cord tatting?

No, because the chains have a tendency to curve just like regular chains. The reason is obvious because the broader stitch caps are all lined up on one side. See TIP above.

3. Is it similar to Daisy picot?

Yes, it can be considered a chain version of the daisy picot technique. This is something I tried on the last few stitches and it worked.

    the stitches are two-tiered ;

    the double chain can be worked with only one shuttle (SH2 in the tatted sample) and 2 balls, making DS with one thread and RORS with the other thread. The reverse order reverse stitch (RORS) has to be coaxed gently to face outward (like the DS) and then repeat. 

    

4. Is it Helix Tatting?

Now here's the clincher! It is actually a precursor to helix tatting! It is the 2D version with exactly the same technique/process.

If we add more threads and join it back to the first thread, voila, we have a hollow tube as in helix tatting! 

5. Is it ATT?

Alternate Thread Tatting is a term coined by Shuttle Brothers where two threads (and often two shuttles) are used to make rings and chains incorporating an array of effects involving picots, thrown rings, colour switches, etc. 

    stitches all face outwards and they use the daisy picot a lot ;

    but the ATT chain is made with only two threads, not three (or more) ; 

    While rings (ATR) are made with two threads, the double chain (with 3 threads) can only be joined back as a mock ring. 

I think we can clearly rule out ATT.    

6. Is it TATHing?
Tatting with Alternate Thread is a term coined by Judith Connors where two shuttles are used alternately on the core thread as in pearl tatting, Maltese rings, daisy picot. 

    In this double chain, the stitches or picots (if any) face the same way, but it can be tatted using the daisy picot method. 

    However, the chain does need three threads to be made.

So where do we stand on this point? I'm not sure. Does TATHing include effects where the stitches face the same way? 

This is it for now. Hope to hear your thoughts and input.

UPDATE (10th Sep 2024): In Priscilla Tatting Book No.3, a 'double chain' is illustrated (Diag. 7) for the Tatted Centerpiece made with Needle and Shuttle pattern. Here some stems are worked as normal chains with a shuttle and then a second tier of stitches are inserted between the stitches below using a needle. Thank you, Mary A!

Many thanks to all mentioned. Its always a productive day when we learn something!

trials and jubilation !

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Trials can cause tribulation; perseverance & practice can turn those trials into jubilation !

Ikuta’s Picots

When Georgia posted the May 2nd class material online, I immediately wanted to try out the 3rd Method of Ikuta’s Picots. These are from Mituko Ikuta’s book “Shuttle Lace - Tatting & Bead Tatting 3” published in the late 1990s. 

The 3rd method has a beautiful overlapping & interweaving of picots along the edge. But it took me over an hour of trials & tribulations to figure out how ! That called for some jubilation.

We have a review class this Monday, based on the pictorial I prepared. As usual, once I start, it is difficult to stop – from the main road, diverging on to alternate paths & by-lanes. Well, one needn’t make the entire journey; or one can make it at one’s convenience. The main pictorial is just about 3 pages, rest includes the by-lanes. 

Here is my pdf link for free download : Ikuta Picot Method 3 Pictorial .

Ninetta shared a couple of pics and a beautiful butterfly using these picots (also included in the pdf). She will be sharing the pattern soon – keep an eye out :-)

Ikuta’s Picots – Method 3 Pictorial

1. The pictorial is based on this pattern here :  This is a 6-ring pattern without any joins.

Pattern for each ring : 3 – 3 – 3 – 3 – 3 – 3 – 3 – 3 – 3 – 3 – 3

(blue numbers indicate ring segments & SH1 picots; pink indicate chain segments & SH2 picots)

2. Requires 2 shuttles.
3. Effect is more visible when using 2 colours.
4. The tatting is broken into alternating segments as seen in the 2 colours that show up :

ring segment worked with main shuttle as a normal ring , and

chain segment worked with 2 shuttles as a chain.

5. The chain segment can be worked either as normal Double Stitches ( Sec I of pdf ) or by using Reverse Stitch (unflipped/wrapped stitches) but ensuring that the caps align with the previous segment ( Sec II p4).
   
6. One can start (& end) by hiding the tails in different ways, as depicted in Sec III pages 5 & 6.
7. The need for 2 shuttles arises because 2^nd shuttle has to be posted through the ring in order to achieve interwoven picots. These picots can be interwoven either Under-Over or Over-Under based on their visible overlap. The former are covered in Sec I & II ; the latter are explained in Sec IV on p7.
8. In the pattern, the 2^nd shuttle thread can perform the function of joining adjacent rings (as seen between rings in lead pic) or become a decorative bridging ‘faux picot’ (Sec IV p7). This faux picot has been used to excellent advantage by Ninetta as antennae for the butterfly !
9. An easier spin-off is the “Layered” picot (Sec V p8). By keeping 2^nd shuttle to the left at all times, the picots formed do not intertwine, but do overlap in a layered effect. One does not need to post the shuttle in this formation.
10. I haven’t tried it at the time of making the pdf,  but these picots can be tatted on a chain too. Scroll down for details & sampler. 

There has been a suggestion that the process of tatting Ikuta Picots on a ring is the same as the Shuttle Brothers’ Alternate Thread Ring (ATR or AT Ring) from their 2003 book - "Tatting Alternate Threads". 
I later came across Gina Butler’s video inspired by the ATR technique. The way she wraps the threads is same/similar to what I figured out. 
As for the picots themselves, from my internet search, Ikuta’s picots overlap differently from those of the ATR. I do not have any of the books, so cannot make a conclusive statement. Hopefully it will be discussed in class.
I tend to agree with Nina Libin that if one knows the AT tatting method, then making these picots is a simple variation of effect rather than technique. I have no idea of the process Ikuta herself followed.
Some stunning effects can be created by stringing along beads !!! Nina shared pics of her Beanile pieces using ATR technique and probably Ikuta’s picots. 

The same interwoven picots effect is possible on a chain. Here is my quick trial. It first reminded me of Jane Eborall's Double Chain ( sampler #27 here ) because 3 threads are needed. However, they are different. More about that in some future post.

Here's how to get the method 3 effect on a chain :
Use at least 1 shuttle which acts as the core thread (red in pic) throughout. 2 more auxiliary threads are required (yellow & green in pic) which make the alternating double stitch segments. Leave sufficient length of picot space before starting each segment. Both types of overlap (under-over & over-under) are possible by bringing the necessary auxiliary thread forward. It is very quick to tat up & can make pretty braids, outlines, decorative elements, etc. 

UPDATE : For beginners,  it may be a good idea to start with the picots on a chain ; then try the 'layered' effect, before moving on to the actual Method 3 with interwoven picots.

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Method 2 of Ikuta’s Picots 

This is also very interesting, especially if one adds beads to the long picots, or one interweaves them. It is something I had tried a couple of years back, inspired by an image, not knowing the name of the picot then. . These are simple long picots that are joined to the adjacent ring. We know them as Double Picots when they are joined back to the same ring. 

My practice piece of 2014 varies from the original image in the use of 2 colours to highlight the overlap between picots. Hmmm, I now notice that these have an over-under overlap ! 

The lesson shared goes a few steps further : There are 4 long picots in each ring, 2 of which are joined to the adjacent ring, creating a lot of overlap. I had to abort it, though, because the stated picot length of 1" (or 2" when open) turned out to be too short for the effect to show, as can be seen in the collage. 

Secondly, the instructions said to join picots 1 & 3 of each ring to 1st & 3rd positions in next ring. However the tatted model shows that picot 1 of ring 1 is joined to 2nd picot position of ring 2; and 3rd of ring 1 to 4th of ring 2. 
I chose to follow the image, but added an interweave. But another trial with at least a 1.5 to 2" long picots will show the effects.
Can't celebrate yet; just happy to be on the right track ....

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And before I leave the topic of picots, here's a reminder of my Double Daisy Flowers - love the picot effect here !

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Ninetta's Bracelets Capriccio 

I’m sure you remember my tribulation during Ninetta’s small Curled Rings trials here. I needed to redeem myself as well as gain confidence that indeed I have understood it. Hence here is another sampler I tatted that includes 3 versions of her Bracelet Capriccio. Her videos were a great help ! All her videos can be accessed on Georgia Seitz's Online Advanced Class Videos 

Still not there, but I do think I can celebrate a bit ... the tatting went very quickly this time, with minor mistakes.

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And the latest from this amazing designer : Mediterranean Tatting Diet ! A tat-along bookmark !! I had time to tat only one strawberry in size 40 thread. The calyx is in shaded silk thread, doubled up.

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Many thanks to all the wonderful tatters named in this post !

happy tatting :-)

Related Posts :  Daisy Picot flowers

trials and tribulations

Chains in Shuttle Tatting