tat-alongs and common threads

Wiosna 2016

A doily tat-along by Renulek

Both rounds 5 & 6 were tatted quickly. Nothing much to relate here. Cream thread in size 40.

In Round 5, with just a few repeats left, the thread in one shuttle was on the verge of running out. So I made an overhand knot (SLT – see below) & switched shuttles.

With 5 picots, it was difficult to guess where Renulek would join her next round. So I decided to cut & hide threads & start Round 6 afresh.

Round 6 : I chose to tat entire round clockwise from front, hence inner ring with RODS & chain & floating ring tatted normally. This was an extremely fun round! There is clearly only 1 joining point for the next round, so I climbed out with a split chain & split floating ring. 

Shuttles are waiting for the next round pattern to be released. 

–Ω–Ω–Ω–Ω–Ω–Ω–Ω–Ω–Ω–Ω–Ω–Ω–

Mediterranean Tatting Diet

A tat-along bookmark by Ninetta Caruso

Strawberries

I already posted an image of the first strawberry. No beads. Can’t bring myself to have beads, howsoever small, within the pages of a book. First strawberry posted here.

For 2^nd strawberry (the left one), I tweaked the outer chain round by +/- a couple of stitches, depending on how much curve I wanted. We each tat with different tension & it becomes necessary to adjust accordingly.

Both strawberries were made with decent lengths of scrap threads in size 40 & the curled ring calyx tatted with silk thread doubled up.

Leaves

Made with 2 silk threads in shaded green.

What I did for Leaf #1 ...

• Instead of using a pin/clip to hold picot, small picot & direct tatting (reverse stitch) of chain;
• Slope & Roll join instead of Lock Join in order to avoid colour blips ;
• Pointed chain for tip, but within the reverse stitch ! Then I switched shuttles in order to keep the shade same.
• Instead of LJ, SS at the last ring , I used Reverse Join which automatically does that same job but in one motion.
• Directional tatting throughout, including for split rings.

I've started the 2nd leaf as a mirror image of the 1st. Total 4 leaves are required. 
I Love  the fact that there are no ends to hide in the end !!! But I have had to make a knot to keep the silk threads from unraveling.

–Ω–Ω–Ω–Ω–Ω–Ω–Ω–Ω–Ω–Ω–Ω–Ω–

                                 

                             COMMON  THREADS 

I was going to do a couple of posts under the heading Common Threads in order to tease out underlying commonalities between seemingly different techniques or effects. Details about the topic in a separate post, but it seems appropriate to share this set here. Please note that this is based on my own comprehension & the resources at my disposal.

So, what does a shoelace knot have in common with a Celtic picot or angular chains ???

SET 1 : Overhand Tie

The underlying common factor is a regular overhand tie made on the ‘chain’/auxiliary thread (or the thread that forms the stitches). This set focuses on the similarity of construction, though it’s applicability and visual effect may be different.

1. Shoelace Trick (SLT) – an overhand tie for functionality. 

It is used to switch shuttles either for colour change or if thread in one shuttle is running low. Needle tatters use it to close rings & chains.

The ‘SLT picot’ in above picture served to change colour midway through a chain, 

with a small picot added to follow the overall pattern.

2. Celtic Knotted Picot (CKP) by Sabina Carden-Madden (May 2005)

an overhand knot for decorative picots that also provide an extra joining point.

An overhand tie is made to the ‘ball’ thread for chain or to the ring thread before starting the ring. But the tie is left slack or on a picot gauge such that a decorative woven picot is created with 2 joining points. It can be made both on chains and rings since the core thread remains free.

CKPs both in the inner round as well as outer round, facing opposite direction.

3. Puncetto Knot by Ninetta Caruso (April 2011)   and

4. Pointed Chain by Jon Yusoff (June 2011)  are basically the same.

a tensioned overhand tie to create an angular point in a chain.

An overhand tie is made with the ‘chain’ thread or 2^nd shuttle, encapsulating the core thread within, and then tensioning it. One knot each for the 2 half stitches, thus adding a bit of bulk to the caps to create a visual point. It can only be made on a chain or mock ring, not on a true ring, since the core thread becomes locked.

In Puncetto, by pre-forming a SH2 loop under core thread, & passing SH2 through it, there is an economy of movement -- the link is accomplished in 'one pass'. This may be easier to do in direct tatting (wrapped/unflipped/reverse stitch) as in the bookmark leaf above since the shuttles are already in position.

In this vintage edging pattern, the inner circle is done as directed in the pattern. 

However, for the outer circle, I made the chains pointy 

& suddenly the pattern seemed to acquire character :-)

BUT 

there is one major difference between the techniques listed in this set. 

Can you spot that when you compare the tutorials ?
scroll down further for the answer

Update : Set 1 of Common Threads has been renamed ‘Overhand Tie’ (instead of overhand knot) after a discussion on Craftree. Two ties in succession create a knot. A knot conjures up the image of something that has been tightened, whereas a tie is like a ‘half-knot’ with slack that can be loosened easily if required.

happy tatting :-)

 Related Posts : Rounds 1-3

 & Round 4

 first strawberry

visual functionality of SLT

fun with CKP

encircling edgings 

ANSWER :  The overhand tie for SLT is made by overlapping both the threads ; the knots for CKP, Puncetto knot & Pointed chain are made using only one thread. In CKP, there is no encapsulation of other thread ; in the other two, there is encapsulation of core thread.